Recent employment and expenditure trends in city police departments in the United States

1977 ◽  
Vol 5 (2) ◽  
pp. 119-147 ◽  
Author(s):  
Amedeo R. Odoni
2019 ◽  
Author(s):  
Clare Giaimo

Trust of the police is at a 22-year low in the United States (Jones, 2015). Many police departments hold community discussions in an attempt to educate civilians and increase trust in the police (Star, 2017). This research explores whether an in depth, play-by-play explanation of force used during a video of a violent arrest can increase civilians’ perceptions of the police. Participants either watched a video of a violent arrest with narration or the same video with no narration. The narrator explained the tactics used by the police officers and how the tactics were used to avoid escalation of the violence during the arrest. After viewing one of the videos, both groups filled out the Perceptions of Police (POP) scale to indicate the participants’ feelings about the police. The type of video watched did not influence POP scores, however two interactions were significant. These results suggest that the police should focus on other methods of gaining the trust of Americans.


2021 ◽  
pp. 223-256
Author(s):  
Noah Tsika

This chapter focuses on fingerprinting stations, which, from the early 1920s until the late 1950s, were often located in the lobbies of movie theaters and used both in conjunction with crime films and as part of a broader push to collect Americans’ personal biometric information. An increasingly popular component of efforts to normalize civil identification, fingerprinting stations routinely functioned to promote both crime films and local police departments. They also raised alarming questions about the scope of police power in the United States. Fingerprinting stations were naturalized aspects of a cinematic assemblage that served police power, smuggling law enforcement into the local movie theater and making the collection of patrons’ personal biometric information seem continuous both with screen representations and with the wider work of advertising and publicity departments.


2016 ◽  
Vol 9 (3) ◽  
pp. 590-597 ◽  
Author(s):  
Mindy E. Bergman ◽  
Jessica M. Walker ◽  
Vanessa A. Jean

Ruggs et al. (2016) describe paths through which industrial–organizational (I-O) psychology can make a dent in the ongoing policing problems in the United States. These paths include traditional I-O areas such as improved selection models, increased training, and changed organizational climates. However, there might be one fairly straightforward way in which police organizations can quickly reduce use-of-force problems: women. Because Title VII of the Civil Rights Act prevents selection based on sex, police departments obviously cannot hire women just because they are women. But police departments can and, we argue, should recruit more women to apply for police officer positions, create work practices and experiences that are attractive to and supportive of women (Hassell & Brandl, 2009), and make efforts to retain female officers because of the evidence that female officers use less force when policing (Bolger, 2015). Additionally, police organizations and I-O psychologists should also work together to discover why women are less likely to use force and, subsequently, determine whether these characteristics can be selected or trained for in either sex.


Author(s):  
David W. Webb ◽  
David R. Hoffpauir

In the United States there is a strong dependence on decentralized policing services, distributed by thousands of police departments. As a primary police professional development management institute in the United States, the Law Enforcement Management Institute of Texas (LEMIT) identified that there existed a paucity of management development opportunities for police command staff engaged in critical incident management. This paper describes how LEMIT met this challenge and became a leading U.S. institute in this exciting field of operation.


2009 ◽  
Vol 41 (2) ◽  
pp. 95-107 ◽  
Author(s):  
Etienne Charbonneau ◽  
Norma M. Riccucci ◽  
Gregg G. Van Ryzin ◽  
Marc Holzer

2016 ◽  
Author(s):  
Michael Sierra-Arévalo

Despite the fact that policing is growing safer in the United States, thedanger associated with police work continues to structure departmentaltraining and police behavior. This article describes how police aresocialized into a cultural frame conceptualized as the "danger imperative"—the preoccupation with violence and the provision of officer safety—and the unintended, deadly consequences of their perception through it. Using nearly 1000 hours of participant observation and 94 interviews across three urban police departments, the author demonstrates that officers are formally and informally socialized into this frame, and learn both policy-sanctioned and policy-deviant behaviors to protect themselves from violence. However, policy-deviant behavior such as not wearing a seatbelt when driving, though justified as necessary to allow officers to defend themselves from violence, places officers at grave risk of injury and death in high-speed car crashes.


2021 ◽  
pp. 83-130
Author(s):  
Noah Tsika

This chapter examines some of the tensions involved in the development and maintenance of film-specific forms of police public relations and addresses the persistence of certain cultural and institutional anxieties. From the threat of repetition and generic stagnation to the frictions resulting from the coexistence of strict representational codes and countervailing “realist” imperatives, these tensions and anxieties further illustrate the sheer complexity of cinema’s intersections with police power in the United States. American police departments have long been committed to shaping American film culture to their own advantage. American police officials were not necessarily easily satisfied by screen representations, and their ongoing demands had unexpected and sometimes contradictory effects.


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