Japanese Garden Houses: Strategies for creating an interface with nature in New Zealand's urban dwellings

<p>New Zealanders have a proud tradition of living close to nature (clean and green). This high interface with nature in traditional New Zealand dwellings is referred to as the “quarter-acre dream” by Mitchell (1972). However, the recent intensification of New Zealand cities has resulted in higher-density, multi-unit dwellings that have little interface with nature. As Auckland alone is expected to require an additional 400,000 homes within the next 30 years, a medium-density housing model that has a high nature-dwelling interface is potentially useful in reducing urban sprawl. In contrast, many Japanese houses are effectively integrated with nature. The number of case studies available through books, journals and on websites suggests that it is possible to group these dwellings under the heading “garden houses”. For the purpose of this research, the term “Japanese Garden House” refers to Japanese houses in which the garden is an integral part of the architecture, as opposed to a separate spatial entity. New Zealand walk-up apartments are analysed to show how this New Zealand housing model relates to nature in addition to revealing typical design elements. Thereafter, the adaptation of the Japanese Garden House for the New Zealand context is proposed as a mechanism to further connect urban dwellings with nature, thus increasing the interface between nature and inhabited space. The significant benefits this mechanism provides, including a positive effect on psychological and physiological wellbeing, are discussed. In order to adapt the features of Japanese Garden Houses to the New Zealand context, a detailed analysis of Japanese Garden Houses is undertaken to reveal design principles and strategies that characterise this type of dwelling. The analysis is limited to houses built in the last 15 years. An investigation, through design, is carried out to determine whether the Japanese Garden House models could be used to reconnect walk-up apartments with nature. The investigation is tested on a typical Auckland site. In a case study design, principles and strategies discovered through analysis of Japanese Garden Houses are applied and, adapted to fit walk-up apartments and the New Zealand context. The outcome is a valuable new New Zealand housing model and a set of guidelines presented as a matrix including key principles, strategies and a menu of solutions with the potential to be applied more broadly by other architects, developers and city councils.</p>

Japanese Garden Houses: Strategies for creating an interface with nature in New Zealand's urban dwellings

<p>New Zealanders have a proud tradition of living close to nature (clean and green). This high interface with nature in traditional New Zealand dwellings is referred to as the “quarter-acre dream” by Mitchell (1972). However, the recent intensification of New Zealand cities has resulted in higher-density, multi-unit dwellings that have little interface with nature. As Auckland alone is expected to require an additional 400,000 homes within the next 30 years, a medium-density housing model that has a high nature-dwelling interface is potentially useful in reducing urban sprawl. In contrast, many Japanese houses are effectively integrated with nature. The number of case studies available through books, journals and on websites suggests that it is possible to group these dwellings under the heading “garden houses”. For the purpose of this research, the term “Japanese Garden House” refers to Japanese houses in which the garden is an integral part of the architecture, as opposed to a separate spatial entity. New Zealand walk-up apartments are analysed to show how this New Zealand housing model relates to nature in addition to revealing typical design elements. Thereafter, the adaptation of the Japanese Garden House for the New Zealand context is proposed as a mechanism to further connect urban dwellings with nature, thus increasing the interface between nature and inhabited space. The significant benefits this mechanism provides, including a positive effect on psychological and physiological wellbeing, are discussed. In order to adapt the features of Japanese Garden Houses to the New Zealand context, a detailed analysis of Japanese Garden Houses is undertaken to reveal design principles and strategies that characterise this type of dwelling. The analysis is limited to houses built in the last 15 years. An investigation, through design, is carried out to determine whether the Japanese Garden House models could be used to reconnect walk-up apartments with nature. The investigation is tested on a typical Auckland site. In a case study design, principles and strategies discovered through analysis of Japanese Garden Houses are applied and, adapted to fit walk-up apartments and the New Zealand context. The outcome is a valuable new New Zealand housing model and a set of guidelines presented as a matrix including key principles, strategies and a menu of solutions with the potential to be applied more broadly by other architects, developers and city councils.</p>

ТРАДИЦІЇ ЯПОНСЬКОГО САДОВО-ПАРКОВОГО МИСТЕЦТВА В УМОВАХ СУЧАСНОГО МІСТА (НА ПРИКЛАДІ КИЄВА)

