scholarly journals The Role of Astronomy and Feng Shui in the Planning of Ming Beijing

Author(s):  
Norma Camilla Baratta ◽  
Giulio Magli

AbstractPresent day Beijing developed on the urban layout of the Ming capital, founded in 1420 over the former city of Dadu, the Yuan dynasty capital. The planning of Ming Beijing aimed at conveying a key political message, namely that the ruling dynasty was in charge of the Mandate of Heaven, so that Beijing was the true cosmic centre of the world. We explore here, using satellite imagery and palaeomagnetic data analysys, symbolic aspects of the planning of the city related to astronomical alignments and to the feng shui doctrine, both in its “form” and “compass” schools. In particular, we show that orientations of the axes of the “cosmic” temples and of the Forbidden City were most likely magnetic, while astronomy was used in topographical connections between the temples and in the plan of the Forbidden City in itself.

Author(s):  
David Konstan

New Comedy was a Panhellenic phenomenon. It may be that a performance in Athens was still the acme of a comic playwright’s career, but Athens was no longer the exclusive venue of the genre. Yet Athens, or an idealized version of Athens, remained the setting or backdrop for New Comedy, whatever its provenance or intended audience. New Comedy was thus an important vehicle for the dissemination of the Athenian polis model throughout the Hellenistic world, and it was a factor in what has been termed ‘the great convergence’. The role of New Comedy in projecting an idealized image of the city-state may be compared to that of Hollywood movies in conveying a similarly romanticized, but not altogether false, conception of American democracy to populations around the world.


2020 ◽  
Vol 69 (4) ◽  
pp. 39-61
Author(s):  
Meike Wagner

In 1854, the city of Munich had arranged for the “First General German Industrial Exhibition” to promote German industry to the world and invited a global audience to the event. At the same time, Franz Dingelstedt, director of the National Theater, organized a festival displaying the finest actors from Germany. Right after the opening of the festival, cholera started raging in the city and leaving 3,000 deaths in the final count. The author sketches out the role of the theatre in this crisis, when Dingelstedt was ordered by the king to keep the theatre open at any cost. This appears awkward, in regard to the current global pandemic crisis where theaters have been identified as risk zones for infection and consequently closed down. Why was the theatre at the time considered a safe and appropriate place even helping to counter the disease?


Popular Music ◽  
1996 ◽  
Vol 15 (3) ◽  
pp. 259-273 ◽  
Author(s):  
Tony Langlois

On 29 September 1994, Cheb Hasni, the most renowned Rai singer living in Algeria, was gunned down outside his family's house in Gambetta, a quarter of the city of Waharan (Oran). He was one of many public figures (and some 50,000 others) who have been killed since the main opposition political party, the FIS (Islamic Salvation Front) was prevented from assuming power by the annulment of elections that they would have won in 1991. Like the most notable of Algeria's victims of violence, which include journalists, lawyers, doctors, television presenters and top policemen, Hasni represented a version of Algerian identity that some people clearly could not tolerate. Responsibility for his assassination has not been claimed, but the manner of his death was identical to others carried out by the armed faction of the fundamentalist Islamic movement, the GIA (Armed Islamic Group). His death has possibly marked the demise of a genre of North African popular music known as Rai as it was produced in Algeria. Rai has been a particularly problematic idiom for Islamists and secularists alike. Both groups nurture distinct views of the place of Algeria, and Algerians in the world, and the role of Islam and liberal secularism in Algeria. Rai music constructs its own distinct trajectories linking local and global, ‘East’ and ‘West’, and, in this way, constitutes a distinct problem for Algerians, and indeed other North Africans today.


2017 ◽  
Vol 60 (4) ◽  
pp. 524-548 ◽  
Author(s):  
José Antonio Cantón Álvarez

The spread of Western medical practices to China, initiated during the Mongol dynasty, is often considered an example of “medical globalisation,” but few studies have looked at the actual level of adoption of Western medicine in the period after the Yuan dynasty. This essay analyses eighteen Ming dynasty medical sources in order to assess the role of opium, a Western drug, in post-Yuan medical practice. This essay concludes that opium was not widely used in the first centuries of the Ming dynasty, and, when finally adopted in the sixteenth century, its use was disconnected from the Yuan dynasty medical tradition. These findings make us question the continuity and even the existence of the “Mongol medical globalisation,” as well as the validity of the use of synchronic methodology for the study of centuries-long processes such as globalisation.


2020 ◽  
Vol 25 ◽  
pp. 51-65
Author(s):  
Paul R. DeHart ◽  

In Pagans & Christians in the City, Steven D. Smith argues that in contrast to ancient Rome, ancient Christianity, following Judaism, located the sacred outside the world, desacralizing the cosmos and everything in it—including the political order. It thereby introduced a political dualism and potentially contending allegiances. Although Smith’s argument is right so far as it goes, it underplays the role of Christianity’s immanent dimension in subverting the Roman empire and the sacral pattern of antiquity. This division of authority not only undermined the Roman empire and antique sacral political order more generally—it also subverts the modern state, which, in the work of Hobbes and Rousseau, sought to remarry what Western Christianity divorced.


