beat generation
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Linguaculture ◽  
2021 ◽  
Vol 12 (2) ◽  
pp. 19-31
Author(s):  
Andreea Cosma

This paper explores the topographical and socio-cultural developments during the Golden Age in New York, Los Angeles and San Francisco, three Beat Generation epicenters, which determined the deconstruction of traditional norms. Modifications at both city and society levels were represented by the emergence of countercultures, such as the Beat. The visibility received by urban problems, due to the increase in social demonstrations and activism, fostered the formation of a unified front that demanded equality and encouraged social and political movements, such as the Civil Rights and the Second Wave Feminism. The socio-political challenges which the American society was confronted with from the 1950s to the 1970s in these three cities, also reveal a few problems regarding the status of the Beats as well as of minorities in metropolises.


Author(s):  
О.В. Бодров ◽  
А.В. Закиров

В 1960-е гг. в США шел процесс становления контркультуры, которую связывают с психоделической революцией, нонконформизмом, разрывом поколений, антивоенным движением, социальными экспериментами. Именно в этот период происходит процесс преобразования бит-поколения 1950-х гг. в субкультуру хиппи 1960-х гг. Одним из показательных событий этого процесса стал факт присоединения битника Нила Кэссиди к коммуне «Весёлые Проказники» во главе с писателем Кеном Кизи. Путешествие «Далше» летом 1964 г. стало катализатором в этой смене субкультур. In the 1960s, a counterculture was being formed in the United States, which was associated with the psychedelic revolution, nonconformism, the generation gap, the anti-war movement, and social experiments. It was during this period that the process of transforming the beat generation of the 1950s into a hippie subculture of the 1960s took place. One of the significant events of this process was the fact that beatnik Neil Cassidy joined the commune «Merry Pranksters» led by writer Ken Kesey. The «Further» trip in the summer of 1964 was a catalyst in this change of subcultures.


Author(s):  
Zaid Najah Merzah ◽  
Alaa Ahmed Idrees

Ecological consciousness poetry is considered as a modern literary movement, it has its roots in the west side of the world originated in the United States of America on the second half of 20th century. The concept of nature was the major theme in the Romantic era. On the other hand, eco-writers have their consideration of nature. This research highlighting on one of the most important parts in this movement which is "ecopoetry" by explaining its implications of nature in Gary Snyder's poetry, who is one of the pioneers of beat generation. The first section of the research concerns with Gary Snyder's early life and highlights on his most significant perspectives. The second one is a kind of a critical part, which concerns with eco-critical approach, its roots, concept, and a list of a critical questions which asks by its critics. The third section is the most important one in my opinion, which is the implication of ecological consciousness poetry in Gary Snyder's poems and how he reads this kind of poetry. And last but not least, a conclusion which sums up my perspectives and readings to the ecocriticism in general, and Gary Snyder's poetry in special. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0821/a.php" alt="Hit counter" /></p>


2021 ◽  
Vol 43 ◽  
pp. 385-388
Author(s):  
David Mota Zurdo
Keyword(s):  

Reseña de la obra de  Azcona, José Manuel; Abdiu, Majlinda; y Burón, Manuel (eds.): De la beat generation al movimiento punk: vástagos culturales de la sociedad de la abundancia. Madrid, Sílex, 2021. 360pp.  


2021 ◽  
pp. 79-83
Author(s):  
Molly Sandling ◽  
Kimberley L. Chandler
Keyword(s):  

Author(s):  
Zaid Najah Merzah

Ecological consciousness poetry is considered as a modern literary movement, it has its roots in the west side of the world originated in the United States of America on the second half of 20th century. The concept of nature was the major theme in the Romantic era. On the other hand, eco-writers have their consideration of nature. This research highlighting on one of the most important parts in this movement which is "ecopoetry" by explaining its implications of nature in Gary Snyder's poetry, who is one of the pioneers of beat generation. The first section of the research concerns with Gary Snyder's early life and highlights on his most significant perspectives. The second one is a kind of a critical part, which concerns with eco-critical approach, its roots, concept, and a list of a critical questions which asks by its critics. The third section is the most important one in my opinion, which is the implication of ecological consciousness poetry in Gary Snyder's poems and how he reads this kind of poetry. And last but not least, a conclusion which sums up my perspectives and readings to the ecocriticism in general, and Gary Snyder's poetry in special. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0760/a.php" alt="Hit counter" /></p>


2021 ◽  
pp. 133-136
Author(s):  
Jack Kerouac
Keyword(s):  

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