Spaces and roles of contemporary art in industrial and technological ruins

This article proposes some potential contributions of contemporary art to industrial and technological heritage discussions. The paper analyses the relations among art, industrial ruins, technological trash, heritage, and society from an archaeological perspective, although this standpoint is compared to and complemented with those of art and art history. First, the text presents how industrial sites and technological artefacts from the recent past are transformed for/by the artists. In doing so, it offers a preliminary basic typology of art-obsolescence relations illustrated with cases from Europe, Asia and the Americas. Four major kinds of interactions are introduced: the conversion of abandoned industrial buildings into art galleries and museums; the transformation of larger obsolete industrial/technological areas into creative hubs; the intervention of artists in industrial ruins; and the creative recycling of technological waste. Second, the text infers from the examples provided in the typology three possible functions of art regarding heritage: revelation/addition of value; mediation between the public and dark heritages; and recognition in technological and industrial history. In the end, the paper defends the role of art in the making of industrial and technological heritages, as well as in reconnecting them to society.

GDP Forecast of Jinan and Hefei based on LSTM and the Transformation Enlightenment of Old Industrial City Jinan

Jinan City, Shandong Province, is one of the important cities in modern industrial production and development in China. It plays an important role in the industrial history of modern China and has a very rich industrial cultural heritage. Hefei City, Anhui Province, from a small city, through reform and innovation, has become a rising star of Chinese cities, with per capita GDP approaching Jinan. In this paper, the single variable time series prediction model based on LSTM is used to fit the Area GDP of Jinan and Hefei in 31 years from 1990 to 2020, and the Area GDP data of the two cities in the next three years is predicted. Finally, combined with the development of foreign old industrial cities, this paper puts forward some suggestions for the future development of Jinan.

The Adaptive Reuse of Warehouse and Factory Buildings into Residential Living Spaces in Wellington, New Zealand

<p>Adaptive reuse does not only mean successfully putting new uses into an old shell. At best the impression is given that a building at the moment of its conversion has finally achieved its true destiny. Constructed during the industrial era, often utilitarian and non-descript in their design, warehouse and factory buildings were constructed to store and manufacture goods. Upon their obsolescence, due to containerisation, the closure of business, and subsequent dereliction through disrepair or disuse, these largely structurally sound buildings were left vacant until a cultural movement began in America, converting them into living and studio spaces. The adaptive reuse of these buildings resulted in a new programme, which was to provide residence and ‘store’ people. Much later, in the 1990s this movement spread to Wellington, New Zealand. This delay raises the issue of what makes a successful conversion of a warehouse or factory building to loft-style living space, and through which architectural approaches, criteria and methods may we examine these buildings? This thesis first examines pioneering examples of loft and warehouse living in SoHo, New York, from the initial subversive beginnings of the movement, when artists illegally occupied these spaces. It looks at the gentrification of neighbourhoods and how the loft eventually emerged as a highly sought after architectural living space, first in SoHo, New York before spreading globally to Wellington, New Zealand. Four Wellington warehouse and factory buildings that were converted into residential living spaces are examined and compared. The aim is to understand the conversion process and necessary strategies required to instil a new architectural programme within an existing warehouse or factory building, recognising the unique conditions in such converted architectural spaces. A reused, converted warehouse or former factory can acquire characteristics unique to that building: a certain patina of age, a residue of industrial history, imbedded qualities of surface, a unique architectural structure, as well as the location of the building itself. The case studies show how these imbedded characteristics, can be preserved when the building is converted, thereby retaining the building’s former history while providing a new function. This thesis then analyses whether any commonalities and differences in warehouse and factory living existed between Wellington and SoHo New York, in terms of the evolution of the cultural movement and architectural design. The thesis shows that successful approaches to conversion of factories or warehouses can both save the buildings from demolition, preserve and highlight their heritage and create an architecturally unique space, with inherent qualities that cannot be recreated in a new building. Thus, only upon conversion, can the building gain a sense that it has achieved its true destiny.</p>

The Adaptive Reuse of Warehouse and Factory Buildings into Residential Living Spaces in Wellington, New Zealand

<p>Adaptive reuse does not only mean successfully putting new uses into an old shell. At best the impression is given that a building at the moment of its conversion has finally achieved its true destiny. Constructed during the industrial era, often utilitarian and non-descript in their design, warehouse and factory buildings were constructed to store and manufacture goods. Upon their obsolescence, due to containerisation, the closure of business, and subsequent dereliction through disrepair or disuse, these largely structurally sound buildings were left vacant until a cultural movement began in America, converting them into living and studio spaces. The adaptive reuse of these buildings resulted in a new programme, which was to provide residence and ‘store’ people. Much later, in the 1990s this movement spread to Wellington, New Zealand. This delay raises the issue of what makes a successful conversion of a warehouse or factory building to loft-style living space, and through which architectural approaches, criteria and methods may we examine these buildings? This thesis first examines pioneering examples of loft and warehouse living in SoHo, New York, from the initial subversive beginnings of the movement, when artists illegally occupied these spaces. It looks at the gentrification of neighbourhoods and how the loft eventually emerged as a highly sought after architectural living space, first in SoHo, New York before spreading globally to Wellington, New Zealand. Four Wellington warehouse and factory buildings that were converted into residential living spaces are examined and compared. The aim is to understand the conversion process and necessary strategies required to instil a new architectural programme within an existing warehouse or factory building, recognising the unique conditions in such converted architectural spaces. A reused, converted warehouse or former factory can acquire characteristics unique to that building: a certain patina of age, a residue of industrial history, imbedded qualities of surface, a unique architectural structure, as well as the location of the building itself. The case studies show how these imbedded characteristics, can be preserved when the building is converted, thereby retaining the building’s former history while providing a new function. This thesis then analyses whether any commonalities and differences in warehouse and factory living existed between Wellington and SoHo New York, in terms of the evolution of the cultural movement and architectural design. The thesis shows that successful approaches to conversion of factories or warehouses can both save the buildings from demolition, preserve and highlight their heritage and create an architecturally unique space, with inherent qualities that cannot be recreated in a new building. Thus, only upon conversion, can the building gain a sense that it has achieved its true destiny.</p>

Parametric study of expanded metal shading toward Daylight Glare Possibility (DGP) optimization

Patented in the 1880s and having a longstanding industrial history, expanded metal sheet has a remarkable reputation for its application. However, despite the benefits of its use and numerous studies has been conducted on window shading and its daylight evaluation, research on extended metal shading’s daylight performance is still limited. This paper investigates the role of expanded metal shading to assess Daylight Glare Possibility (DGP) in Shimonoseki, Yamaguchi, Japan, utilizing parametric design approach and Multi-Objective Optimization (MOO). The simulation and analysis were undertaken to determine how expanded metal can optimize DGP, the significance of improvement, the relationship between the View (aperture) and the DGP, and which parameters have the most influence in driving the aperture size and the DGP value. Analyzing 2322 solutions and 88 Pareto frontiers resulted from the MOO, several findings has been portrayed. Firstly, the shading View (aperture) shows a significant positive correlation to the DGP. Secondly, parameter Strand/W was identified as the most influential parameter that drive the objectives. Thirdly, the validation process portrays optimization in DGP by 38%. The results of the proposed methodology are expected to become an immediate geometry and performance feedback for designers and industries, supporting design decision-making processes during early design phase.