Hugh Wilford and Helen Laville, The US Government, Citizen Groups and the Cold War: The State–Private Network (London and New York: Routledge, 2006, £65.00). Pp. xviii+241. ISBN 0 415 35608 3.

2006 ◽  
Vol 40 (3) ◽  
pp. 686-687
Author(s):  
JOHN DUMBRELL
2020 ◽  
Vol 77 (2) ◽  
pp. 247-273
Author(s):  
Pedro Cameselle-Pesce

AbstractIn 1941, the well-known international Cold War actor Serafino Romualdi traveled to South America for the first time. As a representative of the New York-based Mazzini Society, Romualdi sought to grow a robust anti-fascist movement among South America's Italian communities, finding the most success in Uruguay. As Romualdi conducted his tour of South America, he began writing a series of reports on local fascist activities, which caught the attention of officials at the Office of the Coordinator for Inter-American Affairs (OCIAA), a US government agency under the direction of Nelson Rockefeller. The OCIAA would eventually tap Romualdi and his growing connections in South America to gather intelligence concerning Italian and German influence in the region. This investigation sheds light on the critical function that Romualdi and his associates played in helping the US government to construct the initial scaffolding necessary to orchestrate various strategies under the umbrella of OCIAA-sponsored cultural diplomacy. Despite his limited success with Italian anti-fascist groups in Latin America, Romualdi's experience in the region during the early 1940s primed him to become an effective agent for the US government with a shrewd understanding of the value in shaping local labor movements during the Cold War.


Author(s):  
Emily Abrams Ansari

This chapter examines Americanist composers William Schuman and Howard Hanson in parallel, as they engaged with the Cold War in very similar ways. These two men are shown to have used their influence as conservatory directors and advisers to government to present musical Americanism as a tool to grow American power on the global stage. Working with the State Department and the US Information Agency, Schuman and Hanson helped shape Cold War–created international cultural programs that placed a heavy emphasis on concert music and mandated the performance of American compositions. The chapter also includes an analysis of a musical work by Schuman that was commissioned by a branch of the US government. Credendum (1955) demonstrates in sound Schuman’s conception of Cold War American exceptionalism.


Religions ◽  
2020 ◽  
Vol 11 (11) ◽  
pp. 592 ◽  
Author(s):  
Glen E. Swanson

The origins and use of national space rhetoric used by NASA, the US government, and the media in America began during the Cold War era and relied, in part, on religious imagery to convey a message of exploration and conquest. The concept of space as a “New Frontier” was used in political speech, television, and advertising to reawaken a sense of manifest destiny in postwar America by reviving notions of religious freedom, courage, and exceptionalism—the same ideals that originally drove expansionist boosters first to the New World and then to the West. Using advertisements, political speeches, NASA documents, and other media, this paper will demonstrate how this rhetoric served to reinforce a culture held by many Americans who maintained a long tradition of believing that they were called on by God to settle New Frontiers and how this culture continues to influence how human spaceflight is portrayed today.


2017 ◽  
Vol 53 (1) ◽  
pp. 134-157 ◽  
Author(s):  
Alessandro Brogi

The postwar ascendancy of the French and Italian Communist Parties (PCF and PCI) as the strongest ones in the emerging Western alliance was an unexpected challenge for the USA. The US response during this time period (1944–7) was tentative, and relatively moderate, reflecting the still transitional phase from wartime Grand Alliance politics to Cold War. US anti-communism in Western Europe remained guarded for diplomatic and political reasons, but it never mirrored the ambivalence of anti-Americanism among French and especially Italian Communist leaders and intellectuals. US prejudicial opposition to a share of communist power in the French and Italian provisional governments was consistently strong. A relatively decentralized approach by the State Department, however, gave considerable discretion to moderate, circumspect US officials on the ground in France and Italy. The subsequent US turn toward an absolute struggle with Western European communism was only in small part a reaction to direct provocations from Moscow, or the PCI and PCF. The two parties and their powerful propaganda appeared likely to undermine Western cohesion; this was the first depiction, by the USA and its political allies in Europe, of possible domino effects in the Cold War.


2005 ◽  
Vol 7 (4) ◽  
pp. 36-73 ◽  
Author(s):  
Max Holland

As a wealthy American businessman and former ambassador, William Pawley was a key actor in PBSUCCESS, the covert operation that brought down the government of Jacobo Arbenz Guzmán in Guatemala in 1954.The anti-Arbenz rebels, led by Colonel Carlos Castillo Armas, could not have defeated the Guatemalan army on their own. The key to a successful coup was getting the army to act on their behalf, and in this regard, control of the air was vital. Pawley, owing to his knowledge of Latin America and experience in aviation, played a central role in ensuring that the rebels enjoyed air superiority during their move against the president. At a more abstract level, Pawley exempli fied the role non-governmental actors played in the formulation and implementation of U.S. foreign policy during the Cold War. The “state-private network,” as it has been dubbed, remains a rich vein for scholarly investigation.


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