automatic drawing
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2021 ◽  
Vol 28 (1) ◽  
pp. 64-70
Author(s):  
Najat Hamed

In this research, a computer-aided drawing system of spur gear was developed. An auto LISP programming language embedded within the AutoCAD design package was used to develop a new program to create a 3D model of a spur gear in two main stages. In the first stage, the developed program of spur gear allows automatic 2D spur gear drawing generation using the technique that depends on the half tooth thickness at the pitch diameter. In the second stage, inner profiles of a 2D spur gear views are used to create a 3D model of a spur gear. The developed program helpful for the user in drawing the spur gear modelling, due to less work and time to be spent when compared with the conventional approach, and it also improves a high degree of accuracy of spur gear modelling. The spur gear resulting from the prepared gear drawing system can also work with other popular CAD software.


2021 ◽  
Vol 2021 ◽  
pp. 1-5
Author(s):  
Cong Liu ◽  
Xiaofei Zhang ◽  
Wen Si ◽  
Xinye Ni

Radiotherapy has become a common treatment option for head and neck (H&N) cancer, and organs at risk (OARs) need to be delineated to implement a high conformal dose distribution. Manual drawing of OARs is time consuming and inaccurate, so automatic drawing based on deep learning models has been proposed to accurately delineate the OARs. However, state-of-the-art performance usually requires a decent amount of delineation, but collecting pixel-level manual delineations is labor intensive and may not be necessary for representation learning. Encouraged by the recent progress in self-supervised learning, this study proposes and evaluates a novel multiview contrastive representation learning to boost the models from unlabelled data. The proposed learning architecture leverages three views of CTs (coronal, sagittal, and transverse plane) to collect positive and negative training samples. Specifically, a CT in 3D is first projected into three 2D views (coronal, sagittal, and transverse planes), then a convolutional neural network takes 3 views as inputs and outputs three individual representations in latent space, and finally, a contrastive loss is used to pull representation of different views of the same image closer (“positive pairs”) and push representations of views from different images (“negative pairs”) apart. To evaluate performance, we collected 220 CT images in H&N cancer patients. The experiment demonstrates that our method significantly improves quantitative performance over the state-of-the-art (from 83% to 86% in absolute Dice scores). Thus, our method provides a powerful and principled means to deal with the label-scarce problem.


Author(s):  
Kerry Watson

This chapter discusses how the Surrealists engaged with techniques like automatic drawing, the exquisite corpse, collage, frottage and decalcomania, and how this might be interpreted in the context of theories of distributed cognition, enactivism, embodiment, and the extended mind. The Surrealists’ use of ‘objective chance’ was driven by a belief in the existence of an unconscious state of mind which could only be accessed obliquely, by using techniques which bypassed both artistic skill and conscious thought. ‘Where does the mind stop and the rest of the world begin?’. This question is posed by Clark and Chalmers (1998) as an introduction to the concept of the extended mind, but it could just as well be the very question the Surrealists were trying to address in their search for a universal truth, the key to which they believed to be the unconscious mind as defined by Freud.


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