ISDT Case Study of Cultivation of Employees’ Creativity in Cultural and Creative Industries

Author(s):  
Hao Chen ◽  
Chao Liu ◽  
Yu-Chao Liang ◽  
Rungtai Lin ◽  
Wen-Ko Chiou
2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Claudia Helena Henriques ◽  
Silvina Renee Elias

Purpose This paper aims to investigate the European and Latin America urban cultural policies that could enhance cultural and creative sustainable tourism products development. Design/methodology/approach The methodological framework is based on a comparative case study regarding the importance, dynamics and policies associated to cultural and creative tourism in four Ibero-American cities, namely, Brasilia, Buenos Aires, Lisbon and Madrid. Findings This exploratory analysis underlines the growing importance of cultural and creative tourism in the four capital cities. On one hand, cities reveal different tourism impacts and, on the other hand, they are associated to different cultural and creative sector structures. Cities cultural and creative performance put in evidence that sustainable cities index, global talent competitiveness index and cultural and creative cities monitor, tend to position Madrid in the first place followed by, Lisbon, Buenos Aires and Brasilia. Research limitations/implications In general, and despite the importance of space in the creative process, there is little research on the geography of the creative industries and there is a lack of cross-country comparative studies so that it is difficult to assess the particularities of each model of creativity. Practical implications Cities could enhance more efforts in investing, not only in the traditional cultural infrastructures but also on the new forms of culture, new technologies, new makers, new audiences based on their attributes, activities and labels, in a framework of urban sustainable policies based on “innovation,” “inclusiveness” and “interconnectivity.” Originality/value The originality of the paper lies in the comparative analysis of four cities based on cultural and creative sector and tourism interconnections. Simultaneously, it lies in an exploratory model application.


2021 ◽  
Vol 14 (12) ◽  
pp. 595
Author(s):  
Charlie Wall-Andrews ◽  
Emma Walker ◽  
Wendy Cukier

The cultural and creative industries enhance the quality of life for Canadians and visitors to Canada. However, definitions of the sector vary, presenting challenges for researchers and policymakers. Government data shows that the pandemic job and revenue loss were disproportionate in arts. The Canadian government created a range of financial tools (grants and subsidies) to support the sector during the Pandemic. This paper analyzes these financial instruments created in response to the Pandemic. This paper offers a case study on how government can support the economic and social success of the creative and cultural sector (CCS) in Canada and avoid the risk of the cultural ecosystem collapsing. In addition, the key findings may be helpful in other industries and markets when exploring ways to support the cultural and creative sectors, which are vital components of domestic and tourism activity.


2019 ◽  
Vol 18 (2-3) ◽  
pp. 216-230
Author(s):  
Haili Ma

This paper explores Cultural and Creative Industry (CCI) teaching and curriculum development across disciplines, based on a case study of a newly established Cultural and Creative Industry (CCI) programme at the School of Modern Languages, Cardiff University, UK. It illustrates how different academic values and goals influence styles of teaching and curriculum development, and it considers how this drives disciplinary evolution. As CCI increasingly attracts international students, in particular from China’s middle-class market, this paper questions the direct ‘import’ of western CCI for Chinese students, in terms of both content relevance and programme development sustainability. This paper suggests that curriculum evolution should be viewed as key for UK higher education to retain market competitiveness, especially a pending ‘Brexit’.


2017 ◽  
Vol 21 (3) ◽  
pp. 607-622 ◽  
Author(s):  
Tommaso Savino ◽  
Antonio Messeni Petruzzelli ◽  
Vito Albino

Purpose Into cultural and creative industries, the innovation is increasingly realized by a lead creator which is supported by a specific team. Hence, this paper aims to understand the composition of this particular team. Design/methodology/approach The authors conducted an in-depth case study of “Dal Pescatore”. This is the Italian restaurant keeping the highest award previewed by Michelin Guide from the longer period. The main figures of the restaurant are the head chefs (Nadia and Giovanni Santini) who are continually supported by a dedicated team Findings The analysis underlines the necessity to create a team which combines aged people linked to firms’ tradition with a low percentage of young foreign apprentices. If the old-timer member assures a deep understanding of the firm’s knowledge base, the young foreign apprentice can show an high learning attitude through which he/she more easily shares their different knowledge. Research limitations/implications This study discussed organizational efforts to foster innovation capacities of the main individuals into a firm. However, the present research suffers from some limitations which limits the generalizability of the results beyond the company studied: a single case study on a small and family firm with consolidated organizational routines. In addition, this research does not solutions about the mechanisms of interaction among these different team members. Originality/value Recent studies observed how a number of cultural and creative firms innovate through a particular team that develops the ideas of a lead creator. Nevertheless, despite the increasing importance of these teams, their composition remains unclear.


