Peter's Throne and Augustine's Chair: Rome and Canterbury from Baldwin (1184–90) to Robert Winchelsey (1297–1313)

2000 ◽  
Vol 51 (2) ◽  
pp. 249-266 ◽  
Author(s):  
JANE SAYERS
Keyword(s):  
Eighth Century ◽  
The Body ◽  
Sixth Century ◽  
Anglo Saxon ◽  
Gregory The Great ◽  
Christ Church ◽  
The Temple ◽  
The Church

The arrival of St Augustine in England from Rome in 597 was an event of profound significance, for it marked the beginnings of relations between Rome and Canterbury. To later generations this came to mean relations between the papacy in its universal role, hence the throne of St Peter, and the metropolitical see of Canterbury and the cathedral priory of Christ Church, for the chair of St Augustine was the seat of both a metropolitan and an abbot. The archiepiscopal see and the cathedral priory were inextricably bound in a unique way.Relations with Rome had always been particularly close, both between the archbishops and the pope and between the convent and the pope. The cathedral church of Canterbury was dedicated to the Saviour (Christ Church) as was the papal cathedral of the Lateran. Gregory had sent the pallium to Augustine in sign of his metropolitan rank. There had been correspondence with Rome from the first. In Eadmer's account of the old Anglo-Saxon church, it was built in the Roman fashion, as Bede testifies, imitating the church of the blessed Peter, prince of the Apostles, in which the most sacred relics in the whole world are venerated. Even more precisely, the confessio of St Peter was copied at Canterbury. As Eadmer says, ‘From the choir of the singers one went up to the two altars (of Christ and of St Wilfrid) by some steps, since there was a crypt underneath, what the Romans call a confessio, built like the confessio of St Peter.’ (Eadmer had both visited Rome in 1099 and witnessed the fire that destroyed the old cathedral some thirty years before in 1067.) And there, in the confessio, Eadmer goes on to say, Alfege had put the head of St Swithun and there were many other relics. The confessio in St Peter's had been constructed by Pope Gregory the Great and contained the body of the prince of the Apostles and it was in a niche here that the pallia were put before the ceremony of the vesting, close to the body of St Peter. There may be, too, another influence from Rome and old St Peter's on the cathedral at Canterbury. The spiral columns in St Anselm's crypt at Canterbury, which survived the later fire of 1174, and are still standing, were possibly modelled on those that supported St Peter's shrine. These twisted columns were believed to have been brought to Rome from the Temple of Solomon. At the end of the sixth century, possibly due to Gregory the Great, they were arranged to form an iconostasis-like screen before the apostle's shrine. Pope Gregory III in the eighth century had added an outer screen of six similar columns, the present of the Byzantine Exarch, of which five still survive. They are practically the only relics of the old basilica to have been preserved in the new Renaissance St Peter's.

Gregory the Great: Reader, Writer and Read

2012 ◽  
Vol 48 ◽  
pp. 12-34 ◽  
Author(s):  
Daniel Anlezark
Keyword(s):  
Middle Ages ◽  
Eighth Century ◽  
The Body ◽  
Anglo Saxon ◽  
Gregory The Great ◽  
Literature And Society ◽  
The People ◽  
The Status ◽  
Late Ninth Century ◽  
Christian Literature

An episode unique to the late ninth-century Life of Gregory the Great by John the Deacon reports a famine that occurred in the year of Gregory’s death; a hostile party blamed the lavish generosity of the late pope for Rome’s suffering. The fury of the people was roused and they set out to burn Gregory’s books. However, the deacon Peter, Gregory’s familiarissimus, intervened to dissuade them, telling the people that Gregory’s works were directly inspired by God. As proof he asked God to take his life, and promptly dropped dead. This episode is not found in the earlier accounts of Gregory’s life: the brief account in the mid seventh-century Liber pontificalis, the early eighth-century Life by an anonymous monk of Whitby, and the mid eighth-century account by Paul the Deacon. Doubtful as John the Deacon’s account of the exchange between Peter and the mob may be, it does tell us something about the status of Gregory and his works in the mid 870s, when Pope John VIII commissioned the new hagiography. Gregory the Great became one of the most widely read authors of the Middle Ages, and even in his lifetime some of his works were eagerly sought after. With his popularity and influence Gregory not only added to the body of Christian literature, but also made a lasting contribution to the debate over what kinds of works it was appropriate for Christians to read. This essay will survey his works and discuss his ideas on reading and literature, and on the establishment of a Christian literary canon. The influence of Gregory’s works and ideas will be examined in relation to one particular medieval nation - Anglo-Saxon England. As the instigator of the Anglo-Saxon mission, Gregory enjoyed a great reputation as an author in Anglo-Saxon England, where his ideas on literature and society had a lasting impact.

