scholarly journals Sagapò e Soldatesse: la Grecia degli invasori

Author(s):  
Luca Gallarini

Among the many authors who covered the Italian military occupation of Greece (1940-1943), Renzo Biasion and Ugo Pirro still stand out as being the most influential. Their books, halfway between memoir and fiction, tell the stories of soldiers living their youth in a dreamy yet dangerous world, where all men have been deported as war prisoners, and everyday products such as gasoline display Homer’s alfabet. The antifascism of Sagapò (1953), which inspired the Academy Award-winning film Mediterraneo (1991), and Le soldatesse (1956) lays therefore in the rediscovery of a common heritage, both ancient and modern.

2020 ◽  
Vol 9 (3) ◽  
pp. 393-402
Author(s):  
Elizabeth Macpherson

At the end of the 2015 Academy Award-winning film The Big Short, which explores the origins of the 2008 Global Financial Crisis, a caption notes that the Wall Street investor protagonist of the film who predicted the collapse of the United States (US) housing market would now be ‘focused on one commodity: water’. Water is sometimes described in popular culture as ‘the new oil’ or ‘more valuable than gold’. It is predicted to be the subject of increasing uncertainty, competition, conflict, and even war, as increasing demand from a growing human population and development meets reduced supply as a result of poor management, overuse, and climate change.


1998 ◽  
Vol 64 (2) ◽  
pp. 227-238 ◽  
Author(s):  
Stephen P. Safran

Going to the movies and viewing videos are very popular forms of entertainment. Cinematic stories and characters influence perceptions and opinions of many viewers. Studying film depictions, therefore, provides a unique perspective on society's views of individuals with disabilities. The purpose of this descriptive study was to investigate trends in Academy Award winning films that portray persons with disabilities. Over the decades, there have been an increasing number of awards involving “disability” movies; psychiatric disorders have been most frequently portrayed. Only two of the motion pictures identified presented children or youth with impairments, while none featured learning disabilities. Implications for special education professionals, with particular emphasis on using films for instructional purposes, are discussed.


Author(s):  
Bernard L. Herman

The closing chapter pulls together the many strands of foodways that continue to define the Eastern Shore of Virginia as a distinct and distinctive terroir. The chapter begins with an African American church menu and turns to a group of award-winning contemporary chefs for their reactions to the listed fare. Every menu is much more than the itemized listing it provides. Menus are invitations to invention through pairings and juxtapositions. They are a literature where individual items speak to the expertise of the cook and the expectations of the diner. Menus are the most optimistic of all literary forms. They are about art and gratification.


2020 ◽  
pp. 105-144
Author(s):  
Thomas M. Lekan

This chapter explores the politics of scientific knowledge and visual representation of savanna environments in Bernhard and Michael Grzimek’s bestselling book and Academy Award–winning documentary film, Serengeti Shall Not Die (1959). It shows how the Grzimeks used their iconic airplane, nicknamed the “Flying Zebra,” to conduct ecological reconnaissance and employ aerial filmography. They depicted the Serengeti as an untouched ecosystem and a global heritage of mankind, despite its history of pastoralist land use and as a battleground between contending German and British imperial forces. Following international conventions established in London in 1933, the Grzimeks insisted that the Serengeti should encompass the entire habitat of migrating wildebeest—and not, as some officials in the Tanganyika Territory insisted, be divided to accommodate the local Maasai people’s customary cattle grazing. The Grzimeks failed to stop the redrawing of the park’s boundaries, partly because the airborne camera never expunged the Serengeti’s “ghosts of land use past.”


This book provides an interpretative guide to using a fundamental resource for the study of the ancient Greek world. Personal names are a statement of identity, a personal choice by parents for their child, reflecting their own ancestry and family traditions, and the religious and political values of the society to which they belong. The names of the ancient Greeks, surviving in their tens of thousands in manuscripts and documents, offer a valuable insight into ancient Greek society. The chapters collected here examine how the Greeks responded to new environments. They draw out issues of identity as expressed through the choice, formation, and adaptation of personal names, not only by Greeks when they came into contact with non-Greeks, but of others in relation to Greeks, for example Egyptians, Persians, Thracians, and Semitic peoples, including the Jewish communities in the diaspora. Grounded in the ‘old’ world of Greece (in particular, Euboia and Thessaly), the book also reaches out to the many parts of the ancient world where Greeks travelled, traded, and settled, and where the dominant culture before the arrival of the Greeks was not Greek. Reflecting upon the progress of the Lexicon of Greek Personal Names project, which has already published the names of over a quarter of a million ancient Greeks, it will be of interest to scholars and students of the language, literature, history, religion, and archaeology of the ancient Greek world.


