Effects of the number of benzene rings on the properties of single-source ZrC-based liquid precursors and nano zirconium carbide powders thereof

Author(s):  
Lin Zhao ◽  
Seahoon Lee ◽  
Emanuel Ionescu ◽  
Ralf Riedel
1993 ◽  
Vol 335 ◽  
Author(s):  
R. A. Gardiner ◽  
P. C. Van buskirk ◽  
P. S. Kirlin

AbstractA significant limitation in MOCVD processing of advanced materials is the ability to deliver low volatility precursors, in a repeatable fashion, to the deposition reactor. Apparatus for delivering low volatility precursors in gaseous form, wherein a precursor source liquid is flash vaporized at elevated temperature has been developed. Stable, reproducible delivery of liquid precursors for TiN and Ta2O5 has been demonstrated. For multicomponent ceramic material systems simultaneous delivery of multiple cation species via a single source liquid has been achieved. The effect of flash vaporization on precursors for PZT was investigated. Pb, Zr and Ti precursors were dissolved in an organic medium with a defined cation ratio. The source solution was vaporized, the precursors transported as vapor then collected and analyzed by 1H and 13C nmr. No decomposition of the precursors was observed post vaporization and source solution stoichiometry was maintained in the collected material. The use of this flash vaporization technique has already been particularly successful for MOCVD of BaTiO3, MgAl2O4, YBa2Cu3O7−x, YSZ, LaSrCoO3 and Cu metal.


2001 ◽  
Vol 11 (PR3) ◽  
pp. Pr3-577-Pr3-584 ◽  
Author(s):  
A. Devi ◽  
H. Parala ◽  
W. Rogge ◽  
A. Wohlfart ◽  
A. Birkner ◽  
...  

2019 ◽  
Author(s):  
Torsten Diekhoff ◽  
Michael Fuchs ◽  
Nils Engelhard ◽  
Kay-Geert Hermann ◽  
Michael Putzier ◽  
...  

The Oxford Handbook of Shakespeare and Dance is the first collection of essays to examine the relationship between William Shakespeare and dance. Despite recent academic interest in movement, materiality, and the body—and the growth of dance studies as a disciplinary field—Shakespeare’s employment of dance as both a theatrical device and thematic reference point remains under-studied. The reimagining of his writing as dance works is also neglected as a subject for research. Alan Brissenden’s 1981 Shakespeare and the Dance remains the seminal text for those interested in early modern dancing and its appearances within Shakespearean drama, but this new volume provides a single source of reference for dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement.


2020 ◽  
Vol 13 (15) ◽  
pp. 3254-3262
Author(s):  
Yuanmao Ye ◽  
Mingliang Lin ◽  
Xiaolin Wang

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