The purpose of the article is to analyze the Japanese art of gardening in its tangible and intangible dimensions. The phenomenon of landscape art is considered in the context of the values of authenticity, typology and its aesthetic value in the city. Methodology.The research uses general scientific methods of analysis; comparative method, typological systematization, historical-chronological method, methods of art analysis. The results. To clarify the essence of the Japanese gardening art phenomenon, this work presents the history and conditions of its origin, its stages of development, as well as the current state. Also, typical garden and park architectural and planning solutions, based on traditional Japanese designs and most often used in the arrangement of parks and gardens, were revealed. Various models of a Japanese park/garden and its temporary transformations in an urban environment were considered; as well as options for design architectural and spatial solutions, most common in modern landscape art. A variant of the design solution for the Kyoto park in Kyiv was revealed, among other things. As a result, a general picture of the current level of development of the Japanese garden park was formed, and its features as an art and design object were emphasized. The scientific novelty of the work is to study the Japanese tradition of landscaping in modern cities and to identify objective approaches to determining its landscape-spatial and artistic elements, taking into account specific varieties on the example of Kyoto Park in Kyiv. Practical significance. Scientific research of the history, traditions and types of formation of a Japanese park / garden in a modern city can be used in architectural and spatial landscape solutions to create specific patterns with expressive artistic features.

JAPANESE GARDEN AS ECOLOGY AND MYSTICISM SYNTHESIS

The article examines a number of causal relationships, historical events and traditional beliefs directly influenced on the Japanese garden structure and layout. The data on the adaptation of the Chinese theory of Feng Shui by the Japanese ethnic group are presented. Based on the survey of 27 landscape architecture objects in Kyoto, created over 1000 years from the Heian period to the end of the Meiji period, the author concludes that one of the most important Japanise garden planning concept is the mountain and water polarity on the North-South axis in gardens.

The Mechanism of Relaxation by Viewing a Japanese Garden: A Pilot Study

Aim: To explore people’s visual attention and psychological and physiological responses to viewing a Japanese garden (an asymmetrically designed garden) and an herb garden (a symmetrically designed garden). Background: There are few studies of eye movements when observing different style gardens, and how they are connected to the interpretation of the space, and physiological and psychological responses. Method: Thirty subjects were recruited and their physiological and psychological responses to viewing the garden types were assessed using a heart-rate monitor and questionnaire. Eye movements while viewing projected slide images of the gardens were tracking using an eye-tracking monitor. Results: A significant decrease in heart rate was observed when subjects were viewing the Japanese garden as opposed to viewing the herb garden. Mood was significantly improved in both gardens, but eye-gaze patterns differed. The Japanese garden elicited far more comments about expectations for the coming season; unlike the herb garden, it also induced memories of viewing other landscapes. Conclusion: The physiological and psychological responses to viewing gardens differs based on the quality of landscape design and the prior experience of viewers.

Listening to Japanese Gardens: An Autoethnographic Study on the Soundscape Action Design Tool

Landscape architecture and urban design disciplines could benefit from soundscape thinking in order to enhance experiential qualities in their projects, though the available tools are not yet fully developed nor tested. The present research aims to substantiate one of the available tools, Soundscape Actions, and thereby increase the understanding of soundscape design. The study focuses on the Japanese garden tradition, which is known for high preference ratings, tranquil qualities and consideration for sound and other sensory experiences. An autoethnographic approach was used to conduct field studies in 88 gardens in Japan, the majority of which are located in urban areas with potential noise disturbance. The studies are based on observations in situ, supported by video documentation, field recordings and readings of sound pressure levels (SPL). A total of 19 Soundscape Actions are described and discussed in the paper. They are structured around three main categories: localisation of functions, reduction of unwanted sounds and introduction of wanted sounds. The study provides concrete examples of how the tool can be used to enhance tranquil qualities, particularly focusing on small green spaces in dense urban settings, involving the (simultaneous) reduction of unwanted sounds and enhancement of wanted sounds/effects. The autoethnographic approach allowed for the phenomenological perspective to be brought forward, which contributed new insights regarding the design tool. The findings are discussed in relation to health and soundscape research, focusing on multisensory experiences, masking strategies and potentials for implementation and future developments of the design tool.