Modal particles and their functional equivalents: a speech-act-theoretic approach

2001 ◽  
Vol 33 (9) ◽  
pp. 1391-1417 ◽  
Author(s):  
Richard Waltereit
2021 ◽  
Vol 6 ◽  
Author(s):  
Henrik Bergqvist

From the point of view of everyday talk and especially, casual conversation, it is obvious that language use is highly perspectivized with a clear focus on the speech-act participants. This fact is supported by observations regarding the pervasiveness of egophoric pronouns and the frequent use of the modal particles ju and väl in spoken Swedish. The paper demonstrates how egophoric pronouns, modal particles, and mental verbs are used to signal the epistemic perspective of the speech-act participants, i.e., when the knowledge and attention of the speech-act participants are at stake. These formally distinct resources show patterns of co-distribution that permit an analysis of forms in terms of how they signal shared/private access to events from the perspective of the speaker and the addressee.


2021 ◽  
Vol 49 (2) ◽  
pp. 244-291
Author(s):  
Rita Finkbeiner

Abstract Using the example of newspaper headlines, this paper develops a speech-act theoretic approach to aspects of meaning that can be communicated through the use of typographic means. After considering, more generally, the relationship between speech act theory and writing, analogies between prosody and typography are discussed and the claim is developed that typographic means, just as prosodic means, may function as illocutionary force indicating devices. Using Gallmann’s (1985) system of graphic means, newspaper headlines are defined, more specifically, as typographic objects indicating the (meta-textual) illocution type of an announcement of the text topic. Finally, the relationship between the grammatically determined illocution of a (sentential) headline and its typographically determined meta-textual illocution is modeled, on the basis of Searle’s (1982b) account of fictional speech acts, as an interplay of „vertical“ and „horizontal“ rules. The paper closes with a discussion of the more general question whether typographic acts are speech acts.


2020 ◽  
Vol 18 (2) ◽  
pp. 225-245
Author(s):  
Elena Gurova ◽  

Despite the change in the Danish communication style caused by the transformation of the social-political and cultural life of the Danish in the late 1960s, which made a number of polite forms obsolete, the Danish language has various ways to express polite requests. One of the most common strategies congruent with the principle of politeness and efficiency is the use of conventional interrogative sentences with the verbs gide, ville, kunne, verbs in the present tense and a construction er du sød at. The article examines these interrogative sentences gleaned from dialogues in contemporary Danish television series. The most polite of all the conventional requests are questions with vil/ville, which can be used in a formal setting or in correspondence. They appeal to the addressee’s willingness to perform an action, to a greater extent than questions with kun/kunne, and they are meant to avoid encroaching upon the interlocutor’s freedom. The construction er du sød at is classed among the formulas of a high degree of politeness and often presupposes a significant status distance between the interlocutors. Questions with gide are used when social and status distance between the interlocutors is insignificant. Combinations of gide and vil with phasal verbs denoting the ending of an action indicate that these constructions perform a prohibitive function. In the case of questions in the present tense, the interlocutors, as a rule, are engaged in a common activity and the effect of the proposed action is in the interest of both parties. A characteristic feature of the speech act of requests is the use of modal particles, first and foremost, ikke and lige. The particle lige is a culture-specific lexical item which indicates that the favour done by the listener is insignificant, but in spite of a lesser threat posed by the speaker, his expressed will is imposed since it is the speaker who decides for the listener how insignificant his request is. The particles godt and nok are used in insistent requests, while combinations with bare imply a mutually satisfying way to solve the problem at hand.


Author(s):  
François Recanati

This chapter discusses the relations between three approaches to the referential/attributive distinction: the Gricean approach advocated by Kripke and others, the two-dimensional approach pioneered by Kaplan and Stalnaker, and the Millian approach favoured by Donnellan. In contrast to the two-dimensional approach, the Millian approach honours the intuitions which led to the rejection of descriptivism, but it is subject to Gricean criticism based on the speaker’s reference/semantic reference distinction. The chapter shows that, suitably elaborated and revised, the Millian approach can be made immune to that criticism. The resulting view, it is argued, applies beyond the case of definite descriptions. It also supports Austin’s and Strawson’s speech act theoretic approach to reference and truth—an approach which Grice initially dismissed and which Travis insightfully attempted to defend and resurrect.


2019 ◽  
Vol 3 (2) ◽  
pp. 109-122
Author(s):  
Cita Mustika Kusumah

This research aims to describe and give an overview of the use of sexual euphemism in pop and hip hop lyric songs to avoid taboo words which are usually unfreely to mention in public. The researcher uses qualitative method and descriptive method to analyze the data. The researcher uses forty songs consist of twenty pop songs and twenty hip hop songs to be analysed. From forty songs, the researcher finds ninety seven data. Researcher believes the data are found to contain sexual euphemism in the utterance that included in pragmatic study.Researcher describes and analyzes every single of data that are included the theory of Allan and Buridge (1991). From the research data, the researcher found that there is a differential usage of sexual euphemism in pop and hip hop which is sexual euphemism in sexual activity appears more frequently in pop songs and sexual euphemism in sexual body parts appears more frequently in hip hop songs. Both pop and hip hop songs use representative speech act more frequently than directive speech act. Euphemism was used in the lyrics to avoid words that are considered taboo in some communities.Keywords: speech act, sexual euphemismINTRODUCTIONIn


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