Comparative Research on Different Color Systems in Three-Dimensional Color Gamut

Author(s):  
Zhendan ◽  
Liyan ◽  
Malingyun
2012 ◽  
Vol 262 ◽  
pp. 36-39 ◽  
Author(s):  
Yun Hui Luo ◽  
Mao Hai Lin

As color gamut of digital output device greatly affects image appearance, accurate and effective gamut description for output device is intensively required for developing high-quality image reproduction technique based on gamut mapping. In this paper, we present a novel method to determine color gamut of output device by using a specific 3D reconstruction technology and device ICC profile. First, we populate the device color space by uniform sampling in the RGB 3-Dimensional space, and convert these sampling points to CMYK color space. Then, we work out the CIE LAB value of these points according to the ICC profile of output device. At last, in CIE LAB color space the boundary of these points is determined by using a gamut boundary descriptor based on Ball-Pivoting Algorithm (BPA) proposed by Bernardini. Compared with the results generated by ICC3D, our proposed method can compute device gamut more efficiently and at the same time give a more accurate gamut description of the output device. It will be help to develop effective gamut mapping algorithms for color reproduction.


Author(s):  
Katie Wagner ◽  
David Barner

Human experience of color results from a complex interplay of perceptual and linguistic systems. At the lowest level of perception, the human visual system transforms the visible light portion of the electromagnetic spectrum into a rich, continuous three-dimensional experience of color. Despite our ability to perceptually discriminate millions of different color shades, most languages categorize color into a number of discrete color categories. While the meanings of color words are constrained by perception, perception does not fully define them. Once color words are acquired, they may in turn influence our memory and processing speed for color, although it is unlikely that language influences the lowest levels of color perception. One approach to examining the relationship between perception and language in forming our experience of color is to study children as they acquire color language. Children produce color words in speech for many months before acquiring adult meanings for color words. Research in this area has focused on whether children’s difficulties stem from (a) an inability to identify color properties as a likely candidate for word meanings, or alternatively (b) inductive learning of language-specific color word boundaries. Lending plausibility to the first account, there is evidence that children more readily attend to object traits like shape, rather than color, as likely candidates for word meanings. However, recent evidence has found that children have meanings for some color words before they begin to produce them in speech, indicating that in fact, they may be able to successfully identify color as a candidate for word meaning early in the color word learning process. There is also evidence that prelinguistic infants, like adults, perceive color categorically. While these perceptual categories likely constrain the meanings that children consider, they cannot fully define color word meanings because languages vary in both the number and location of color word boundaries. Recent evidence suggests that the delay in color word acquisition primarily stems from an inductive process of refining these boundaries.


2012 ◽  
Vol 430-432 ◽  
pp. 838-841
Author(s):  
Wen Ge Chen

This paper is based on digital image color information reproduction error in a different color gamut,Through the different color gamut mapping method, image processing software Photoshop is used to make experiment and to obtain the corresponding image effect. Using digital presses to print out and use Spectrodensitometer measure the corresponding data.Using Excel software for data processing and analysis, digital image color information of loss situation is obtained in RGB and CMYK color space, It can provide certain basis for control of the color loss.


2013 ◽  
Vol 777 ◽  
pp. 370-374 ◽  
Author(s):  
He Lan Guan

Treatment of two-dimensional and three-dimensional electrode method was researched and compared respectively using aluminum electrodes. The influences of voltage, electrolysis time, pH and electrode distance on the result were also discussed. It was found that the degradation rate of wastewater with three-dimensional electrode method was much better than two-dimensional method. For the treatment of vehicle-washing wastewater, the best of voltage was 20V, the electrolysis time was 30 min, and the electrode distance was 2cm.


2020 ◽  
Vol 2020 (28) ◽  
pp. 193-198
Author(s):  
Hoang Le ◽  
Mahmoud Afifi ◽  
Michael S. Brown

Color space conversion is the process of converting color values in an image from one color space to another. Color space conversion is challenging because different color spaces have different sized gamuts. For example, when converting an image encoded in a medium-sized color gamut (e.g., AdobeRGB or Display-P3) to a small color gamut (e.g., sRGB), color values may need to be compressed in a many-to-one manner (i.e., multiple colors in the source gamut will map to a single color in the target gamut). If we try to convert this sRGB-encoded image back to a wider gamut color encoding, it can be challenging to recover the original colors due to the color fidelity loss. We propose a method to address this problem by embedding wide-gamut metadata inside saved images captured by a camera. Our key insight is that in the camera hardware, a captured image is converted to an intermediate wide-gamut color space (i.e., ProPhoto) as part of the processing pipeline. This wide-gamut image representation is then saved to a display color space and saved in an image format such as JPEG or HEIC. Our method proposes to include a small sub-sampling of the color values from the ProPhoto image state in the camera to the final saved JPEG/HEIC image. We demonstrate that having this additional wide-gamut metadata available during color space conversion greatly assists in constructing a color mapping function to convert between color spaces. Our experiments show our metadata-assisted color mapping method provides a notable improvement (up to 60% in terms of E) over conventional color space methods using perceptual rendering intent. In addition, we show how to extend our approach to perform adaptive color space conversion based spatially over the image for additional improvements.


2018 ◽  
Vol 2 (4) ◽  
Author(s):  
Manu Mitra

Abstract: Quantum dots have interesting optical properties. They absorb incoming light of one color and emit out light of a completely different color. This research paper discloses eigen states of a simple and multilayer quantum dot in various structures for cuboid, cylinder, dome, cone, and pyramid, and its three-dimensional wave function, energy states, light and dark transitions (X-polarized), light and dark transitions (Y-polarized), light and dark transitions (Zpolarized), light and dark transitions (phi = 0 and theta= 45), absorption (phi = 0 and theta = 45), absorption sweep of angle theta, and integrated absorption are plotted and the observations of high peak values are noted and documented.


2014 ◽  
Vol 910 ◽  
pp. 405-409
Author(s):  
Chang Xian Cheng ◽  
Yan Mei Liang

Abstract. In order to study the color matching effect of ink-jet printing press under different color management systems. I applied EFI and ORIS series color management soft wares separately to the same Epson ink-jet printer and optimized the proofing with exploring the most reasonable settings. After that, I will compare the gamut and color difference in a special color management module, and also make a contrast with a standard color gamut to check the color matching effect. The results show that the average color differences of the two soft wares are all below 1.0. However, differences measured by ORIS is lower, falling to 0.5 only, which implies the proofing under ORIS color management is more similar to the presswork and more stable.


2013 ◽  
Vol 421 ◽  
pp. 138-143
Author(s):  
Guang Xue Chen ◽  
Qi Feng Chen ◽  
Jing Lei Tai ◽  
Jiang Wen Liu

Image halftoning is the core technique of digital image output, which determines the quality of the color and tonal gradation reproduction. In this paper, the existing halftoning techniques were analyzed and evaluated, such as FM halftoning and AM halftoning, etc. And a new halftoning mode, frequency conversion amplitude modulation (FCAM), was proposed. This method is still based on AM halftoning, but it uses the different screen frequency for halftoning image of the different color version, so as to avoid moiré fringes on the smaller superposition angle. The use of new halftoning model can achieve halftoning image output which is more than 4 colors (such as 6 colors or 7 colors) without visual moirè pattern when overprinting. By the new technique, high-fidelity printing is achieved, and the color gamut of the output image is expanded, and we can get more vivid realistic effect of image transmission. We tested color gamut expansion of 6 colors and 7 colors high-fidelity printing, and obtained the expected conclusion by quantitative analysis.


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