TheĒthos/PathosDistinction in Rhetorical And Literary Criticism
Jasper Griffin, in his recent book on Homer, has suggested that modern critics would do well to pay more attention to the localized insights and the general critical framework of the ancient Greek commentators. In a previous article, ‘Homeric Pathos and Objectivity’, he claimed to show, by careful study of those passages in which the scholiasts found ἒλεος, οἷκτος or πάθος, that ‘the ancient scholars were right to regard pathos as one of the most important elements in theIliad’. also think this is a potentially fruitful and underdeveloped approach to the criticism of Homer and other ancient authors; and that the termpathos, together withēthos, with which it is often coupled or contrasted, is one of the most suggestive, though also confusing, of ancient critical terms. I want to begin the story further back in time than the scholia, in the treatises on rhetoric and poetics from which the scholiasts’ critical vocabulary was largely derived. I propose to survey the use ofēthosandpathosas contrasted terms in these treatises from Aristotle to Longinus, in the hope that such a survey will not only clarify the various meanings and associations attached to these terms but will also throw a more general light on ancient critical presuppositions. Both Aristotle and Longinus used theethos/pathosdistinction to contrast theOdysseyand theIliad; and a clearer understanding of the significance they gave to these words may help us to appraise the critical usefulness of their comments.