networked publics
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2022 ◽  
pp. 026732312110726
Author(s):  
Anu Koivunen ◽  
Johanna Vuorelma

This article examines the role of trust in the age of mediatised politics. Authority, we suggest, can be successfully enacted despite the disrupted nature of the public sphere if both rational and moral trust are utilised to formulate validity claims. Drawing from Maarten A. Hajer's theorisation of authority in contemporary politics, we develop a model of how political actors and institutions as well as the media employ both rational and moral trust performances to generate authority. Analysing a Finnish case of controversial investigative journalism on defence intelligence, we show how the media in network governance need to critically evaluate the authority performances of political actors while at the same time enacting their own authority performances to retain their position within the governing network and to manufacture trust among networked publics. This volatile position can lead to situations where the media compete for authority with traditional political institutions.


2021 ◽  
Vol 46 (4) ◽  
Author(s):  
Robert Neubauer ◽  
Nicholas Graham

Background: This article explores the Facebook communications of Canadian oil and gas advocacy organizations, including industry-funded and nominally independent groups.  Analysis: These groups are analyzed as producers of “subsidized publics,” with elites providing supporters with resources that enable them to take political action on industry’s behalf. A social network analysis maps how they link supporters with information from diverse sources, constructing networked publics whose members can recirculate pro-industry talking points. Conclusions and implications: These communications enact powerful forms of network-making power, programming an interconnected echo chamber that interfaces supporters with material from neoliberal extractivist discourse coalitions—networks of industry advocates that industry has itself helped cultivate over decades. Contexte : Cet article explore les communications sur Facebook faites par des organismes soutenant l’industrie pétrolière au Canada, y compris des groupes financés par l’industrie elle-même et des groupes prétendument indépendants. Analyse : L’article analyse ces groupes en tant qu’engendreurs de « publics subventionnés », où une élite accorde des ressources à des partisans de l’industrie afin qu’ils s’engagent politiquement pour le compte de celle-ci. Une analyse des réseaux sociaux montre comment ces partisans fournissent de l’information provenant de sources différentes à un public favorable à l’industrie pétrolière, créant ainsi des réseaux dont les membres peuvent à leur tour rediffuser des éléments de langage appuyant l’industrie. Conclusions and implications: Les communications de ces partisans sont puissantes dans leur capacité à former des réseaux, encourageant des échanges en vase clos qui exposent les participants à des informations provenant de coalitions d’extractivistes néolibéraux. Quant à ces derniers, c’est l’industrie elle-même qui a cultivé leurs opinions pendant des décennies.  


Author(s):  
Fatima Gaw ◽  
Jon Benedik Bunquin

Beyond enabling participatory forms of memory-making, digital media reconfigure power relations in memory construction. In the Philippines, we witness this through the hashtag network #ArawNgMagnakakaw (‘Day of Thieves’) to counter the heroic commemoration of the dictator Ferdinand Marcos sanctioned by the state and supported by online networks that distort and deny his crimes during his 20-year regime. This case illustrates not only how digital media facilitates the negotiation of memory by non-institutional actors, but also how it sets the conditions to resist elite narratives through non-conventional ways of remembering. This study examines the performance of counter-memory (Foucault, 1977) in the intersection of networked publics, counter-narratives, and technologies of memories. We investigate the hashtag network #ArawNgMagnanakaw by mapping its social network and analyzing its discourses as digital practices (Jones, Chik & Hafner, 2015). We argue that the network derives its power from neither elite nor collective actions, but through connective action of structures, discourses and practices of remembrance. Firstly, the locus of analysis shifts from a single actor (‘who remembers’) to the assemblage (‘what enacts the remembering’) as an agent of counter-memory, with technology shaping its possibilities and boundaries. Secondly, the assemblage’s resistance to elite commemoration surfaces silenced and neglected historical narratives (‘what is remembered’) through affective articulations of protest and subversive commemorative practices (‘how is it remembered’). We theorize the ‘assemblage of counter-memory’ as the connective, discursive, and material assemblage that enact political agency to privilege marginalized narratives and play an active role in the (re)construction of memory.


Author(s):  
Lauren B McInroy ◽  
Ian Zapcic ◽  
Oliver WJ Beer

Online fandom communities (OFCs) provide lesbian, gay, bisexual, transgender, queer, and other sexual and/or gender minority (LGBTQ+) youth opportunities to access community-generated LGBTQ+ representations—contrasting mass media’s continued deficiencies in depiction of LGBTQ+ people and communities. This study sought to better understand LGBTQ+ adolescents’ and young adults’ (age 14–29) perceptions of OFCs regarding LGBTQ+ representation and community climate. Qualitative content analysis was employed to analyze open-ended survey questions from respondents in the United States and Canada ( n = 3665). Three primary themes emerged: (1) LGBTQ+ mass media narratives remained insufficient but were improving; (2) counternarratives produced within OFCs were even better; however, (3) the climate of OFCs created challenges and limitations, including to the quantity and quality of depictions of diverse LGBTQ+ identities. Findings indicate OFCs may take on simultaneous qualities of networked publics and counterpublics, allowing youth opportunities to contest LGBTQ+ mass media depictions and problematic representations within OFCs.


