Assessing Large-Scale Power Relations among Locations from Mobility Data

The pervasiveness of smartphones has shaped our lives, social norms, and the structure that dictates human behavior. They now directly influence how individuals demand resources or interact with network services. From this scenario, identifying key locations in cities is fundamental for the investigation of human mobility and also for the understanding of social problems. In this context, we propose the first graph-based methodology in the literature to quantify the power of Point-of-Interests (POIs) over its vicinity by means of user mobility trajectories. Different from literature, we consider the flow of people in our analysis, instead of the number of neighbor POIs or their structural locations in the city. Thus, we modeled POI’s visits using the multiflow graph model where each POI is a node and the transitions of users among POIs are a weighted direct edge. Using this multiflow graph model, we compute the attract, support, and independence powers . The attract power and support power measure how many visits a POI gathers from and disseminate over its neighborhood, respectively. Moreover, the independence power captures the capacity of a POI to receive visitors independently from other POIs. We tested our methodology on well-known university campus mobility datasets and validated on Location-Based Social Networks (LBSNs) datasets from various cities around the world. Our findings show that in university campus: (i) buildings have low support power and attract power ; (ii) people tend to move over a few buildings and spend most of their time in the same building; and (iii) there is a slight dependence among buildings, even those with high independence power receive user visits from other buildings on campus. Globally, we reveal that (i) our metrics capture places that impact the number of visits in their neighborhood; (ii) cities in the same continent have similar independence patterns; and (iii) places with a high number of visitation and city central areas are the regions with the highest degree of independence.

Factors influencing students’ satisfaction and its impact on their loyalty for the University: Case Study at The University of Jordan-Aqaba Branch

This study aimed to measure the impact of several antecedent factors on student’s satisfaction (i.e., academic aspects, non-academic aspects, program issues, reputation, access, quality of university facility, university location and social network services) and the mediator factor of students’ satisfactions' impact on student’s loyalty on the university of Jordan-Aqaba Brunch. Measurement tool was developed to examine the relationship between the study variables. The sample of 379 was used from the university of Jordan-Aqaba brunch students. Results indicated that academic aspects, non-academic aspects, reputation, university location and social network services impacted students' satisfaction directly. In the other hand, program issues, access and quality of university facility did not impact students' satisfaction. However, there was a positive impact of students' satisfaction on students' loyalty.

Performance Analysis on Multiple Device Connections of Small Office Home Office Network

Malaysia has been supported by one of the high-speed fiber internet connections called TM UniFi. TM UniFi is very familiar to be used as a medium to apply Small Office Home Office (SOHO) concept due to the COVID-19 pandemic. Most of the communication vendors offer varieties of network services to fulfill customers' needs and satisfaction during the pandemic. Quality of Services is queried by most users by the fact of increased on users from time to time. Therefore, it is crucial to know the network performance contrary to the number of devices connected to the TM UniFi network. The main objective of this research is to analyze TM UniFi performance with the impact of multiple device connections or users' services. The study was conducted to analyze the QoS on its traffic, packets transfer, RTT, latency, and throughput. Wireshark simulation program has been used as a network traffic capture where PCAP files have been analyzed by using PCAP Analyzer for Splunk. Traffic filtering has been enabled to capture selected traffic to measure network performance. The result shows that better network performance can be achieved if a smaller number of devices are connected at the same time. The percentage of packet loss, RTT, latency is increased when more users connected at the same time. The throughput also shows a decrease for multi-device connections. Based on the analysis it can be concluded that TM UniFi still can provide good network services for the SOHO network environment and sufficient bandwidth despite the rapid user growth in Malaysia.

A Survey on Efficient Secure Routing in Industrial Network for Improved QoS

The industrial units adapt different networks for the management of their units, processes and resources. The industrial sector uses different networks for their smooth functioning which would require accessing various network services by their users, employees and customers. However, the industrial networks arenot exemptions from network threats. Number of threats exist which challenge the functioning of industrial network like DDoS (Distributed Denial of Service), black hole, eavesdrop attack and so on. Most attacks focus towards degrading the QoS performance of industrial network. To handle this, different approaches are available in literature which works based on several features like traffic, hop count, payload, service frequency, retransmission frequency, node behaviors, and location of nodes and so on. Similarly, most threats occur over the routing procedure. Towards maximizing the QoS of industrial network, it is necessary to analyze various routing protocols and their way of handling different threats. This article analyzes various routing protocols and threats towards QoS of Industrial networks.

