Creating Digital Cultural Heritage with Open Data: From FAIR to FAIR5 Principles

2020 ◽  
pp. 173-181
Author(s):  
Nicola Barbuti
Keyword(s):  
Cultural Heritage ◽  
Open Data ◽  
Digital Cultural Heritage

scholarly journals Digital cultural heritage standards: from silo to semantic web

AI & Society ◽  
2022 ◽  
Author(s):  
Brenda O’Neill ◽  
Larry Stapleton
Keyword(s):  
Semantic Web ◽  
Cultural Heritage ◽  
Description Logic ◽  
Open Data ◽  
The United States ◽  
Interdisciplinary Teams ◽  
Academic Disciplines ◽  
Institutional Knowledge ◽  
Digital Cultural Heritage ◽  
Machine Readable

AbstractThis paper is a survey of standards being used in the domain of digital cultural heritage with focus on the Metadata Encoding and Transmission Standard (METS) created by the Library of Congress in the United States of America. The process of digitization of cultural heritage requires silo breaking in a number of areas—one area is that of academic disciplines to enable the performance of rich interdisciplinary work. This lays the foundation for the emancipation of the second form of silo which are the silos of knowledge, both traditional and born digital, held in individual institutions, such as galleries, libraries, archives and museums. Disciplinary silo breaking is the key to unlocking these institutional knowledge silos. Interdisciplinary teams, such as developers and librarians, work together to make the data accessible as open data on the “semantic web”. Description logic is the area of mathematics which underpins many ontology building applications today. Creating these ontologies requires a human–machine symbiosis. Currently in the cultural heritage domain, the institutions’ role is that of provider of this  open data to the national aggregator which in turn can make the data available to the trans-European aggregator known as Europeana. Current ingests to the aggregators are in the form of machine readable cataloguing metadata which is limited in the richness it provides to disparate object descriptions. METS can provide this richness.

scholarly journals A Web GIS-Based Integration of 3D Digital Models with Linked Open Data for Cultural Heritage Exploration

2021 ◽  
Vol 10 (10) ◽  
pp. 684
Author(s):  
Ikrom Nishanbaev ◽  
Erik Champion ◽  
David A. McMeekin
Keyword(s):  
Cultural Heritage ◽  
Open Data ◽  
Heterogeneous Data ◽  
Linked Open Data ◽  
Web Gis ◽  
Heritage Sites ◽  
Additional Information ◽  
Gis Technologies ◽  
Digital Cultural Heritage ◽  
Interactive Map

In recent years, considerable efforts have been made by cultural heritage institutions across the globe to digitise cultural heritage sites, artifacts, historical maps, etc. for digital preservation and online representation. On the other hand, ample research projects and studies have been published that demonstrate the great capabilities of web-geographic information systems (web-GIS) for the dissemination and online representation of cultural heritage data. However, cultural heritage data and the associated metadata produced by many cultural heritage institutions are heterogeneous. To make this heterogeneous data more interoperable and structured, an ever-growing number of cultural heritage institutions are adopting linked data principles. Although the cultural heritage domain has already started implementing linked open data concepts to the cultural heritage data, there are not many research articles that present an easy-to-implement, free, and open-source-based web-GIS architecture that integrates 3D digital cultural heritage models with cloud computing and linked open data. Furthermore, the integration of web-GIS technologies with 3D web-based visualisation and linked open data may offer new dimensions of interaction and exploration of digital cultural heritage. To demonstrate the high potential of integration of these technologies, this study presents a novel cloud architecture that attempts to enhance digital cultural heritage exploration by integrating 3D digital cultural heritage models with linked open data from DBpedia and GeoNames platforms using web-GIS technologies. More specifically, a digital interactive map, 3D digital cultural heritage models, and linked open data from DBpedia and GeoNames platforms were integrated into a cloud-based web-GIS architecture. Thus, the users of the architecture can easily interact with the digital map, visualise 3D digital cultural heritage models, and explore linked open data from GeoNames and DBpedia platforms, which offer additional information and context related to the selected cultural heritage site as well as external web resources. The architecture was validated by applying it to specific case studies of Australian cultural heritage and seeking expert feedback on the system, its benefits, and scope for improvement in the near future.