2021 ◽  
pp. 146144482110210
Author(s):  
Jannie Møller Hartley ◽  
Mette Bengtsson ◽  
Anna Schjøtt Hansen ◽  
Morten Fischer Sivertsen

Datafication has become an all-encompassing infiltrator in societal processes, among other the formation of publics and the actors that support such processes (i.e. journalism and information technologies). This article reviews four approaches to the study of public formation. These are (1) public and civic connections, (2) issue publics, (3) networked publics and (4) algorithmic publics. The review is a point of departure to conceptually discuss how to study the formation of public in a datafied era and to present a hybrid research agenda with four entry points that can open up for critical analysis of how datafication challenges the relationship between journalism, platforms, algorithms and audiences. Our argument is that a holistic, interdisciplinary and hybrid research approach is needed if the complexity of datafication and its transformative effects on the formation of publics is to be fully grasped.


2021 ◽  
Author(s):  
Jozon Lorenzana ◽  
Cheryll Ruth Soriano

This special issue brings together six research articles that speak to the dynamics of digital communication in the Philippines, a country firmly located in the global geography of the digital economy and an early adopter and innovator in mobile communication. Increasingly, the rise of digital platforms is spurring on new business models and applications that find a wide range of appropriations in a developing economy with a high level of communication skills and a high level of inequality. These dynamics have, in turn, fuelled the popularity of social media and the populism that has gained international attention and, more critically, taken the country into uncharted political terrain. We introduce this Special Issue by taking stock of the legacies and potentials of digital communication in the country and highlighting how the articles sustain and extend past conversations. Drawing from the articles that cover a range of topics (entertainment, intimacy, labour, journalism and politics, scandals and pornography), we identify three overlapping themes that capture the socio-technical dynamics of digital communication in the Philippines: (1) how digital communication is emplaced in material, social and structural conditions; (2) the potentials of networked publics and communication; and (3) the convertibility of capitals and emergence of new competencies. These dynamics and potentials point to the contradictions, continuities and changes that relate to Philippine modernity in the context of global digital capitalism.


2021 ◽  
Author(s):  
Ganaele Langlois ◽  
Greg Elmer ◽  
Fenwick McKelvey ◽  
Zachary Devereaux

Through three case studies of online political activism on Facebook, this article conceptualizes the deployment of issue publics (Lippmann, 1993; Marres, 2005) on Facebook. We argue that issue publics on Facebook come into being through a specific set of double articulations of code and politics that link and reshape informational processes, communicational constraints and possibilities, and political practices in different and sometimes contradictory ways. Using Maurizio Lazzarato’s exploration of immaterial labour (2004), we demonstrate the need to further understand the networking of publics and their issues by considering how online platforms provide the material, communicational, and social means for a public to exist and therefore define the parameters for assembling issues and publics and circumscribe a horizon of political agency.


2021 ◽  
Author(s):  
Ganaele Langlois ◽  
Greg Elmer ◽  
Fenwick McKelvey ◽  
Zachary Devereaux

Through three case studies of online political activism on Facebook, this article conceptualizes the deployment of issue publics (Lippmann, 1993; Marres, 2005) on Facebook. We argue that issue publics on Facebook come into being through a specific set of double articulations of code and politics that link and reshape informational processes, communicational constraints and possibilities, and political practices in different and sometimes contradictory ways. Using Maurizio Lazzarato’s exploration of immaterial labour (2004), we demonstrate the need to further understand the networking of publics and their issues by considering how online platforms provide the material, communicational, and social means for a public to exist and therefore define the parameters for assembling issues and publics and circumscribe a horizon of political agency.


2021 ◽  
Vol 179 (1) ◽  
pp. 3-8 ◽  
Author(s):  
Jozon A Lorenzana ◽  
Cheryll Ruth R Soriano

This special issue brings together six research articles that speak to the dynamics of digital communication in the Philippines, a country firmly located in the global geography of the digital economy and an early adopter and innovator in mobile communication. Increasingly, the rise of digital platforms is spurring on new business models and applications that find a wide range of appropriations in a developing economy with a high level of communication skills and a high level of inequality. These dynamics have, in turn, fuelled the popularity of social media and the populism that has gained international attention and, more critically, taken the country into uncharted political terrain. We introduce this Special Issue by taking stock of the legacies and potentials of digital communication in the country and highlighting how the articles sustain and extend past conversations. Drawing from the articles that cover a range of topics (entertainment, intimacy, labour, journalism and politics, scandals and pornography), we identify three overlapping themes that capture the socio-technical dynamics of digital communication in the Philippines: (1) how digital communication is emplaced in material, social and structural conditions; (2) the potentials of networked publics and communication; and (3) the convertibility of capitals and emergence of new competencies. These dynamics and potentials point to the contradictions, continuities and changes that relate to Philippine modernity in the context of global digital capitalism.


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