Mapping Senufo: Reframing Questions, Reevaluating Sources, and Reimagining a Digital Monograph

2021 ◽  
pp. 1-45
Author(s):  
Susan Elizabeth Gagliardi ◽  
Constantine Petridis

Abstract Mapping Senufo: Art, Evidence, and the Production of Knowledge – an in-progress, collaborative, born-digital publication – will offer a model for joining theories about the construction of identities and the politics of knowledge production with research and publication practice. In this article, we examine how computational methods have led us to reframe research questions, reevaluate sources, and reimagine the form of a digital monograph. We also demonstrate how our use of digital technologies, attention to iteration, and collaborative mode of working have generated fresh insights into a corpus of arts identified as Senufo, the nature of evidence for art-historical research, and digital publication. We posit that the form of a digital publication itself can bring processes of knowledge construction to the fore and unsettle expectations of a tidy, authoritative narrative.

2017 ◽  
Vol 14 (2) ◽  
Author(s):  
Raquel Maria Rigotto

Abstract This article analyses aspects of knowledge production in situations of environmental conflicts. It focuses on the context of the environmental field established by the announcement of the uranium and phosphate mining project in the Sertão Central (Central Hinterland) of Ceará - Brazil. The aim is to describe several modus faciendi - ways of acting - that update and territorialize epistemicide and cognitive injustices in the context of neo-extractivism. It also intends to describe processes of knowledge construction put in motion by subjects who were affected, in order to defend themselves from threats to their territories and ways of life. The study also addresses interfaces of this process with the participation of researchers/advisors who, from the perspective of a science oriented by activism, engage in dialogue with local subjects for a shared production of knowledge.


Author(s):  
Rosa Monteiro Paulo ◽  
Ingrid Cordeiro Firme ◽  
Cristiano Natal Tonéis

Resumo: Neste artigo discutimos o modo pelo qual se pode compreender o sentido das Tecnologias Digitais (TD) e sua potencialidade para a produção de conhecimento em matemática, especificamente no contexto da sala de aula e da formação de professores. Destaca-se que a produção, na perspectiva fenomenológica, é entendida como um movimento dinâmico que acontece no mundo da experiência vivida (BICUDO, 2000), enfatizando que sendo humanos é de onde podemos falar: da realidade mundana (HEIDEGGER, 2005). O mundo, como campo de vivência e possibilidade de o sujeito pensar e se expressar se abre à compreensão e os sentidos e significados vão se articulando nos atos vivenciais. O mundo, sempre compartilhado com os outros (seres e objetos), é o horizonte de possibilidades de ser e de conhecer. Nesse horizonte as TD são objetos intencionais, abertas à percepção e compreensão. São tematizadas e se expõem segundo um modo de dar-se a conhecer.Palavras-chave: Educação Matemática; Fenomenologia; Jogos Digitais; Formação de Professores. Digital technologies as a possibility to understand the knowledge production in mathematicsAbstract: In this article we discuss the way in which one can understand the meaning of Digital Technologies (DT) and its potential for the production of knowledge in mathematics, specifically in the context of the classroom and teacher training. It is emphasized that production, in the phenomenological perspective, is understood as a dynamic movement that happens in the world of lived experience (BICUDO, 2000), emphasizing that being human is where we can speak: from mundane reality (HEIDEGGER, 2005). The world as a field of experience and the possibility of the subject to think and express itself opens to understanding and the meanings and meanings are articulated in the acts of experience. The world, always shared with others (beings and objects), is the horizon of possibilities of being and knowing. Within this horizon DT are intentional objects, open to perception and understanding. They are thematized and exposed according to a way of making themselves known.Keywords: Mathematical Education; Phenomenology; Digital Games; Teacher Training. 


2020 ◽  
Vol 8 (4) ◽  
pp. 110-115 ◽  
Author(s):  
Kolar Aparna ◽  
Joris Schapendonk ◽  
Cesar Merlín-Escorza

This thematic issue is a collection of articles reflecting on methods as border devices of hierarchical inclusion spanning migration, mobility and border studies. It maps some key concerns and responses emerging from what we call academic backstages of migration, mobility and border research by younger academics. These concerns are around (dis)entangling positions beyond Us/Them (i.e. researcher/researched), delinking from the spectacle of migration and deviating from the categories of migration apparatuses. While these concerns are not new in themselves the articles however situate these broader concerns shaping migration, mobility and border studies within specific contexts, dilemmas, choices, doubts, tactics and unresolved paradoxes of doing fieldwork. The aim of this thematic issue is not to prescribe “best methods” but in fact to make space for un-masking practices of methods as unfinished processes that are politically and ethically charged, while nevertheless shedding light in (re)new(ed) directions urgent for migration, mobility and border studies. Such an ambition is inevitably partial and situated, rather than comprehensive and all-encompassing. The majority of the contributions then enact and suggest different modes of reflexivity, ranging from reflexive inversion, critical complicity, collective self-inquiry, and reflexive ethnography of emotions, while other contributions elaborate shifts in research questions and processes based on failures, and doubts emerging during fieldwork. We invite the readers to then read the contributions against one another as a practice of attuning to what we call a ‘cacophony of academic backstages,’ or in other words, to the ways in which methods are never settled while calling attention to the politics of knowledge production unfolding in everyday fieldwork practices.


