Cinematic Badges

2021 ◽  
pp. 83-130
Author(s):  
Noah Tsika
Keyword(s):  
United States ◽  
Public Relations ◽  
The United States ◽  
American Film ◽  
Film Culture ◽  
Police Departments ◽  
Police Power ◽  
American Police

This chapter examines some of the tensions involved in the development and maintenance of film-specific forms of police public relations and addresses the persistence of certain cultural and institutional anxieties. From the threat of repetition and generic stagnation to the frictions resulting from the coexistence of strict representational codes and countervailing “realist” imperatives, these tensions and anxieties further illustrate the sheer complexity of cinema’s intersections with police power in the United States. American police departments have long been committed to shaping American film culture to their own advantage. American police officials were not necessarily easily satisfied by screen representations, and their ongoing demands had unexpected and sometimes contradictory effects.

Filmgoers’ Fingerprints

2021 ◽  
pp. 223-256
Author(s):  
Noah Tsika
Keyword(s):  
United States ◽  
Law Enforcement ◽  
The United States ◽  
Police Departments ◽  
Police Power ◽  
Movie Theaters ◽  
Movie Theater ◽  
Crime Films ◽  
Local Police ◽  
Biometric Information

This chapter focuses on fingerprinting stations, which, from the early 1920s until the late 1950s, were often located in the lobbies of movie theaters and used both in conjunction with crime films and as part of a broader push to collect Americans’ personal biometric information. An increasingly popular component of efforts to normalize civil identification, fingerprinting stations routinely functioned to promote both crime films and local police departments. They also raised alarming questions about the scope of police power in the United States. Fingerprinting stations were naturalized aspects of a cinematic assemblage that served police power, smuggling law enforcement into the local movie theater and making the collection of patrons’ personal biometric information seem continuous both with screen representations and with the wider work of advertising and publicity departments.

The Effect of a Narrated Video of an Arrest on Civilians’ Perceptions of Police

2019 ◽  
Author(s):  
Clare Giaimo
Keyword(s):  
United States ◽  
Police Officers ◽  
The United States ◽  
Police Departments ◽  
Perceptions Of Police

Trust of the police is at a 22-year low in the United States (Jones, 2015). Many police departments hold community discussions in an attempt to educate civilians and increase trust in the police (Star, 2017). This research explores whether an in depth, play-by-play explanation of force used during a video of a violent arrest can increase civilians’ perceptions of the police. Participants either watched a video of a violent arrest with narration or the same video with no narration. The narrator explained the tactics used by the police officers and how the tactics were used to avoid escalation of the violence during the arrest. After viewing one of the videos, both groups filled out the Perceptions of Police (POP) scale to indicate the participants’ feelings about the police. The type of video watched did not influence POP scores, however two interactions were significant. These results suggest that the police should focus on other methods of gaining the trust of Americans.

Media coverage of the unfolding crisis of domestic terrorism in the United States, 1990–2020

2021 ◽  
pp. 2046147X2199601
Author(s):  
Diana Zulli ◽  
Kevin Coe ◽  
Zachary Isaacs ◽  
Ian Summers
Keyword(s):  
United States ◽  
Public Relations ◽  
Crisis Management ◽  
Media Coverage ◽  
Television News ◽  
News Coverage ◽  
The United States ◽  
Theory And Practice ◽  
Domestic Terrorism ◽  
Definitional Uncertainty

Public relations research has paid considerable attention to foreign terrorist crises but relatively little attention to domestic ones—despite the growing salience of domestic terrorism in the United States. This study content analyzes 30 years of network television news coverage of domestic terrorism to gain insight into four theoretical issues of enduring interest within the literature on news framing and crisis management: sourcing, contextualization, ideological labeling, and definitional uncertainty. Results indicate that the sources called upon to contextualize domestic terrorism have shifted over time, that ideological labels are more often applied on the right than the left, and that definitional uncertainty has increased markedly in recent years. Implications for the theory and practice of public relations and crisis management are discussed.

scholarly journals Unmanning the Police Manhunt: Vertical Security as Pacification

2013 ◽  
Vol 9 (2) ◽  
Author(s):  
Tyler Wall
Keyword(s):  
United States ◽  
The United States ◽  
Police Power ◽  
Security Technologies ◽  
Domestic Security ◽  
War Power ◽  
At Home

This article provides a critique of military aerial drones being “repurposed” as domestic security technologies. Mapping this process in regards to domestic policing agencies in the United States, the case of police drones speaks directly to the importation of actual military and colonial architectures into the routine spaces of the “homeland”, disclosing insidious entwinements of war and police, metropole and colony, accumulation and securitization. The “boomeranging” of military UAVs is but one contemporary example how war power and police power have long been allied and it is the logic of security and the practice of pacification that animates both. The police drone is but one of the most nascent technologies that extends or reproduces the police’s own design on the pacification of territory. Therefore, we must be careful not to fetishize the domestic police drone by framing this development as emblematic of a radical break from traditional policing mandates – the case of police drones is interesting less because it speaks about the militarization of the police, which it certainly does, but more about the ways in which it accentuates the mutual mandates and joint rationalities of war abroad and policing at home. Finally, the paper considers how the animus of police drones is productive of a particular form of organized suspicion, namely, the manhunt. Here, the “unmanning” of police power extends the police capability to not only see or know its dominion, but to quite literally track, pursue, and ultimately capture human prey.

