Analisis Video Comments To Video Likes Ratio Instagram Pada 5 Brand Sandal Terhits Di Indonesia

Instagram, which is usually abbreviated as IG, is a photo and video sharing application that allows users to take photos, take videos, apply digital filters, and share them on various social networking services, including Instagram's own. One unique feature on Instagram is cropping photos into square shapes, so they look like the results of Kodak Instamatic and Polaroid cameras. This is different from the 4:3 or 16:9 aspect ratio that is commonly used by cameras on mobile devices. Instagram can be used on any iPhone, iPad or iPod Touch version with the iOS 7.0 operating system or later, any Android mobile phone with the operating system version 2.2 (Froyo) and above, and Windows Phone 8. This application can be downloaded via the Apple App Store and Google Play. On April 9, 2012, it was announced that Facebook had agreed to take over Instagram for approximately $1 billion. Instagram was first released on October 6, 2010, 11 years ago, the name Instagram Instagram comes from the understanding of the overall function of this application. The word "insta" comes from the word "instant", like the polaroid camera which at that time was better known as "instant photo". Instagram can also display photos instantly, like a polaroid in its display. As for the word "gram" comes from the word "telegram" which works to send information to others quickly. Similarly, Instagram can upload photos using the Internet, so the information you want to convey can be received quickly. That's why Instagram is an extension of the words instant and telegram. On April 9, 2012, it was announced that Instagram would be taken over by Facebook for nearly $1 billion in cash and stock. On May 11, 2016, Instagram introduced a new look as well as a new icon and new app design. Inspired by previous app icons, the new icon is a simple camera and a vivid rainbow in the form of a gradient. There are 5 sandal vendors in Indonesia that use Instagram accounts as a marketing platform, namely:

The Polaroid and the Cross. Media-Reflexivity and Allegorical Figurations in Lucian Pintilie’s The Oak (1992)

The paper discusses the question of media reflexivity and allegorical figuration in Lucian Pintilie’s 1992 film, The Oak. Through a fictional narrative, the film reflects on the communist period from the historical context of the post-1989 transition strongly marked by the after-effects of dictatorship and by political, social and economic instability. By incorporating a diegetic Polaroid camera and a home movie, The Oak displays a reflexive preoccupation with the mediality and the socio-cultural constructedness of the image. The figurative, allegorizing tendency of the film – manifest in the subversive recontextualization of grand narratives, iconographic codes or images of art history – also foregrounds the question of cultural mediation. I argue that by displaying the non-transparency of the cinematic image and the cultural mediatedness of the “real,” the media-reflexive and allegorical-figurative discourse of the film can be regarded as a critical historical response to the social and representational crises linked to the communist era, but at the same time it may be symptomatic of the social, cultural, political anxieties of post-1989 transition.1

The Post-Heroic Generation: American Independent Inventors, 1900–1950

By World War I, the public (and later, many historians) had come to believe that teams of anonymous scientists in corporate research and development (R&D) laboratories had displaced “heroic” individual inventors like Thomas Edison and Alexander Graham Bell as the wellspring of innovation. However, the first half of the twentieth century was actually a long transitional period when lesser known independents like Chester Carlson (Xerox copier), Earl Tupper (Tupperware), Samuel Ruben (Duracell batteries), and Edwin Land (Polaroid camera) continued to make notable contributions to the overall context of innovation. Accordingly, my dissertation considers the changing fortunes of American independent inventors from approximately 1900 to 1950, a period of expanding corporate R&D, the Great Depression, and two world wars. Contrary to most interpretations of this period, I argue that individual, “post-heroic” inventors remained an important, though less visible, source of inventions in the early twentieth century.

A New Camera for Cosmetic Surgery

Introduction: The use of a camera is essential in cosmetic surgery to record results using preoperative and postoperative photographs. The Polaroid Macro 5 SLR is a new camera for close-up photographs. The camera was examined to evaluate the ease of its use and the quality of the close-up photos. Materials and Methods: Photographs were reproduced at the settings available; these settings are: 0.2× (20%), 0.4× (40%), 1× (100%), 2× (200%), and 3× (300%). Multiple exposures were utilized in six patients to show a variety of problems such as skin lesions, facial abnormalities, and ryhtids. Results: The instant photos were of high quality with accurate reproduction of the abnormalities. The camera was easy to load, focus, and use. Discussion: The Polaroid camera takes exposures with almost instant reproduction of the abnormality. There is no need to wait for the results or to send the film out for processing. Since the Macro 5 SLR is only for close-up photographs, the camera is limited to subjects only as large as the head. Another camera is necessary for exposures requiring larger portions of the body. The close-up photography does not require lens changes but has a convenient rotating magnification selector knob. This easy-to-use camera is an excellent addition to the needs of the cosmetic surgeon who requires photos of small areas.