design spiral
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2021 ◽  
Vol 5 (2) ◽  
pp. 59-70
Author(s):  
Elīna Grieze ◽  
Elīna Miķelsone

Introduction. Environmental issues have different social and economic causes. The demand on natural raw materials has led to the disappearance of different animal species, yet human waste is one of the most important elements of global and local pollution. According to the results of the survey, 56% of those surveyed in Latvia have recognised that they prefer to choose those brands that are in favour of a clean environment. Sustainability and environmentally friendly farming are becoming more and more wide spread and topical, so the authors want to explore whether biomimicry used in a product development, increases the opportunities for more sustainable products. Aim and tasks. The main aim of this research is to create a framework for using biomimicry to manufacture new interior design products. The interior design project is needed to improve the quality of life in a society. The intention for this research is to help to develop the quality of long-term solutions for the society's daily life in accordance with nature. An interior design, which is created close to natural processes using all possibly available materials and products on the basis of biomimicry methods. Results. This article explores the ways in which biomimicry techniques, based on the Design Spiral and Janine Benyus Biomimicry Design Lens Principles of Life, can be combined with the design process of an interior design, thereby to create a framework with the help of which a designer works and creates a sustainable interior design. The interior design is a complex process, it is more than just the location of objects in a room or just a decorative supplement that covers the structure of a building, it is a necessary dimension that actually transforms a simple architectural space into a habitable place with a desired order, stability, and individuality. Conclusions. The article proposes a basis for the application of biomimicry in the development of an interior design product. The main difference between an interior design and the methodology of biomimicry is that in an interior design process the main question needs to be biologized from “What do I want to create?” to ”What do I want to achieve with my design?”. Also, in an interior design process there are phases to follow to create a design, like there are phases to create in biomimicry based products or processes. The most important points in the creation of the framework are the milestones at which the process of designing interior design should begin to be biologized. Changing the order of the Design Spiral phases and adjusting it to the designing points of an interior design, a system can be created in which all stages of the Design Spiral are connected with the interior design process.Milestones show the progress of a project where each milestone has the actions or activities to be performed, respectively.


2020 ◽  
Vol 5 (1) ◽  
pp. 4-6
Author(s):  
Yalong Pan ◽  

This paper taking the UAV aerial photography mapper balance device as the research object, mainly research and design spiral balance device different from the more common one on the market. Setting a base and a sphere on the bottom of the UAV, when the aircraft is unstable in flight, the balancing device is coordinated with each other under gravity, so that the aerial mapper can maintain a stable position. The device allows the UAV to maintain torque balance in any harsh environment, thus ensuring photographic quality.


Author(s):  
Xiafei Ma ◽  
Wei Ping
Keyword(s):  

2018 ◽  
Vol 3 (2) ◽  
pp. 178-182 ◽  
Author(s):  
Thomas G. Peterken ◽  
Michael R. Merrifield ◽  
Alfonso Aragón-Salamanca ◽  
Niv Drory ◽  
Coleman M. Krawczyk ◽  
...  

2018 ◽  
Vol 73 ◽  
pp. 08007 ◽  
Author(s):  
Purwaningsih Ratna ◽  
Rahardjo Danu ◽  
Budiawan Wiwik ◽  
Adi Wicaksono Purnawan ◽  
Santosa Haryo

In the search for sustainable products idea, Bio-mimicry is one of the method to find alternative solutions. Bio mimicry is a method to define solution that is filtered and developed by nature. This study used bio mimicry technology to formulate a model of “hand swimming aids” to increase hands thrust in the water when swimming. The proposed model is based on the use of the Bio mimicry Design Spiral rule. Spiral Bio mimicry Design Rules used to simulate the shape and functional design of selected natural organisms. This study learn how frog lining model help frog to swim and select one model and apply it on hand swimmer tool design so that it can produce more sustainable products and can apply the design function of natural model well.


2017 ◽  
Vol 872 ◽  
pp. 279-285
Author(s):  
Satawat Naksrisuk ◽  
Somchai Seviset ◽  
Thanate Piromgarn

The Objectives of this research are 1) to study the form of Dinghy boat 2) to design a Dinghy boat by using D Ronald K. Kiss Ship’s Iterative Process on Design Spiral, by studying the model’s data of Dinghy sailboats, including related Ideas, theories, and interviews with the yacht racing association of Thailand’s officers. The Purposive Sampling Method as used. After studied the form of the Dinghy boat, the designing process then started by using collected data, through analytical processes with conceptual framework for product design; The Quality Function Deployment, the Theory of Inventive Problem Solving, the Design Spiral which is an iterative Process, and the Reverse Engineering Principle. The experts from both the fields of Industrial Product Design and Sailing Boat, whom concern Dinghy Boat format, were included to evaluate the designing and model constructing process. The statistical methods used were Percentage, Median and Standard Deviation (SD.). The research found that 1) the current type of Dinghy sailboat is still unsafe for novice sailors; It is difficult for practicing, limited on sailor's weight, very difficult to relocate and take care of, it also were built from the expensive materials 2) In designing, the researcher designed the boat's hull by concentrate on its floating center The middle movement, which would have an effect on its floating aspect, which might tilt the boat, to be straight and highly secure. Researcher designed the parts to be able to disassemble and redesign shapes, and use wood as a material for maintenance purpose in accordance with the technical requirements that expected for Dinghy boat, from the Sailing Boat experts under Yacht racing association of Thailand. In the opinions of the honorable experts, the Dinghy Boat type 1 was scored following these factors; Meet the usage demand of the boat (Mean = 3.88, SD. = 0.33) The determination of size and dimension of the boat (Mean = 4.13, SD. = 0.33) The line pattern and shape of the boat ( Mean = 3.88, SD. = 0.33).


2017 ◽  
Vol 33 (02) ◽  
pp. 81-100
Author(s):  
Rachel Pawling ◽  
Victoria Percival ◽  
David Andrews

For many years, the design spiral has been seen to be a convenient model of an acknowledged complex process. It has virtues particularly in recognizing the ship design interactive and, hopefully, converging nature of the process. However, many find it unsatisfactory. One early criticism focused on its apparent assumption of a relatively smooth process to a balanced solution implied by most ship concept algorithms. The paper draws on a postgraduate design investigation using the University College London Design Building Block approach, which looked specifically at a nascent naval combatant design and the issues of size associated with "passing decks" and margins. Results from the study are seen to suggest that there are distinct regions of cliffs and plateau in plots of capability against design output, namely ship size and cost. These findings are discussed with regard to the insight they provide into the nature of such ship designs and different ways of representing the ship design process. The paper concludes that the ship design spiral is a misleading and unreliable representation of complex ship design at both the strategic and detailed iterative levels.


2017 ◽  
Vol 33 (2) ◽  
pp. 81-100 ◽  
Author(s):  
Rachel Pawling ◽  
Victoria Percival ◽  
David Andrews

2017 ◽  
Vol 468 (1) ◽  
pp. 509-530 ◽  
Author(s):  
Dimitrios A. Gouliermis ◽  
Bruce G. Elmegreen ◽  
Debra M. Elmegreen ◽  
Daniela Calzetti ◽  
Michele Cignoni ◽  
...  

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