A GIS-Based Model for the Enhancement of Rural Landscapes: The Case Study of Valdera—Tuscany (Italy)

Author(s):  
Massimo Rovai ◽  
Maria Andreoli ◽  
Francesco Monacci
Keyword(s):  
2009 ◽  
Vol 90 (2) ◽  
pp. 1195-1203 ◽  
Author(s):  
Natalie Suckall ◽  
Evan D.G. Fraser ◽  
Thomas Cooper ◽  
Claire Quinn

2014 ◽  
Vol 8 (1) ◽  
pp. 49-75 ◽  
Author(s):  
JADA WATSON

AbstractThe concepts of “place,” “space,” and “home” are integral to the study of country music, a genre conventionally associated with geographic regions, rural landscapes, and domestic values. Place-songs have emerged as an important way in which country musicians communicate life experiences and define elements of their identity, emphasizing the influence of family and community on their character, beliefs, and values. However, just as place can signify belonging, it can also represent a constricting environment from which artists struggle to escape. Such narratives enable us to see vital parts of regional identity that would otherwise be hidden, obscured, or overshadowed.The Dixie Chicks’ song “Lubbock or Leave It” (2006) is an interesting case study for an inquiry into how artists struggle to define themselves within the country genre. The song spurred immediate uproar insofar as the lyrics portray lead singer Natalie Maines's hometown of Lubbock, Texas as small and narrow-minded. Many listeners and critics interpreted the song as a rejection of both Lubbock and country values. Drawing from the fields of cultural geography and musicology, this study examines how the Dixie Chicks draw on musical codes and conventions in an act of defiance and genre subversion, as they struggle with parochialism and conservative thinking.


Ciudades ◽  
2020 ◽  
pp. 49-69
Author(s):  
Catherine Dezio

Talking about abandonment means talking about fragile territories that need a regeneration territorial project. In this paper the phenomenon of abandonment becomes an opportunity to identify relationships between unused resources, anthropic dynamics, original landscapes. Bioregionalism is proposed as a possible theoretical approach that guides actions of project, reveals and holds together tangible and intangible resources and identifies the most suitable spatial scale for regeneration of depopulated territories. VENTO project, the 780 km cycle route financed by Italian Ministries that connects northern Italy, becomes a case study to investigate the potential of the slow line to be a bioregional project.


Author(s):  
Jada Watson

The concept of place is integral to country music, a genre associated with geographic regions, rural landscapes, and community values. While the genre has traditionally been described as a product of rural communities of the US South, studies have demonstrated the role that urban communities played in the birth of country music and its prominent scenes. Despite the growing interest in the relationship between music and place, many studies overlooked the important role that place-themed songs play in constructing an artist’s persona. With Canadian alt-country artist Corb Lund as a case study, this study draws literature from musicology, literary studies, and cultural geography to demonstrate how the singer-songwriter describes life, work, and sociocultural issues in Alberta to create diverse conceptions of place. It develops a framework for considering how artists use music to negotiate relationships to place and construct elements of their “geo-cultural” identity.


1997 ◽  
Vol 38 (1-2) ◽  
pp. 93-103 ◽  
Author(s):  
Isabelle Poudevigne ◽  
Sabine van Rooij ◽  
Pierre Morin ◽  
Didier Alard

2019 ◽  
Vol 11 (15) ◽  
pp. 4242 ◽  
Author(s):  
Stefano Benni ◽  
Elisabetta Carfagna ◽  
Daniele Torreggiani ◽  
Elisabetta Maino ◽  
Marco Bovo ◽  
...  

The industrialization after World War II marked a severe discontinuity between rural heritage and contemporary farm buildings. Rural landscapes have thus become more and more uniform; historical buildings are often abandoned and degraded, while contemporary buildings are often disconnected from their surrounding environment. Besides aiming to protect and restore rural heritage—more and more acknowledged as a common good contributing to societal identity—attention should be paid to increasing the quality of new buildings, a crucial issue to improve landscape quality in everyday landscape contexts. Based on a series of previous studies carried out to develop and test a robust methodology allowing the analysis of the main formal features of rural buildings, organized in a comprehensive framework known as the FarmBuiLD model (Farm Building Landscape Design), this study aims to perform an integrated and compared analysis of sets of traditional and contemporary rural buildings through experimental trials on an Italian case study. In particular, the study focuses on defining and measuring indexes allowing the quantification of the level of consistency of contemporary buildings with the traditional typologies. A contemporary farm building is evaluated based on the distance of each of its formal features from those which proved to be representative of the corresponding traditional building type, evaluated through a cluster analysis of the typological characters of traditional buildings in the study area. The results showed that different degrees of dissonance can be detected. Similarities have been found, in particular with respect to the shape of buildings and their closure with regards to landscape. The major dissonances are related to the perception of buildings as flattened on the ground, due to their excessively elongated shape, and in the case of buildings completely permeable to landscape, this being necessary for structural purposes and for the type of use of historic buildings. The expected impact of this study is to provide designers and planners with indicators allowing the evaluation, on an objective basis, of the level of consistency of new buildings with local rural heritage, thus supporting both design phases and project evaluation as well as building management processes (maintenance, restoration, extension, change in use, etc.).


2019 ◽  
Vol 63 ◽  
pp. 11002 ◽  
Author(s):  
Emily Bereskin

Using the Southern Oderbruch as a case study, this paper investigates the presence and representation of the modern rural landscapes of the German Democratic Republic within the region’s contemporary heritage and tourism landscape. Following an analysis of extant discourse production in place marketing materials and heritage sites (primarily local museums), the paper argues that although the unique landscapes developed in concert with the collective farms (landwirtschaftliche Produktionsgenossenschaften) of the GDR remain very much in situ, they remain largely invisible in the heritage and touristic representation of the Oderbruch, which tends to focus on more traditional manifestations of “pastoral beauty” and on historical events preceding the founding of the GDR. This paper hypothesizes several reasons for this conspicuous absence, arguing that the history of the LPG defies local will to narrativise due to its ongoing social, legal, and economic reverberations in everyday life. The second half of the paper reviews the current application effort fora European Cultural Heritage designation for the Oderbruch. The paper highlights the complexity of the situational landscape surrounding the production of heritage, in terms of political, economic, social, and symbolic factors and argues for similar analyses as a comparative path of investigation for the MODSCAPES project.


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