Should You Believe Wikipedia?

As we interact online we are creating new kinds of knowledge and community. How are these communities formed? How do we know whether to trust them as sources of information? In other words, Should we believe Wikipedia? This book explores what community is, what knowledge is, how the internet facilitates new kinds of community, and how knowledge is shaped through online collaboration and conversation. Along the way the author tackles issues such as how we represent ourselves online and how this shapes how we interact, why there is so much bad behavior online and what we can do about it. And the most important question of all: What can we as internet users and designers do to help the internet to bring out the best in us all?

How Students' Perceptions in Narrative Class (The Lord of Flies) Through Online Collaboration Learning.

Mariwan Hasan (2020), suggests that Golding’s novel can be used in a second language classroom to teach democratic values such as the right to free speech using reader-response theory. Curriculum requires that democratic values be taught through each subject, suggests that students can be taught about democratic values through classroom discussions and writing assignments based on the novel (Ghazal Kazim Syed, 2020). In addition to academic learning, researchers believe that students also gain confidence through the collaboration work. When students conform each other’s opinions in activities involving group work, it makes them confident and comfortable with each other. When the teacher is not around to ask a question, they will be less at pressure. against them (Cynthia S, 2020). The practice of collaborative learning in online education is increasing steadily as many curriculum creators and online course teachers are starting to understand its positive effects on the learning of students. This study aimed to analyze students' perceptions in narrative class (The Lord of Flies) through online collaboration learningu used a qualitative research design was followed by this study. As it is a study of perceptions, a qualitative methodology using a phenomenological approach, the participants of this study were twelve the eleventh grade students, data for this article was gathered through semi-structured interviews. The researcher checked part of the coding against each other to ensure trustworthiness of data. Keeping in light the usefulness of online collaboration learning shown in this study, it is recommended that teachers should take effort to include students in literature online discussion group. Furthermore, it is recommended that similar studies should be conducted in schools and colleges. As this study is recommended for future researchers to check the adaptability of the findings in other contexts.

Beyond the avatar: Using video cameras to achieve effective collaboration in an online second language classroom

In language learning, students learn through interaction with the teacher, the other students, and with the study material, to build language skills. What happens to interaction opportunities when learning goes online? In an online classroom, collaboration is difficult to achieve due to lack of physical proximity among the participants. This paper explores the problem of online collaboration between teachers and students in English as Foreign Language (EFL) classroom with the empirical focus on the role that video cameras play in online collaboration. We argue that cameras, although being contested as a pedagogical tool, should be seen as an important ‘proximity tool’ that helps foster collaboration by bringing learners and teachers ‘closer’. We theorise ‘collaboration’ via the social constructivism lens and argue that collaboration as being ‘close’ echoes in the digital sense with ‘being with’ and is core for developing an ecology of virtual collaboration. We draw on the online survey data from foreign language students and language instructors in one Russian research-intensive university, who were asked how they use cameras online. Quantitative and qualitative methods of data analysis have been used to identify key patterns and emerging themes. The key findings of the study are that 1) cameras could be an important aspect of fostering collaboration online; 2) there is a tension in relationships between students, teachers, and study materials; 3) students and teachers differently perceive the need to use cameras, which may limit opportunities for online collaboration; and 4) while students feel more comfortable when all the other participants turn their cameras on, many do not see turning cameras on for themselves to be important. The paper concludes with a discussion of how camera use can foster online collaboration between teachers and students.

Making user-friendly experiences that leverage online collaboration

<p>The recent rapid advancements in web technologies has led to an increase in the development of new devices, applications and methods of interaction that are continually evolving. However, the rate of these technological advancements outpaces those of design. This has also given rise to a new way of understanding how to work and collaborate online. Interestingly, in addition to this understanding came a corresponding increase in the frequency of online collaborations. A good example of this is a content management system. This system gives the ability for multiple users to collaborate online with the goal to maintain and create content for a website. However, during the time of writing this thesis, most content management systems come with limited functionality and not as user-friendly as they could be. As most of these systems are used by non tech-savvy users. This thesis sets to understand social aspects of online collaboration, new design methodology, and to design and develop a user-friendly interface for both front-end and back-end admin area to leverage the online collaboration within an educational setting. Using both iterative and experimental approaches, I have tried and experimented with a few content management systems(CMS) in order to find their strengths and weaknesses. These CMS being Joomla, Drupal, SilverStripe and Wordpress. Then continued to develop a set of prototypes in which the research findings were applied to aid in the usability of both the front-end admin area and the back-end website.</p>

Making user-friendly experiences that leverage online collaboration

<p>The recent rapid advancements in web technologies has led to an increase in the development of new devices, applications and methods of interaction that are continually evolving. However, the rate of these technological advancements outpaces those of design. This has also given rise to a new way of understanding how to work and collaborate online. Interestingly, in addition to this understanding came a corresponding increase in the frequency of online collaborations. A good example of this is a content management system. This system gives the ability for multiple users to collaborate online with the goal to maintain and create content for a website. However, during the time of writing this thesis, most content management systems come with limited functionality and not as user-friendly as they could be. As most of these systems are used by non tech-savvy users. This thesis sets to understand social aspects of online collaboration, new design methodology, and to design and develop a user-friendly interface for both front-end and back-end admin area to leverage the online collaboration within an educational setting. Using both iterative and experimental approaches, I have tried and experimented with a few content management systems(CMS) in order to find their strengths and weaknesses. These CMS being Joomla, Drupal, SilverStripe and Wordpress. Then continued to develop a set of prototypes in which the research findings were applied to aid in the usability of both the front-end admin area and the back-end website.</p>

Strategies for facilitating creative music collaboration online

Online collaboration between musicians in 2020 is a rapidly developing practice due to a range of environmental, epidemiological and creative motivations. The technical facility to collaborate in a variety of different formats exists via file-sharing services, video conferencing suites and specialist music services such as Splice and Auddly. Yet, given this proliferation of technologies, little attention has been paid into how creative musicians can most meaningfully utilize these new collaborative opportunities within their working practice. In this article, we wish to share some reflections from a case study of online music collaboration gained through our experience of facilitating three online songwriting camps with students from Leeds Conservatoire in the United Kingdom and Rhythmic Music Conservatory in Denmark. This article will particularly focus on the importance of managing roles, the impact of communication tools and the requirement for time management when collaborating online before proposing a set of guidelines derived from this study to help enable productive online creative collaboration.