The Temporal-Spatial Metaphorical Expression Difference in Spatial Schema Design

2018 ◽  
pp. 225-234
Author(s):  
Weiqi Zheng ◽  
Ye Liu ◽  
Xiaolan Fu
Keyword(s):  
Expression Difference ◽  
Schema Design ◽  
Metaphorical Expression ◽  
Spatial Schema

Metaphor Translation towards Cilinaye Manuscript

2017 ◽  
Vol 3 (4) ◽  
pp. 43
Author(s):  
Sarwadi
Keyword(s):  
Data Analysis ◽  
Bottom Up ◽  
Metaphorical Expression ◽  
East West ◽  
Culture And Language

Cilinaye manuscript was one script in Sasak language that was written on Aksara Jejawen or it was known as Akasara Hanacaraka. It has a remarkable meaning especially a metaphorical expression due to be not everyone has an ability to use metaphors however everyone can understand its meaning in the same culture and language unlike Suku Sasak  (Sasak  Tribe). The present study was intended to find out what metaphors were found in Cilinaye manuscript and the concept of metaphor found on it. The results of the present research included 1) The meaning of metaphor in Sasak language can mean different with the use of the same symbol when attached by morpheme e.g. 'lauk daye' attached morpheme 'be' become 'belauk bedaye'. 2) The concept of metaphor according to Ching. Ed. (1980) includes human, animate, living, objective, terrestrial, substantial, energy, cosmic, and being is not completed due to in the data analysis, the researchers found there are metaphors that use directions like bottom up, front behind, east west, south north.

Schema Design of Illegally Parked Bicycles LOD

2016 ◽  
Author(s):  
Shusaku Egami ◽  
Takahiro Kawamura ◽  
Yuichi Sei ◽  
Yasuyuki Tahara ◽  
Akihiko Ohsuga
Keyword(s):  
Schema Design

The grammar of temporal motion: A Cognitive Grammar account of motion metaphors of time

2017 ◽  
Vol 28 (1) ◽  
pp. 1-43 ◽  
Author(s):  
Tuomas Huumo
Keyword(s):  
Cognitive Linguistics ◽  
Cognitive Grammar ◽  
Grammatical Structure ◽  
Tense And Aspect ◽  
Metaphorical Meaning ◽  
Motion Event ◽  
Metaphor Theory ◽  
Temporal Function ◽  
Motion Verb ◽  
Metaphorical Expression

AbstractRecent groundbreaking work in cognitive linguistics has revealed the semantic complexity of motion metaphors of time and of temporal frames of reference. In most approaches the focus has been on the clause-level metaphorical meaning of expressions, such as Moving Ego (We are approaching the end of the year) and Moving Time (both Ego-centered, as in The end of the year is approaching and field-based, as in Boxing Day follows Christmas Day). The detailed grammatical structure of these metaphorical expressions, on the other hand, has received less attention. Such details include both elements that contribute to the metaphorical meaning and those that have a non-metaphorical temporal function, e. g., tense and (central features of) aspect. I propose a model for the analysis of metaphorical expressions, building on earlier work in Conceptual Metaphor Theory and the framework of Cognitive Grammar (CG). I approach the grammatical structure of metaphorical expressions by analyzing the interplay between veridical and metaphorical systems of expressing temporal relations. I argue that these systems relate to two relevant conceptualizations of time. Veridical time (VT) is the non-metaphorical conceptualization of time, where the processual profile of the clause-level metaphorical expression resides. A metaphorical path (MP) is the metaphorical conceptualization of time as a path occupied by the metaphorical motion. A motion metaphor of time tracks the mover’s changing position on the MP against VT. I show how metaphorical expressions based on a motion verb differ from those based on a prepositional construction in grammatical and semantic terms, and how tense and aspect contribute to the conceptualization of the motion scenario. I argue that tense grounds the metaphorical motion event with respect to the speech event. All the participants in the motion event, as well as the metaphorical path itself, are present in each subsequent configuration tracked against VT by the conceptualizer. Thus tense has a wide scope over the motion scenario with Ego’s ‘now’ as a reference point, while Ego’s ‘now’ cannot serve for grounding of tense. This is why expressions such as *The meeting is difficult ahead of us are not acceptable.

“What Goes Up Must Come Down”—Elevators in a Long Dream Series

2020 ◽  
Vol 40 (2) ◽  
pp. 143-153
Author(s):  
Michael Schredl
Keyword(s):  
Life Situation ◽  
Continuity Hypothesis ◽  
Research Findings ◽  
Metaphorical Expression

Since the formulation of the continuity hypothesis in 1971, research findings have supported the thematic and emotional continuity between waking and dreaming. However, dreams that include experiences that never occurred in the dreamer’s waking life, this is, discontinuous dreams, have not been studied extensively. In a long series ( N = 11,575 dreams), elevator dreams (about 1% of the dreams) were analyzed whether they were continuous or discontinuous to the waking life of the dreamer. Although many elevator dreams are likely to reflect waking life, in over 40% of the elevator dreams the dreamer was using an elevator that showed unusual or even bizarre features, for example, elevator moving horizontally or flying, transforming into a subway, and so on. Often these dreams were associated with anxiety, and the question is whether these dreams—discontinuous on a thematic level—represent a continuity of emotions and/or are a metaphorical expression of the dreamer’s waking life situation, for example, ups and downs.

The Relationship between Theatre and Ritual in the Sogo bò of the Bamana from Mali

2009 ◽  
Vol 25 (3) ◽  
pp. 233-240
Author(s):  
Marie Kruger
Keyword(s):  
Oral Tradition ◽  
Associate Professor ◽  
Sub Saharan Africa ◽  
Structural Elements ◽  
Repetitive Nature ◽  
Sub Saharan ◽  
Metaphorical Expression ◽  
The University ◽  
Shifting Boundaries ◽  
The Relationship

The Sogo bò, primarily an animal masquerade, can be distinguished from Western theatre through its use of a fluid space with shifting boundaries between spectator and performer. An oral tradition dictates the characterization, scenario, and content. The resemblance to ritual can be found in structural elements such as its repetitive nature and the use of non-realistic performance objects and motions. As in ritual, there is a clear sense of order, an evocative presentational style, and a strong collective dimension. The functional resemblance lies in the complex metaphorical expression through which relationships and values are symbolized, objectified, and embodied in a highly artistic way. Marie Kruger is an associate professor and the Chair of the Department of Drama at the University of Stellenbosch, South Africa, where puppetry is offered as a performance and research option. Her research is focused on masquerades in Africa and the various contemporary applications of puppetry in sub-Saharan Africa.

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