1970 ◽  
Vol 4 ◽  
pp. 1-20 ◽  
Author(s):  
Gunnar Haaland

CORRECTION: On Page 9, Paragraph 3, Line 7, the date of the Yüan dynasty (1279 – 1368) has been changed to Yüan dynasty (1271 – 1368). Like any complex civilization, China contains the confluence of range of traditions of knowledge that people draw on in their interpretations of and reactions to events in the 'world' they are exposed to. However traditions of knowledge serve multiple purposes and may lead to contradictory views on important issues. Chairman Mao when reflecting on two dominant cultural traditions – the Confucian school and the Legalist school - stated that in China there is always two opposite viewpoints. The traditions of knowledge expressing such divergent viewpoints had for more than 2000 years been nurtured and elaborated in the organizational context of the Chinese Empire. An important concern in these traditions is their emphasis on lessons to be drawn from past historical experiences. In the present situation the historical consciousness allows for alternative guidelines for interpreting events taking place on national as well as on global arenas. Keywords: modern China; Leninist capitalism; Confucian superstructure; guanxi; corruption; mianzi (face) DOI: 10.3126/dsaj.v4i0.4510 Dhaulagiri Journal of Sociology and Anthropology Vol.4 2010 pp.1-20


2021 ◽  
Vol 8 (1) ◽  
pp. 28-35
Author(s):  
Hari Martopo

Taizé’s music comes from an ecumenical monastic order with an intense devotion to peace and justice through prayer and meditation. It was founded by Brother Roger Louis Schütz-Marsauche in 1940 in the French village of Taizé and later spread throughout the world. Now the Taizé community is also growing in Indonesia, especially in the city of Yogyakarta. The Taizé community introduced its model of worship consisting of prayer, music, and meditation. The Taizé community entered Indonesia through Ursuline nuns’ work, and some of them later chose Taizé music as their worship accompaniment. In Yogyakarta, Taizé music is being used formally in adoration worship, namely The Holy Hour Worship by the Congregational Scholastic Congregation of SCJ Yogyakarta. Simultaneously, an ecumenical community called DNTZ Yogyakarta sings Taizé music in ecumenical fellowship activities. These are voluntary activities which are performed at different places and open for public. These two models of Taizé music in Catholics and Protestants communities have become a unique phenomenon as both communities play an essential role in its development by helping each other and working together in harmony.


Author(s):  
Josimar dos Reis de Souza ◽  
Tatiana Silva Souza ◽  
Beatriz Ribeiro Soares

From the complex sanitary moment faced by Brazil, related to COVID-19, in particular due to the collapse of the health system that has occurred in medium-sized cities, this article aimed to analyze the evolution of the COVID-19 pandemic in Uberlândia, according to reflections from geographic science, in order to help to understand the facts that led to the current scenario of the disease in the city. To achieve the objective, we carried out a theoretical discussion about how Geography faces recent events, especially in relation to the role of the Globalization process, both in the dissemination of information about the emergence of COVID-19 and other events, as well as in the rapid spread of the virus around the world. Based on these reflections, we analyzed the evolution of the pandemic, using data provided by the Municipality of Uberlândia and the Ministry of Health, with a cut-off date of March 18, 2021, in order to understand the chronological path of the facts. The choice for this cut-off date for data clipping is justified by our intention to analyze the first year of virus identification in the municipality. The results showed the negative evolution of the pandemic in the city, mainly over the months of February and March 2021, with 100% of the ICU beds occupied, which demonstrates the complexity and the long way to go to overcome this health crisis.


2018 ◽  
pp. 193-241
Author(s):  
Molly A. Warsh

This chapter considers how pearls’ subjective beauty, their complex and mysterious origins, and their powerful association with mastery of the seas allowed them to remain a powerful heuristic device for the expression of ideas about mutability, worth, and the nature of different places and peoples around the world. As empires moved to objectify profit and regulate the role of subjects in new ways, pearls continued to serve as a useful index (elenco in Spanish, a word Pliny the Elder employed to denote an elongated pearl but that, by the early seventeenth century, had come to stand for the very impulse to order and compartmentalize that the jewel provoked) of peoples’ highly independent and contingent calculations of worth. Through a consideration of crown-sponsored pearl-fishing interventions in the Scottish Highlands and along Swedish rivers close to the city of Gothenburg, this chapter traces how pearls continued to facilitate the expression of distinct approaches to resource husbandry at scales personal and imperial. The chapter further explores the late-seventeenth-century market for pearls in London and the jewel’s unstable political and economic value as expressed in private correspondence as well as in portraits of women and enslaved bodies whose value was considered impermanent and for purchase..


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