THE SLAPS FELT AROUND THE ARAB WORLD: FAMILY AND NATIONAL MELODRAMA IN TWO NASSER-ERA MUSICALS

2007 ◽  
Vol 39 (2) ◽  
pp. 228a-228a
Author(s):  
Joel Gordon
Keyword(s):  
Social Status ◽  
Political Power ◽  
Arab World ◽  
Family Relations ◽  
Generation Gap ◽  
Parental Discipline ◽  
The 1960S

This essay is an attempt to read popular melodrama as a reflection of changing societal appreciations of sentimentality, romance, family relations, and, ultimately, political power during the second decade of Nasserist rule in Egypt. The essay focuses on two film classics that bookend the 1960s—“family melodramas” starring singer ءAbd al-Halim Hafiz, the pop icon intimately associated with the Nasserist project. Each film turns upon a single dramatic act of parental discipline, a slap delivered by an outraged father across the cheek of a rebellious son. Released in 1962, still a time of heady optimism, al-Khataya raises troubling questions about paternity and social status yet resolves them in classic genre style. Abi fawq al-shagara, released in 1969, in the aftermath of the June 1967 “naksa” (setback), reflects a growing generation gap and suggests—if it does not quite deliver—a countercultural reading of patriarchal authority, as well as sexual and political liberation.

THE SLAPS FELT AROUND THE ARAB WORLD: FAMILY AND NATIONAL MELODRAMA IN TWO NASSER-ERA MUSICALS

2007 ◽  
Vol 39 (2) ◽  
pp. 209-228 ◽  
Author(s):  
Joel Gordon
Keyword(s):  
Arab World ◽  
Family Relations ◽  
Middle Eastern ◽  
Political Authority ◽  
Parental Discipline ◽  
Free Love ◽  
The 1960S ◽  
Performing Artist ◽  
Generation Gaps

This essay is an attempt to read popular melodrama as a reflection of changing societal appreciations of sentimentality, romance, family relations, and, ultimately, political authority over the course of a tumultuous decade in Egyptian and Middle Eastern history, the 1960s. I focus my gaze upon two particular films that were in their day popular hits, one of them an unprecedented blockbuster, and that remain genre classics. Both feature popular screen icon ءAbd al-Halim Hafiz, the greatest vocalist of his generation, a recording and performing artist who came of age with the onset of the July 1952 Free Officers' revolution and was intimately associated with the Nasserist project. Both films treat generation gaps relating specifically to issues of dating and courtship—what might be called, in the context of their era, “free love.” Both are concerned with troubled relationships between a son and his disapproving, authoritarian father. Halim's father in both films is played by the same actor, ءImad Hamdi, and Halim's love interest—albeit in very different contexts—is played by the same ravishing starlet, Nadia Lutfi. Finally, both films turn upon a single powerful dramatic act of parental discipline, a slap (or series of slaps) delivered by an outraged patriarch across the cheek of a rebellious, yet ultimately dutiful, son.

Intergenerational Family Relations in Luxembourg

2013 ◽  
Vol 18 (1) ◽  
pp. 59-69 ◽  
Author(s):  
Isabelle Albert ◽  
Dieter Ferring ◽  
Tom Michels
Keyword(s):  
Family Relations ◽  
Family Values ◽  
Generation Gap ◽  
Intergenerational Solidarity ◽  
Acculturation Gap ◽  
Family Obligations ◽  
Mothers And Daughters ◽  
The Family ◽  
The Relationship ◽  
Model Family

According to the intergenerational solidarity model, family members who share similar values about family obligations should have a closer relationship and support each other more than families with a lower value consensus. The present study first describes similarities and differences between two family generations (mothers and daughters) with respect to their adherence to family values and, second, examines patterns of relations between intergenerational consensus on family values, affectual solidarity, and functional solidarity in a sample of 51 mother-daughter dyads comprising N = 102 participants from Luxembourgish and Portuguese immigrant families living in the Grand Duchy of Luxembourg. Results showed a small generation gap in values of hierarchical gender roles, but an acculturation gap was found in Portuguese mother-daughter dyads regarding obligations toward the family. A higher mother-daughter value consensus was related to higher affectual solidarity of daughters toward their mothers but not vice versa. Whereas affection and value consensus both predicted support provided by daughters to their mothers, affection mediated the relationship between consensual solidarity and received maternal support. With regard to mothers, only affection predicted provided support for daughters, whereas mothers’ perception of received support from their daughters was predicted by value consensus and, in the case of Luxembourgish mothers, by affection toward daughters.

