This book examines the impact of the discovery of physical evidence for Roman Britain between the late sixteenth and the early twentieth centuries. My earlier work, Roman Officers and English Gentlemen, explored how the Roman past of Britain was articulated as an aspect of ‘imperial discourse’ in British late Victorian and Edwardian society, how the Roman history and monuments of Britain were used to construct an imperial ancestry for contemporary Britain. The Roman empire, and Roman Britain in particular, were drawn upon to provide powerful contrasts and comparisons between the superpowers of their respective ages, drawing out morals and lessons for the contemporary imperial age. This book seeks to address the value of ideas derived from Roman Britain in the construction of British nationhood and in the context of empire-building, but with a far longer chronological perspective. Before the later sixteenth century, people in Britain had thought and written about the Roman past, but conventional wisdom suggests that it is only from this time that a self-critical and conscious appreciation of the classical writings that addressed Britain emerged. It is also from this time that the value of past objects and sites started to be recognized. In studying the ways that objects and remains from the pre-Roman and Roman past were received, we shall see that the increasing comprehension of the significance of ancient objects was itself a result of the gradual acceptance of the authority of the classical texts that referred to pre-Roman and Roman Britain. Knowledge of the culture and history of ancient Britain prior to this time was communicated through a series of mythical tales that presented a heroic picture of the ancient past. For the English, this ‘old British history’ presented what Philip Schwyzer has called a ‘grand and sprawling narrative’, derived mainly from Geoffrey of Monmouth’s Historia Regum Britanniae (The History of the Kings of Britain, c.1136). These powerful ideas related the initial peopling of these islands to Brutus and his followers who had fled the sack of Troy. During medieval times, various associated stories had been elaborated around mythical and semi-mythical ancient rulers of Britain, including Cymbeline and Lear.
Wall painting in the Roman empire: colour, design and technology
