The American Exceptionalists
This chapter examines Americanist composers William Schuman and Howard Hanson in parallel, as they engaged with the Cold War in very similar ways. These two men are shown to have used their influence as conservatory directors and advisers to government to present musical Americanism as a tool to grow American power on the global stage. Working with the State Department and the US Information Agency, Schuman and Hanson helped shape Cold War–created international cultural programs that placed a heavy emphasis on concert music and mandated the performance of American compositions. The chapter also includes an analysis of a musical work by Schuman that was commissioned by a branch of the US government. Credendum (1955) demonstrates in sound Schuman’s conception of Cold War American exceptionalism.