2000 ◽  
Vol 93 (8) ◽  
pp. 670-679
Author(s):  
S. I. B. Gray

THE ACADEMY AWARD–WINNING MOVIE Sense and Sensibility presented a wonderful vision of life in early nineteenth-century England. In the absence of television, radio, movies, and videos, families sought entertainment in a manner far different from today's. The Dashwood girls—Elinor, Marianne, and Margaret—filled their days with visiting, reading, practicing the pianoforte, needleworking, and letter writing, not to mention gossiping and matchmaking. Long days were highlighted by a wonderfully relaxed midday family meal, during which conversation was paramount. Above all, Jane Austen portrays a concern for the thoughts and feelings of one's immediate acquaintances and pride in one's village.


2012 ◽  
Vol 62 (1) ◽  
pp. 5-28
Author(s):  
Ann W. Astell

An international bestseller when it first appeared in 1941 and the inspiration for an Academy-award winning film, Franz Werfel's historical novel The Song of Bernadette has received surprisingly little critical attention. Written against the background of the Nazi persecution of the Jews, the Song chronicles the Marian apparitions at Lourdes, France, in 1858 and the life of the young visionary, Bernadette Soubirous. A once-celebrated émigré writer, Werfel identified himself as both Jewish and Christian. His Song of Bernadette deserves recognition not only as a masterpiece of realistic hagiography, but also as a complex philosophical and theological commentary on modernism and Judeo-Christianity.


Author(s):  
Olga Vladimir Panić Kavgić ◽  
Aleksandar Kavgić

The paper deals with taglines associated with US Academy Award winning films and nominees in the period between 1990 and 2018. The list of taglines was compiled based on the database of winners and nominees in the category of Best Picture over the past 29 years. Preceded by a theoretical – linguistic and cinematic – discussion of taglines as memorable dramatic phrases and advertising devices whose aim is to attract audiences by echoing the tone and essence of the films they represent (e.g. “The List is Life.” from Schindler’s List, or “Trapped. Hunted. Surrounded. Survive”, from Dunkirk), the selected taglines are classified based on extralinguistic and textual factors, and mechanisms of linguistic creativity at the phonological, graphemic-orthographic, lexico-semantic and syntactic levels and sublevels. It is expected that exploiting noun phrases or simple memorable sentences containing elements of language creativity, achieved by wordplay, figures of speech and/or phonological means, and aided by various socio-cultural references, will prove to be the most frequent and productive formula for forming a successful tagline. The methodology employed in this research is qualitative – the analysis is carried out by means of discussing and exemplifying various patterns of film tagline formation at the aforementioned extralinguistic, textual and linguistic levels.


2021 ◽  
Vol 6 (10) ◽  
pp. 10
Author(s):  
Arindam Patra

British Guardian Prize winner and thrice nominated for Booker Prize, famous Indian novelist writing in English Anita Desai’s Sahitya Academy Award winning one of the masterpieces Fire on the Mountain published in1977. The book focuses on an elderly widow’s isolation and loneliness as it tells the story of Nanda Kaul who lives in Kasauli and leads a solitary existence. The old lady, Nanda lives alone in a colonial house on a slope. She gives nobody a chance to interfere with her secluded life. She had spent numerous years thinking about her husband, their kids, and numerous grandkids. She has turned into a loner and remains confined from everybody including an incredible grandkid. This is her circumstance until the point that the colossal grandkid touches base on her doorstep. Raka,a young girl who is wiped out and is as withdrawn as Nanda. The child lives in her very own kind of disconnection as she withdraws into a universe of inward dream where she makes undertakings of pursuing snakes, creatures, and phantoms in the serene slopes that encompass her and her incredible grandma. The old lady sees that both of them share things for all intents and purpose however that a noteworthy distinction exists also. Nanda has been a solitary person while the young lady was naturally introduced to that sort of presence. Nanda gradually starts to need to be a piece of the kid's life and needs to impart her reality to her. Her endeavours, be that as it may, seem, by all accounts, to be futile. Her awesome granddaughter will give nobody a chance to enter her life. Nanda is not debilitated and endeavours to associate with the child by imparting stories to her. Anita Desai talks of her writing as simply ‘stories,’ and of herself as a ‘storyteller’. In this very simple way she has beautifully painted the female characters and their sufferings in the novel Fire on the Mountain which is the focused area of this research article.


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