DIGITAL CULTURAL HERITAGE MARKETING: THE ROLE OF DIGITAL TECHNOLOGIES IN CULTURAL HERITAGE VALORIZATION

2016 ◽  
Author(s):  
Riccardo Rialti ◽  
Lamberto Zollo ◽  
Cristiano Ciappei ◽  
Marica Laudano
Keyword(s):  
Cultural Heritage ◽  
Digital Technologies ◽  
Digital Cultural Heritage

Preserving Irreplaceable National Digital Cultural Heritage in the Arctic World Archive

2019 ◽  
Vol 2019 (1) ◽  
pp. 39-41
Author(s):  
Morten Thorkildsen ◽  
Jahn-Fredrik Sjøvik ◽  
Bendik Bryde
Keyword(s):  
Cultural Heritage ◽  
The Arctic ◽  
Digital Cultural Heritage

Social Metadata and Public-Contributed Contents in Memory Institutions: “Crowd Voice” Versus “Authenticated Heritage”?

2016 ◽  
Vol 45 (3) ◽  
pp. 122-133 ◽  
Author(s):  
Chern Li Liew
Keyword(s):  
Decision Making ◽  
Cultural Heritage ◽  
Knowledge Base ◽  
Participatory Culture ◽  
Collective Memories ◽  
Digital Cultural Heritage ◽  
The Social ◽  
Social Technologies ◽  
Determining Factor ◽  
Shed Light

AbstractSocial technologies have led to increasing participatory activities and institutions are interested in the potential of using these for outreach and engagement. Through offering new spaces and tools that allow users to consume and also to contribute content, institutions are expanding their traditional services which could redefine their role and relevance in the digital cultural heritage landscape. This study investigates the decision-making and practices underpinning current handling of social metadata and public-contributed contents (PCC). The focus is on examining the motivations for soliciting contributions, if and how these are moderated and managed, if they are integrated into the institutional data and knowledge base, and the extent to which public stakeholders moderate. The study also involves an investigation of whether, and how, memory institutions consider diversity and inclusiveness in soliciting participation and contributions, and the values placed on PCC, as compared to institutional resources. The aim of this study is to shed light on these by surveying libraries, archives, museums, and other institutions.How institutions deal with the social metadata and PCC they gather, and what they do with the contributions, could be a key determining factor of the success of their participatory practice as part of their larger effort to capture and preserve collective memories. This survey shows that the profession still has a way to go towards these goals. There is little evidence that demonstrates integration of a participatory culture and activities into the strategic directions and documentary practices of institutions.

Application of cloud technology in digital cultural heritage: an analysis of public culture cloud platforms in China

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Dengdeng Wanyan ◽  
Tong Shang
Keyword(s):  
Cloud Computing ◽  
Cultural Heritage ◽  
Public Culture ◽  
Cultural Construction ◽  
Service Development ◽  
Cloud Technology ◽  
Content Type ◽  
Digital Cultural Heritage ◽  
Depth Analysis ◽  
Technology Applications

Purpose The purpose of this paper is to investigate the significant advantages of cloud technology in digital cultural heritage construction by analyzing public culture cloud platforms in China. The authors hope to provide references for other countries and regions on the applications of cloud computing techniques in digital cultural construction. Design/methodology/approach The primary research methods involved interview and case analysis. A comprehensive understanding of cloud technology and China’s culture cloud platforms were gained through research into extensive amounts of literature. Analyzing 21 culture cloud platforms offers a general understanding of culture clouds, while the Hunan Public Culture Cloud acts as a representative sample that gives detailed insight. Findings This paper explores the considerable advantages of cloud computing in digital cultural construction from four aspects: integration of decentralized heterogeneous resources, coordination and cooperation, accurately matching user needs and promotion of balanced service development. Originality/value Existing studies fall short of comprehensive investigations of culture cloud platforms and in-depth analysis of the advantages of cloud technology applications. This paper uses the construction of public culture cloud platforms in China as the research object. Further, this paper compares the construction status of different culture cloud platforms.

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