2002 ◽  
Vol 19 (4) ◽  
pp. 1-22 ◽  
Author(s):  
Jasmin Zine

This paper examines the politics of knowledge production as it relates to Muslim women in western literary traditions and con­temporary feminist writing, with a view to understanding the political, ideological, and economic mediations that have histor­ically framed these representations. The meta-narrative of the Muslim woman has shifted from the bold queens of medieval lit­erature to colonial images of the seraglio's veiled, secluded, and oppressed women. Contemporary feminist writing and popular culture have reproduced the colonial motifs of Muslim women, and these have regained currency in the aftermath of9/1 l. Drawing upon the work of Mohja Kahf, this paper begins by mapping the evolution of the Muslim woman archetype in western literary traditions. The paper then examines how some contemporary feminist literature has reproduced in new ways the discursive tropes that have had historical currency in Muslim women's textual representation. The analysis is atten­tive to the ways in which the cultural production of knowledge about Muslim women has been implicated historically by the relations of power between the Muslim world and the West ...


2016 ◽  
Vol 27 (21) ◽  
pp. 3203-3207
Author(s):  
Daniel A. Colón-Ramos

My laboratory is interested in the cell biology of the synapse. Synapses, which are points of cellular communication between neurons, were first described by Santiago Ramón y Cajal as “protoplasmic kisses that appear to constitute the final ecstasy of an epic love story.” Who would not want to work on that?! My lab examines the biological mechanisms neurons use to find and connect to each other. How are synapses formed during development, maintained during growth, and modified during learning? In this essay, I reflect about my scientific journey to the synapse, the cell biological one, but also a metaphorical synapse—my role as a point of contact between the production of knowledge and its dissemination. In particular, I discuss how the architecture of scientific networks propels knowledge production but can also exclude certain groups in science.


Minerva ◽  
2022 ◽  
Author(s):  
Aitor Anduaga

AbstractThe why and the how of knowledge production are examined in the case of the transnational cooperation between the directors of observatories in the Far East who drew up unified typhoon-warning codes in the period 1900–1939. The why is prompted by the socioeconomic interests of the local chambers of commerce and international telegraphic companies, although this urge has the favourable wind of Far Eastern meteorologists’ ideology of voluntarist internationalism. The how entails the persistent pursuit of consensus (on ends rather than means) in international meetings where non-binding resolutions on codes and procedures are adopted. The outcome is the co-production of standardised knowledge, that is, the development of a series of processes and practices that co-produce both knowledge and ideas about the social order in a force field characterised by negotiations and power struggles.


Roteiro ◽  
2016 ◽  
Vol 41 (3) ◽  
pp. 649
Author(s):  
Alexandre Vanzuita ◽  
Tânia Regina Raitz

<p><strong>Resumo</strong>:<strong> </strong>Neste estudo analisamos como as experiências no contexto de formação e inserção profissional em Educação Física constroem identidade(s) profissional(is). Trata-se de um ensaio teórico-reflexivo por meio da produção do conhecimento (2009 a 2015) das variáveis relacionadas à identidade e inserção profissional em Educação Física. Identificamos na literatura cinzenta problemática reduzida, portanto, há necessidade de intensificar os estudos em razão das transformações no mundo do trabalho e das dificuldades de inserção desses profissionais. Concluímos que as experiências no contexto da formação e inserção profissional não estão articuladas integralmente aos processos de pesquisa e construção de métodos e metodologias.<strong></strong></p><p><strong>Palavras-chave</strong>: Produção de conhecimento. Identidade profissional. Inserção profissional.</p><p align="center">CONSTRUCTION OF PROFESSIONAL IDENTITY IN PHYSICAL EDUCATION: A LITERATURE REVIEW </p><p><strong>Abstract</strong>:<strong> </strong>In this study we examines how experiences in the context of training and employability in Physical Education build professional(ies) identity(ies). It is a reflective theoretical essay through the production of knowledge (2009-2015) related to identity and employability in Physical Education. We identified in reduced problematic gray literature, therefore, there is need to intensify their studies due to changes in the workplace and integration difficulties of these professionals. We concluded that the experiences in the training and professional integration are not fully articulated to the research processes and construction methods and methodologies.</p><p><strong>Keywords</strong>: Knowledge production. Professional identity. Employability.</p><p align="center"><strong><br /></strong></p><p align="center">CONSTRUCCIÓN DE LA IDENTIDAD PROFESIONAL EN LA EDUCACIÓN FÍSICA: UNA REVISIÓN DE LA LITERATURA</p><p align="center"><strong> </strong></p><p><strong>Resumen: </strong>Este estudio examina cómo las experiencias en el contexto de la formación y la empleabilidad en Educación Física construyen la identidad(s) profesional(s). Se trata de un ensayo teórico reflexivo de la producción de conocimiento (2009 a 2015) relacionadas con la identidad y la empleabilidad en Educación Física. Fue identificado reducida literatura, por lo que existe la necesidad de intensificar sus estudios debido a cambios en mundo del trabajo e dificultades de integración de estos profesionales. Se concluye que las experiencias en la formación e inserción profesional no se articulan totalmente los procesos de investigación y construcción de métodos y metodologías.</p><p><strong>Palabras-clave</strong>: Producción de conocimiento. Identidad profesional. Empleabilidad.</p>


Author(s):  
Maxime Polleri

This article explores the similarities between a memoir and an ethnographic work. A memoir stands as an historical account written from personal knowledge. It is a form of writing that should resonate deeply within the heart of the anthropologist, whose very own specificity is to be, first and foremost, an ethnographer. That is, anthropologists are individuals full of (hi) stories, contingence, and subjectivity, who nevertheless struggle to bring “objective” accounts of what had happened under their eyes during fieldwork. I use this short comparative act as a jumping board to examine the politics of knowledge in the history of anthropological inquiry since the Enlightenment. More precisely, this comparison represents an opportunity to look at what is silently invested in the practices of ethnographical writing. In a brief discussion, I highlight the political implications that surround issues of knowledge production, expert voices, and translation amidst the discourse and narrative of anthropologists.


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