Female Identity before 1250:

2021 ◽  
pp. 142-158
Author(s):  
David Crouch
Keyword(s):  
Female Identity

Correction of violation of female identity as a result of trauma in relations with a father

2019 ◽  
Vol 8 (8) ◽  
Author(s):  
Natalia Dmitriyeva ◽  
Natalia Krasovskaya ◽  
Anastasia Dmitriyeva
Keyword(s):  
Female Identity

The Right to Dream: Gender, Modernity, and the Problem of Class in Kate O'Brien's Bourgeois Bildungsromane

2019 ◽  
Vol 49 (2) ◽  
pp. 276-289
Author(s):  
Naoise Murphy
Keyword(s):  
Middle Class ◽  
Identity Formation ◽  
Coming Of Age ◽  
Female Identity ◽  
Gender And Sexuality ◽  
The Novel ◽  
Class Status ◽  
The Right ◽  
Aristocratic Culture ◽  
Modern Form

Feminist critics have celebrated Kate O'Brien's pioneering approach to gender and sexuality, yet there has been little exploration of her innovations of the coming-of-age narrative. Creating a modern Irish reworking of the Bildungsroman, O'Brien's heroines represent an idealized model of female identity-formation which stands in sharp contrast to the nationalist state's vision of Irish womanhood. Using Franco Moretti's theory of the Bildungsroman, a framing of the genre as a thoroughly ‘modern’ form of the novel, this article applies a critical Marxist lens to O'Brien's output. This reading brings to light the ways in which the limitations of the Bildungsroman work to constrain O'Brien's subversive politics. Their middle-class status remains an integral part of the identity of her heroines, informing the forms of liberation they seek. Fundamentally, O'Brien's idealization of aristocratic culture, elitist exceptionalism and ‘detachment of spirit’ restricts the emancipatory potential of her vision of Irish womanhood.

Naming and the reconstruction of female identity in Bette-Obudu

2019 ◽  
Vol 13 (2-4) ◽  
pp. 357-378
Author(s):  
Liwhu Betiang
Keyword(s):  
Female Identity

Literary Representations of Female Identity

2002 ◽  
Vol 19 (4) ◽  
pp. 23-41
Author(s):  
Safoi Babana-Hampton
Keyword(s):  
Related Problem ◽  
Female Identity ◽  
Literary Representations ◽  
Main Interest ◽  
Female Relationships ◽  
Arab Muslim ◽  
Feminine Writing ◽  
The Given ◽  
Female Experience

The essay examines the texts of the two women writers - Leila Abouzeid (from Morocco) and Nawal El Saadawi (from Egypt) - as offering two female perspectives within what is commonly referred to as "feminine" writing in the Arab Muslim world. My main interest is to explore the various discursive articulations of female identity that are challenged or foregrounded as a positive model. The essay points to the serious pitfalls of some feminist narratives in Arab-Muslim societies by dealing with a related problem: the author's setting up of convenient conceptual dichotomies, which account for the female experience, that reduce male-female relationships in the given social context to a fundamentally antagonistic one. Abouzeid's novel will be a case study of a more positive but also realistic and complex perspec­tive on female experience ...

scholarly journals Female agency in the films of Jean Renoir

2021 ◽  
pp. 095715582110129
Author(s):  
Barry Nevin
Keyword(s):  
Gender Relations ◽  
Lower Class ◽  
Female Identity ◽  
Gender Representation ◽  
Female Characters ◽  
Female Agency ◽  
Close Analysis ◽  
Male Power ◽  
Jean Renoir ◽  
The Relationship

Although Jean Renoir’s oeuvre has been extensively debated since the emergence of the politique des auteurs in the pages of Cahiers du cinéma, his representation of gender relations has sustained less discussion than his signature formal style. This article posits that Renoir’s films provide a valuable means of identifying how gender, specifically female identity, affects temporal trajectories in cinema. First, it illustrates Gilles Deleuze’s understanding of crystallisation and situates it in relation to current scholarship on gender representation in the director’s work. Second, it conducts a close analysis of the relationship between female identity and crystallisation through a close analysis of the central female characters of La Règle du jeu (1939) and The Golden Coach (1952). This article ultimately argues that whether these characters belong to an upper-or lower-class stratum, they are subordinated to male power, which plays a determining role in the range of potential futures available to them.

Palestinian Arabic versus Israeli Hebrew Place-Names: Comparative Cultural Reading of Landscape Nomenclature and Israeli Renaming Strategies

2021 ◽  
Vol 20 (1) ◽  
pp. 62-82
Author(s):  
Amer Dahamshe
Keyword(s):  
Female Identity ◽  
The Political ◽  
Place Names ◽  
Political Aspect ◽  
Bottom Up ◽  
Cultural Perspectives ◽  
Jewish Settlement ◽  
Linguistic Practices ◽  
Palestinian Arabic

This article compares Palestinian (Arabic) and Israeli (Hebrew) names of natural features in Palestine/Israel. Based on postcolonial reading and critical toponymy, I argue that despite the dominance of the Jewish nationalist narrative the nomenclature includes ‘intermediate categories’ that attest to subversive linguistic practices, bottom-up communication aspects, and sociocultural realities. These aspects are analysed through five main categories: unification; uniqueness; male rhetoric replacing female identity; sanitization; and linguistic imitation. The article adds to the literature largely focused on the political aspect of the Jewish settlement names that replaced Palestinian names in that it shows how Zionist naming of natural features included the cultural perspectives of the Palestinian names in order to appropriate them for internal Jewish cultural needs.

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