multimedia forensics
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2021 ◽  
Vol 7 (10) ◽  
pp. 193
Author(s):  
Federico Marcon ◽  
Cecilia Pasquini ◽  
Giulia Boato

The detection of manipulated videos represents a highly relevant problem in multimedia forensics, which has been widely investigated in the last years. However, a common trait of published studies is the fact that the forensic analysis is typically applied on data prior to their potential dissemination over the web. This work addresses the challenging scenario where manipulated videos are first shared through social media platforms and then are subject to the forensic analysis. In this context, a large scale performance evaluation has been carried out involving general purpose deep networks and state-of-the-art manipulated data, and studying different effects. Results confirm that a performance drop is observed in every case when unseen shared data are tested by networks trained on non-shared data; however, fine-tuning operations can mitigate this problem. Also, we show that the output of differently trained networks can carry useful forensic information for the identification of the specific technique used for visual manipulation, both for shared and non-shared data.


2021 ◽  
Author(s):  
Rodrigo Pessoa ◽  
Anil Kokaram ◽  
Francois Pitie ◽  
Mark Sugrue

2021 ◽  
pp. 27-48
Author(s):  
Swati Gupta ◽  
Puneet Garg
Keyword(s):  

2021 ◽  
Vol 7 (8) ◽  
pp. 135
Author(s):  
Davide Dal Cortivo ◽  
Sara Mandelli ◽  
Paolo Bestagini ◽  
Stefano Tubaro

Identifying the source camera of images and videos has gained significant importance in multimedia forensics. It allows tracing back data to their creator, thus enabling to solve copyright infringement cases and expose the authors of hideous crimes. In this paper, we focus on the problem of camera model identification for video sequences, that is, given a video under analysis, detecting the camera model used for its acquisition. To this purpose, we develop two different CNN-based camera model identification methods, working in a novel multi-modal scenario. Differently from mono-modal methods, which use only the visual or audio information from the investigated video to tackle the identification task, the proposed multi-modal methods jointly exploit audio and visual information. We test our proposed methodologies on the well-known Vision dataset, which collects almost 2000 video sequences belonging to different devices. Experiments are performed, considering native videos directly acquired by their acquisition devices and videos uploaded on social media platforms, such as YouTube and WhatsApp. The achieved results show that the proposed multi-modal approaches significantly outperform their mono-modal counterparts, representing a valuable strategy for the tackled problem and opening future research to even more challenging scenarios.


2021 ◽  
Author(s):  
Eitan Flor ◽  
Ramazan Aygun ◽  
Suat Mercan ◽  
Kemal Akkaya

2021 ◽  
pp. 1-19
Author(s):  
Jianguo Jiang ◽  
Boquan Li ◽  
Baole Wei ◽  
Gang Li ◽  
Chao Liu ◽  
...  

Abuse of face swap techniques poses serious threats to the integrity and authenticity of digital visual media. More alarmingly, fake images or videos created by deep learning technologies, also known as Deepfakes, are more realistic, high-quality, and reveal few tampering traces, which attracts great attention in digital multimedia forensics research. To address those threats imposed by Deepfakes, previous work attempted to classify real and fake faces by discriminative visual features, which is subjected to various objective conditions such as the angle or posture of a face. Differently, some research devises deep neural networks to discriminate Deepfakes at the microscopic-level semantics of images, which achieves promising results. Nevertheless, such methods show limited success as encountering unseen Deepfakes created with different methods from the training sets. Therefore, we propose a novel Deepfake detection system, named FakeFilter, in which we formulate the challenge of unseen Deepfake detection into a problem of cross-distribution data classification, and address the issue with a strategy of domain adaptation. By mapping different distributions of Deepfakes into similar features in a certain space, the detection system achieves comparable performance on both seen and unseen Deepfakes. Further evaluation and comparison results indicate that the challenge has been successfully addressed by FakeFilter.


2021 ◽  
Vol 2021 (1) ◽  
Author(s):  
Cecilia Pasquini ◽  
Irene Amerini ◽  
Giulia Boato

AbstractThe dependability of visual information on the web and the authenticity of digital media appearing virally in social media platforms has been raising unprecedented concerns. As a result, in the last years the multimedia forensics research community pursued the ambition to scale the forensic analysis to real-world web-based open systems. This survey aims at describing the work done so far on the analysis of shared data, covering three main aspects: forensics techniques performing source identification and integrity verification on media uploaded on social networks, platform provenance analysis allowing to identify sharing platforms, and multimedia verification algorithms assessing the credibility of media objects in relation to its associated textual information. The achieved results are highlighted together with current open issues and research challenges to be addressed in order to advance the field in the next future.


2021 ◽  
pp. 1-11
Author(s):  
P. N. R. L. Chandra Sekhar Author ◽  
T. N. Shankar Author

In the era of digital technology, it becomes easy to share photographs and videos using smartphones and social networking sites to their loved ones. On the other hand, many photo editing tools evolved to make it effortless to alter multimedia content. It makes people accustomed to modifying their photographs or videos either for fun or extracting attention from others. This altering brings a questionable validity and integrity to the kind of multimedia content shared over the internet when used as evidence in Journalism and Court of Law. In multimedia forensics, intense research work is underway over the past two decades to bring trustworthiness to the multimedia content. This paper proposes an efficient way of identifying the manipulated region based on Noise Level inconsistencies of spliced mage. The spliced image segmented into irregular objects and extracts the noise features in both pixel and residual domains. The manipulated region is then exposed based on the cosine similarity of noise levels among pairs of individual objects. The experimental results reveal the effectiveness of the proposed method over other state-of-art methods.


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