Characterization of Two Historical Postage Stamps Made from Cotton Fibers and Their Restoration Trials Based on the Experimental Studies

Ancient stamps are suffering from the destructive effects of different kinds of inks that were prepared from different ingredients. Two Egyptian historical postage stamps printed in blue and red printing inks were evaluated and examined for their composition using a light microscope, SEM-EDS, FTIR, and Raman spectroscopic analyses. Mechanical, chemical, and deacidification treatments were done for the two stamps. Model stamps were made from the cotton pulp in the book house to simulate historical stamp paper with an average thickness of 11 microns. The unprinted and printed paper samples with printing inks that aged and unaged were treated with 0.7% Klucel G, 0.2% TiO2 NP, or a mixture of 0.7% Klucel G + 0.2% TiO2 NP, and the color change was measured and compared with the blank samples. The two stamps are suffering from high pH, where the margin color of the stamps changed to yellow-brown with weakness of the stamp paper. By SEM examination, stamps have suffered from fibers’ weakness and dryness resulting from the self-oxidation reactions. EDS elemental composition of the red stamp showed the presence of C, O, Na, Al, Si, Mg, S, Ca, Ba, and Fe, while in the blue stamp, it was C, O, Na, Al, Si, P, S, Cl, and Ca. Raman spectrometer wavelengths turn out that the blueprinting ink of the stamp was characterized with spectra of ultramarine blue (lazurite), while hematite was characterized by the red stamp. FTIR analysis for the printing inks identified that gum Arabic sample and linseed oil were the binding and color medium, respectively. From the model trials, it was observed that the treatment of a mixture of Klucel G and TiO2 NP had the best properties for the consolidation of stamps. The two historical stamps were documented through different spectroscopic analyses, and from the restoration trials, it was observed that the mixture of 7% Klucel G + 0.2% TiO2 NP appeared to be a new and effective method for recovering the historical postage stamps.

Maps of the West Bank in Jordanian Postage Stamps, 1952–1985

This article examines Jordanian postage stamp depiction of the West Bank as part of the Hashemite Kingdom from 1952 to 1985. The majority of maps of the West Bank are featured as part of Jordan, both during Jordanian rule of the West Bank (1948–1967) and after Israel conquered the land during the 1967 war. Sometimes the West Bank is delineated from Jordan to suggest a territorial dispute with Israel, while other times, the West Bank is shown as part of Palestine. The ambiguous representations of the West Bank as Jordanian territory, disputed territory, and Palestinian territory reinforce Hashemite sovereignty claims to the West Bank while also supporting Palestinian rights and acknowledging Jordanian rule of the West Bank was conditional upon settlement of the Palestinian issue. Finally, this analysis seeks to explain why stamps stopped showing the West Bank as part of Jordan in 1985, three years before the kingdom formally severed all legal and administrative ties to the land.

Analysing malaria events from 1840 to 2020: the narrative told through postage stamps

The role played by postage stamps in the history of malaria control and eradication has largely gone unrecognized. Scientific investigators of malaria, especially Nobel laureates, were commemorated with special issues, but the work of the World Health Organization (WHO), which promoted an ambitious and global philatelic initiative in 1962 to support global eradication, is generally overlooked. This review examines the philatelic programme that helped to generate international commitment to the goal of malaria eradication in 1962 and established philatelic malaria icons that had worldwide recognition. Malaria-related postage stamps have continued to be issued since then, but the initial failure of malaria eradication and the changing goals of each new malaria programme, inevitably diluted their role. After the first Global Malaria Eradication Campaign was discontinued in 1969, few Nations released philatelic issues. Since the Spirit of Dakar Call for Action in 1996 a resurgence of postage stamp releases has occurred, largely tracking global malaria control initiatives introduced between 1996 and 2020. These releases were not co-ordinated by the WHO as before, were more commercialized and targeted stamp collectors, especially with attractive miniature sheets, often produced by photomontage. Having a different purpose, they demonstrated a much wider diversity in symbolism than the earlier stylized issues and at times, have been scientifically inaccurate. Nonetheless postage stamps greatly helped to communicate the importance of malaria control programmes to a wide audience and to some extent, have supported preventive health messages.

Teaching Italian Romanticism through Philately and Choral Works

Philately and choral works can be excellent integrative pedagogical tools when teaching Italian Romanticism at undergraduate level. In the classroom, postage stamps provide an historical narrative for students and can help clarify the political, artistic, and cultural mood of the time. The intrinsic symbolism of stamps represents the way a nation wants to be seen by the rest of the world. Instrumental and choral music, in their infinite combination of tones, blend sound with sung words, creating an artistic subtext that reveals the complexity and variety of human aesthetic expression. For the current generation of students accustomed to visual and auditory learning tools, classroom realia and a multidisciplinary approach to Italian Romantic literature enhance peer discussions, and encourage students to explore and value the development of human thought in all of its non-linear manifestations.

Paleontological postage stamps in art and education

ABSTRACT Postage stamps are small works of art seen by people worldwide that can be used effectively in education. The first paleontological stamp was released by India in 1951. Since then, over 4000 stamps with fossils, paleontologists, museums, and collecting sites have been issued by almost 200 countries. Stamps that illustrate fossils or reconstructions are intrinsically interesting and popular with many of the millions of stamp collectors. All disciplines of paleontology are represented, but dinosaurs are by far the most common subject, although even bacteria appear on a few stamps. Most of the stamps were scientifically accurate at the time they were issued though some artists took artistic liberties to fashion unique stamps. Overall, the stamps are artistic and educational because their small sizes and low cost make them easily accessible for classroom activities, exhibits, and presentations. They cover topics such as biodiversity, geology, ecology, oceanography, and evolution, among others. Paleophilately has provided art, education, joy, and happiness to people worldwide.

An Ecological Review of Romanian Philatelic Postage Stamps in Relation to Forest Fruits

Forest products play a vital role in our lives in many ways we can imagine. Berries, for example, are still an important source of food, being of real use in defining a healthy diet and natural medicine. To show that there have been and still are concerns regarding the highlighting of the role of berries in the community, we set out, through this study, to analyze their entire Romanian philatelic history. Thus, through this study, we chose to index, analyze and highlight a series of philatelic issues, which appeared exclusively in Romania, since 1964, which make direct reference to berries. Most of the analyzed materials present the berries in the foreground, as independent postage stamps, but there are also exceptions to the rule. Some stamps capture only the theme tangentially, their illustration reflecting forest fauna species. Also, berries are treated both in direct relation to the fauna species that have berries as a preferential menu, and as part of another unique theme, medicinal plants. On all of this philatelic issues, we set out to make a brief presentation, going from postage stamps to first-day covers (FDCs) and then to maximum postcards and other circulated pieces.