The constraints, aesthetic implications, and creative strategies of composing for networked music performance

<p>Performing music together over a public network while being located at a distance from each other necessarily means performing under a particular set of technical and performative constraints. These constraints are antithetical to—and make cumbersome—the performance of tightly synchronised music, which traditionally depends on the conditions of transmission stability, ultra-low latency, and shared presence. These conditions are experienced optimally only when musicians perform at the same time and in the same place. Except for specialized private network services, public networks are inherently latent and unstable, which disrupts musicians’ ability to achieve precise vertical synchronisation and create an environment where approaches to music performance and composition must be reconsidered. It is widely considered that these conditions mean that networked music performance is a future genre for when network latencies and throughput improve, or one that is currently reserved for high-end heavily optimised networks afforded by institutions and not individuals, or one that is primarily reserved for improvisatory or aleatoric composition and performance techniques. I disagree that networked music is dependent on access to advanced Internet technologies and suggest that music compositions for networked music performance can be highly successful over regular broadband conditions when the composer considers the limitations as opportunities for new creative strategies and aesthetic approaches. In this exegesis, I outline the constraints that prove that while networked music performance is latent, asynchronous, multi-located, multi-authorial, and hopelessly, intrinsically, and passionately digitally mediated, these constraints provide rich creative opportunities for the composition and performance of synchronised and resonant music. I introduce four aesthetic approaches, which I determine as being critical towards the development of networked music: 1) postvertical harmony, where the asynchronous arrival of signals ruptures the harmonic experience; 2) new timbral fusions created through multi-located resonant sources; 3) a contribution to performative relationships through the generation and transmission of vital information in the musical score and through the development of new technologies for facilitating performer synchronisation; and 4) the post-digital experience, where all digital means of manipulation are permitted and embraced, leading to new ways of listening to and forming reproduced realities. Each of these four aesthetic approaches are considered individually in relation to the core constraints, through discussion of the present-day technical conditions, and how each of these approaches are applied to my musical portfolio through practical illustration.</p>

The constraints, aesthetic implications, and creative strategies of composing for networked music performance

<p>Performing music together over a public network while being located at a distance from each other necessarily means performing under a particular set of technical and performative constraints. These constraints are antithetical to—and make cumbersome—the performance of tightly synchronised music, which traditionally depends on the conditions of transmission stability, ultra-low latency, and shared presence. These conditions are experienced optimally only when musicians perform at the same time and in the same place. Except for specialized private network services, public networks are inherently latent and unstable, which disrupts musicians’ ability to achieve precise vertical synchronisation and create an environment where approaches to music performance and composition must be reconsidered. It is widely considered that these conditions mean that networked music performance is a future genre for when network latencies and throughput improve, or one that is currently reserved for high-end heavily optimised networks afforded by institutions and not individuals, or one that is primarily reserved for improvisatory or aleatoric composition and performance techniques. I disagree that networked music is dependent on access to advanced Internet technologies and suggest that music compositions for networked music performance can be highly successful over regular broadband conditions when the composer considers the limitations as opportunities for new creative strategies and aesthetic approaches. In this exegesis, I outline the constraints that prove that while networked music performance is latent, asynchronous, multi-located, multi-authorial, and hopelessly, intrinsically, and passionately digitally mediated, these constraints provide rich creative opportunities for the composition and performance of synchronised and resonant music. I introduce four aesthetic approaches, which I determine as being critical towards the development of networked music: 1) postvertical harmony, where the asynchronous arrival of signals ruptures the harmonic experience; 2) new timbral fusions created through multi-located resonant sources; 3) a contribution to performative relationships through the generation and transmission of vital information in the musical score and through the development of new technologies for facilitating performer synchronisation; and 4) the post-digital experience, where all digital means of manipulation are permitted and embraced, leading to new ways of listening to and forming reproduced realities. Each of these four aesthetic approaches are considered individually in relation to the core constraints, through discussion of the present-day technical conditions, and how each of these approaches are applied to my musical portfolio through practical illustration.</p>