2020 ◽  
Vol 74 ◽  
pp. 04032
Author(s):  
Blanka Wurst

This article examined the level of integration of the concept of Cultural and Creative Industries in strategic documents decisive for public policy implementation. On the case study of the Czech Republic, concrete goals, tools and measures of respective policies were examined, special focus has been laid on the implementation power and coordination mechanisms. In the methodological framework of the Multi-level Governance Concept, methods of content and comparative analysis were used. As the analysis shows, on the central level is the concept of CCIs explicitly reflected and very well elaborated, with concrete goals and instruments to achieve the given goals, on the local level predominantly the „cultural part“ is stressed, having the „creative aspects“ hidden in other policy areas. Concerning the local level, there is a „two axes“ flow. On one side, examined policy paper stresses the importance of culture for own citizens, especially for the community and identity feeling, promotion of a good name of the city (region, municipality) and last, not least, the identification of citizens with the place they live in. On the other hand, the second line aims at attracting tourists through a complex combination of cultural heritage visits, connected with various experience events.


2021 ◽  
Vol 8 (2) ◽  
pp. p11
Author(s):  
Chia Sung YEN

In order to attract more consumers, cultural and creative parks in Taiwan has launched new media marketing methods in recent years, hoping to attract more tourists. Starting in 2020, in the global COVID-19 epidemic storm, cultural and creative parks had tried so hard to keep customers’ concern. So they have strengthened the social networks links to social media. This study used group networks connection and qualitative methods, such as in-depth interview. Try to understand cultural and creative industries business promotion methods and effects.The results of this study found that starting from social networks is an important way to attract crowds, but there must be three supporting methods. 1) The function of social networks must be communicated with community groups to be effective. 2) Each marketing promotion must have certain issues before it can exert influence. 3) The characteristics of the topic must be combined with the local particularity.


2018 ◽  
Vol 16 (2) ◽  
pp. 263-277
Author(s):  
Vesna Tomic ◽  
Aleksandra Djukic

Culture and creativity were always an essential part of city growth, but today they are integrated in the life of cities as a part of official strategies or as an action of a group of artists and people, working in the cultural and creative industries. Culture and creativity form part of many concepts of urban development promoted as an acceptable response to the challenges of globalization. As a part of urban development policy, they are expected to enable sustainable development, and they rely on human potential, local comparative advantages and development of technologies. The main principles of these concepts are communication, social networks, technology, adaptability, concentration, synergy and inclusion. As any paradigm, creative cities are challenged on many levels, in theory and in practice. Using culture and creativity as a resource and marketing value should be thoughtful, since it can have a significant impact on society. This paper will present some arguments about policies and critics of creative cities, as well as the required preconditions, organizational forms, their development path and relation to inclusion. This paper will present the case study of Savamala, as an example of urban regeneration through creating a cultural and creative quarter in Belgrade, and within a method of multicase study, include two more examples of cultural and creative strategies, the cases of Shanghai and Copenhagen, and by analyzing top-down and bottom-up initiatives, some conclusions about potentials and risks of those strategies will be drawn.


2019 ◽  
Vol 8 (12) ◽  
pp. 524 ◽  
Author(s):  
Rostislav Netek ◽  
Tomas Burian ◽  
Jakub Kohn

The article presents an interdisciplinary link between the geospatial and the cultural sector. This is a unique study of Central Europe in visualizing and interpreting the spatial location of elements in cultural and creative industries. The main purpose was to create suitable visualizations and to process the spatial aspects of cultural and creative industries in a cartographical environment. A team of professionals from several fields (geoinformatics, economics, culture, social sciences, cartography) was assembled to map the creative industries in Olomouc Region, Czech Republic. A total of 1,211 subjects were identified which created the conditions for the employment of more than 5,000 people. Their turnover exceeds EUR 190,000,000 annually. This study was based on an initially examined dataset. Seven spatial analyses were applied. Thirty analogue maps and one interactive map application were created. The point character map was the most used one. The price map, as a background layer, was considered very useful for further map reading. The essential phenomena were topics of population density and transport. Based on the generated map outputs, we found that subjects had a tendency to concentrate in the city center or in areas with higher prices and service levels.


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