Studying Modern Arabic Literature

2015 ◽  
Keyword(s):  
Twentieth Century ◽  
Arab World ◽  
Public Intellectual ◽  
Arabic Literature ◽  
Global Culture ◽  
The West ◽  
Teaching And Research ◽  
The Face ◽  
The 1960S ◽  
Modern Arabic

This book is devoted to the life and academic legacy of Mustafa Badawi who transformed the study of modern Arabic literature in the second half of the twentieth century. Prior to the 1960s the study of Arabic literature, both classical and modern, had barely been emancipated from the academic approaches of orientalism. The appointment of Badawi as Oxford University's first lecturer in modern Arabic literature changed the face of this subject as Badawi showed, through his teaching and research, that Arabic literature was making vibrant contributions to global culture and thought. Part biography, part collection of critical essays, this book celebrates Badawi's immense contribution to the field and explores his role as a public intellectual in the Arab world and the west.

Nasser's Gamble

2012 ◽  
Author(s):  
Jesse Ferris
Keyword(s):  
Cold War ◽  
Middle East ◽  
Arab World ◽  
Decisive Role ◽  
Original Material ◽  
Egyptian Revolution ◽  
Arab Nationalism ◽  
The 1960S ◽  
The Cold War ◽  
The Arab Spring

This book draws on declassified documents from six countries and original material in Arabic, German, Hebrew, and Russian to present a new understanding of Egypt's disastrous five-year intervention in Yemen, which Egyptian president Gamal Abdel Nasser later referred to as “my Vietnam.” The book argues that Nasser's attempt to export the Egyptian revolution to Yemen played a decisive role in destabilizing Egypt's relations with the Cold War powers, tarnishing its image in the Arab world, ruining its economy, and driving its rulers to instigate the fatal series of missteps that led to war with Israel in 1967. Viewing the Six Day War as an unintended consequence of the Saudi–Egyptian struggle over Yemen, the book demonstrates that the most important Cold War conflict in the Middle East was not the clash between Israel and its neighbors. It was the inter-Arab struggle between monarchies and republics over power and legitimacy. Egypt's defeat in the “Arab Cold War” set the stage for the rise of Saudi Arabia and political Islam. Bold and provocative, this book brings to life a critical phase in the modern history of the Middle East. Its compelling analysis of Egypt's fall from power in the 1960s offers new insights into the decline of Arab nationalism, exposing the deep historical roots of the Arab Spring of 2011.

“Untold Stories of Issei Women: Collective Images and Individual Experiences in Japanese American Oral History”

2020 ◽  
Vol 28 (1) ◽  
pp. 9-40
Author(s):  
Ryoko Okamura
Keyword(s):  
Oral History ◽  
Family Relations ◽  
Cultural Consensus ◽  
Japanese American ◽  
Men And Women ◽  
Audio Recordings ◽  
The Family ◽  
The 1960S ◽  
Redress Movement ◽  
The Relationship

Abstract This article examines the relationship between the Japanese American redress movement and the oral interviews of two Japanese immigrant women, known as Issei women. Focusing on the shared images of Issei women in the Japanese American community and the perspectives and self-representations of the interviewees in the oral interviews, it explores how cultural consensus produced stereotypical, collective images of Issei women as submissive, persevering, and quiet persons. As the redress movement progressed in the 1960s to the 1980s, the Japanese American community conducted oral history projects to preserve memories and legacies of their wartime experiences. There are dissimilarities between the original audio recordings and the published transcripts regarding the perspectives of Issei women. This article shows how the community’s desire to preserve idealized images of Issei men and women reduced the accuracy and nuances in the women’s self-representations and the complexities of family relations. Also, contrary to the collective images, Issei women demonstrated how they were independent, assertive, and open individuals expressing their perspectives, complicated emotions, and importance in the family.