The interaction of journalism and public relations in Russia: A self-perception

2018 ◽  
Vol 15 (1) ◽  
pp. 3-25
Author(s):  
Greg Simons ◽  
Dmitry Strovsky
Keyword(s):  
United States ◽  
Public Relations ◽  
Russian Federation ◽  
Mass Communication ◽  
The United States ◽  
Current Level ◽  
Communication Studies ◽  
Conceptual Level ◽  
The World ◽  
The Russian Federation

There is an increasing amount written on the decline of professional journalism around the world. One of the factors that are used to illustrate the decline of journalism is the interaction and collaboration between journalists and public relations (PR) practitioners in the production of mass media news content. On a theoretical and conceptual level, the aims and goals of the two professions are quite different, even though there are a number of superficial similarities between these forms of mass communication. Studies of the interaction between journalism and PR in the United States reveal a certain underlying tension, yet simultaneous mutual dependency. An indicative survey was conducted across different cities in the Russian Federation to understand the perception of professional journalists and PR practitioners on the current level of interaction between their professions. The answers were remarkably similar and reveal a deep concern for the direction of journalism, which many viewed as being subordinated to PR.

scholarly journals Poland, Ukraine, and the Idea of Strategic Partnership

1999 ◽  
pp. 46
Author(s):  
Stephen R. Burant
Keyword(s):  
United States ◽  
Public Relations ◽  
Security Policy ◽  
The United States ◽  
Strategic Partnership ◽  
Foreign And Security Policy ◽  
Political Differences ◽  
The Relationship

Both Ukrainian and Polish policymakers have come to use the term strategic partnership to characterize the relationship between their two countries. Teodozii Starak, an adviser to the Ukrainian Embassy in Poland, has stated that strategic partnership "means that both [Ukraine and Poland] demonstrate coordinated stances and support each other in the most important political areas. " However, Ukrainian President Leonid Kuchma also regularly uses the term to characterize his country's relations with Russia. In addition, Ukrainian officials have labeled China, the United States, Germany, and Bulgaria as Ukraine's strategic partners. The use of the term with reference to Russia-with which Ukraine throughout the 1990s has had serious political differences-or Bulgaria or China, which are not priorities for Ukrainian foreign and security policy, appears to strip it of any significance; the term implies, at best, a goal, or, at worst, a public relations effort.

The rise of the railroad in Virginia: A historical analysis of the emergence of corporate public relations in the United States

2018 ◽  
Vol 7 (1) ◽  
pp. 5-23 ◽  
Author(s):  
Nneka Logan
Keyword(s):  
United States ◽  
Public Relations ◽  
Historical Analysis ◽  
The United States ◽  
Theoretical Framework ◽  
Complex Nature ◽  
Historical Inquiry ◽  
Corporate Public Relations ◽  
Fully Functioning

This article explores the origins of corporate public relations by examining the untold story of railroad development and expansion in the Commonwealth of Virginia. Understanding the circumstances surrounding Virginia’s pioneer railroads, which emerged at a tumultuous time within a state deeply divided over the related issues of the railroad and slavery, can enrich our comprehension of public relations history in corporate contexts. Fully functioning society theory (FFST) is used as a theoretical framework to guide the historical analysis of the rise of the railroad in Virginia in the 19th and 20th centuries. The article expands FFST’s application to historical inquiry and productively directs attention to the varied and complex nature of the emergence of corporate public relations without venerating or denigrating the field’s origins.

Anti-Americanism in Retreat: Jack Lang, Cultural Imperialism, and the Anti-Anti-Americans

2011 ◽  
Author(s):  
Richard F. Kuisel
Keyword(s):  
United States ◽  
Popular Culture ◽  
Mexico City ◽  
The United States ◽  
Cultural Imperialism ◽  
American Film ◽  
Film Festival ◽  
American Popular Culture ◽  
Movie Star

This chapter details the rise of anti-Americanism in France, in particular French socialist minister of culture Jack Lang's attack against American popular culture. Lang began by refusing to attend the American film festival at Deauville in September 1981; several months later he gave a notorious address denouncing American cultural imperialism at a UNESCO conference in Mexico City; and then he tried to organize a global “crusade” to combat cultural imports from the United States. Lang was a flamboyant young politician whose movie-star good looks, iconic pink jacket, dramatic initiatives, and hyperactive ways won him both admiration and ridicule. He presided over the Ministry of Culture from 1981 to 1986 and again from 1988 to 1993.

Tola

2018 ◽  
Author(s):  
Allan R. Ellenberger
Keyword(s):  
United States ◽  
The United States ◽  
American Film ◽  
Gone With The Wind ◽  
Bette Davis ◽  
Anatole Litvak ◽  
Theatre Guild

On her return to the United States, Hopkins meets Russian-born director Anatole Litvak. They become close, and she stars in his first American film, The Woman I Love. Her costar Paul Muni is bothered by Hopkins’s interference, and fights ensue. Hopkins buys the former estate of John Gilbert. Warner Bros. plans to make Jezebel, a part Hopkins wants, however, she is tricked into selling her rights and the role is given to Bette Davis. Discouraged, Hopkins returns to Goldwyn and makes Woman Chases Man. Polls claim that Hopkins is the number one choice to play Scarlett O’Hara in Gone with the Wind, but David O. Selznick has other plans. Hopkins moves into her new Tower Grove home. She elopes with Anatole Litvak and appears in Wine of Choice for the Theatre Guild, but it fails to meet her standards. She is devastated at the death of her ex-husband “Billy” Parker. After the funeral, she collapses and is admitted to the hospital.

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