Form and History in Modern Arabic Poetics

2021 ◽  
Author(s):  
Huda Fakhreddine
Keyword(s):  
20Th Century ◽  
Arab World ◽  
Prose Poem ◽  
Poetic Tradition ◽  
Literary Traditions ◽  
History Of ◽  
The Rich ◽  
The 1960S ◽  
Fundamental Forces ◽  
Modern Arabic

Modern Arabic poetic forms developed in conversation with the rich Arabic poetic tradition, on one hand, and the Western literary traditions, primarily English and French, on the other. In light of the drastic social and political changes that swept the Arab world in the first half of the 20th century, Western influences often appear in the scholarship on the period to be more prevalent and operative in the rise of the modernist movement. Nevertheless, one of the fundamental forces that drove the movement from its early phases is its urgent preoccupation with the Arabic poetic heritage and its investment in forging a new relationship with the literary past. The history of poetic forms in the first half of the 20th century reveals much about the dynamics between margin and center, old and new, commitment and escapism, autochthonous and outside imperatives. Arabic poetry in the 20th century reflects the political and social upheavals in Arab life. The poetic forms which emerged between the late 1940s and early 1960s presented themselves as aesthetically and ideologically revolutionary. The modernist poets were committed to a project of change in the poem and beyond. Developments from the qas̩īdah of the late 19th century to the prose poem of the 1960s and the notion of writing (kitābah) after that suggest an increased loosening or abandoning of formal restrictions. However, the contending poetic proposals, from the most formal to the most experimental, all continue to coexist in the Arabic poetic landscape in the 21st century. The tensions and negotiations between them are what often lead to the most creative poetic breakthroughs.

The Folk Fight Back: Protesting the Cancellation of Don Messer’s Jubilee in 1969

2021 ◽  
Author(s):  
Greg Marquis
Keyword(s):  
Popular Culture ◽  
New Brunswick ◽  
Mass Culture ◽  
Generation Gap ◽  
Folk Culture ◽  
Television History ◽  
Canadian Nationalism ◽  
The 1960S

This article examines part of the reaction to the 1969 cancellation of Canadian Broadcasting Corporation’s (cbc) television’s Don Messer’s Jubilee, one of the most popular Canadian-produced programs of the era. In addition to an exploration of television history and popular culture, it is also a look at the neglected topic of “square” Canada in the 1960s. Messer began fiddling at dances in rural New Brunswick in the 1920s and moved to radio and recording prior to becoming an unlikely national television star by 1961. After exploring possible classifications of the show’s music, the article explores themes in protest letters and petitions sent to the cbc. These included Canadian nationalism in opposition to American mass culture, Canadian folk culture, cbc elitism, Maritime regionalism, nostalgia, and the related themes of the generation gap and permissive society. The article concludes that fans viewed Messer as a custodian of Canadian folk culture that was being erased by the national broadcaster at a time of heightened nationalism.

Scala Is Scala and Eoan Is Eoan: The Struggle to Breathe

2018 ◽  
pp. 98-139
Author(s):  
Hilde Roos
Keyword(s):  
South Africa ◽  
Family Relations ◽  
Cape Town ◽  
Job Opportunities ◽  
The 1960S ◽  
Professional Artists ◽  
Opera Production

Chapter 4 covers the latter half of the 1960s, a time during which the group consolidated its reputation as an opera company, not only in Cape Town, but also elsewhere in South Africa. The chapter illustrates how operatic activities were pursued with immense energy and dedication as members sacrificed time, family relations, and job opportunities to be able to participate in opera production. During this time, they remained hopeful that acknowledgment as professional artists on a par with their white counterparts would be forthcoming. This period, however, also saw the tightening grip of apartheid starting to take its toll as the system relentlessly continued to foil the group’s aspirations.

International Trade and the Developing Countries

1969 ◽  
Vol 7 (2) ◽  
pp. 203-219 ◽  
Author(s):  
J. F. Rweyemamu
Keyword(s):  
Developing Countries ◽  
International Trade ◽  
Political Power ◽  
The Political ◽  
New Wave ◽  
The 1960S

This article is concerned with an analysis of the causes of the poverty of the developing countries. The decade of the 1960s opened with a new wave of optimistic expectations for the periphery.1 There were, first of all, the massive decolonisation efforts, which to many implied the eclipse of imperialism and the possibility of meaningful economic reconstruction by the former colonial people, now that political power was in our own hands. ‘Seek ye first the political kingdom and all things shall be added unto you’, succinctly if unaptly captured the prevailing mood of the time.

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