Remembering Pope Gregory VII: Cardinal Boso and Alexander III

2013 ◽  
Vol 49 ◽  
pp. 87-98
Author(s):  
John Doran
Keyword(s):  
Twelfth Century ◽  
Canon Law ◽  
Sixth Century ◽  
Gregory The Great ◽  
Christian Thought ◽  
Near Future ◽  
The Church

In the conclusion to his masterly biography of Pope Gregory VII (1073–85), H. E. John Cowdrey notes the paradox that the pope so lionized by modern historians, to the extent that the age of reform bears his name, was largely forgotten in the twelfth century and made little impact on Christian thought, spirituality or canon law. Cowdrey is not alone in his observation that Gregory ‘receded from memory with remarkable speed and completeness’; when he was remembered, it was as a failure and as one who brought decline upon the church. For Cowdrey, the answer to this conundrum lay in the fact that Gregory VII was in fact far closer to the ideals of the sixth century than of the twelfth; he was a Benedictine monk and shared the worldview and oudook of Gregory the Great (590–604) rather than those of the so-called lawyer popes Alexander III (1159–81) and Innocent III (1198–1216). Yet within a century of Gregory’s death he was presented by Cardinal Boso as a model pope, who had overcome a schismatic emperor and the problems which his interference had precipitated in Rome. For Boso, writing for the instruction of the officials of the papal chamber, the very policies set out by Gregory VII were to be pursued and emulated. Far from being a peripheral and contradictory figure, with more in common with the distant past than the near future, Gregory was the perfect guide to the beleaguered Pope Alexander III, who was also struggling against a hostile emperor and his antipope.

The Maaseik embroideries

1984 ◽  
Vol 13 ◽  
pp. 65-96 ◽  
Author(s):  
Mildred Budny ◽  
Dominic Tweddle
Keyword(s):  
Middle Ages ◽  
Eighth Century ◽  
Anglo Saxon ◽  
Form Part ◽  
The Church ◽  
Made In ◽  
The Middle Ages

Among the relics in the treasury of the church of St Catherine at Maaseik in Limburg, Belgium, there are some luxurious embroideries which form part of the so-called casula (probably ‘chasuble’) of Sts Harlindis and Relindis (pls. I–VI). It was preserved throughout the Middle Ages at the abbey church of Aldeneik (which these sister-saints founded in the early eighth century) and was moved to nearby Maaseik in 1571. Although traditionally regarded as the handiwork of Harlindis and Relindis themselves, the embroideries cannot date from as early as their time, and they must have been made in Anglo-Saxon England. Indeed, they represent the earliest surviving examples of the highly prized English art of embroidery which became famous later in the Middle Ages as opus anglicanum.

ENTRUSTING WESTERN EUROPE TO THE CHURCH, 400–750

2013 ◽  
Vol 23 ◽  
pp. 37-73 ◽  
Author(s):  
Ian Wood
Keyword(s):  
Roman Empire ◽  
Western Europe ◽  
Eighth Century ◽  
Anglo Saxon ◽  
The Poor ◽  
Classical World ◽  
Economic Basis ◽  
Major Break ◽  
Simple Change ◽  
The Church

ABSTRACTAlthough there had been substantial donations to the church in the course of the last two centuries of the Roman Empire, the amount of property transferred to the episcopal church and to monasteries in the following two and a half centuries would seem to have been immense. Probably rather more than 30 per cent of the Frankish kingdom was given to ecclesiastical institutions; although the Anglo-Saxon church was only established after 597, it also acquired huge amounts of land, as did the churches of Spain and Italy, although the extent conveyed in the two peninsulas is harder to estimate. The scale of endowments helps explain the occasional criticisms of the extent of church property, and also the secularisations and reallocation of church land, and indeed suggest that the transfer of property out of the control of the church in Francia and England in the eighth century may have been greater than is often assumed. The transfer of land should probably also be seen as something other than a simple change of ownership. Church property provided the economic basis for cult, for the maintenance of clergy, who were unquestionably numerous, and for the poor. In social and economic, as well as religious terms, this marked a major break with the Classical World.

scholarly journals Exegesis Integrative Review of Salvation Because The Love Of God Is The Basic of The Church As The Unity of The Body of Christ (Ephesians 2:11-22)

2020 ◽  
Vol 3 (1) ◽  
pp. 20-29
Author(s):  
Tonny Andrian
Keyword(s):  
Jesus Christ ◽  
Church History ◽  
The Body ◽  
Body Of Christ ◽  
Shed Blood ◽  
Major Subject ◽  
The World ◽  
The Subject ◽  
The Temple ◽  
The Church

The subject of the unity of the church has appeared several times during the period of church history as a major subject. Even in the 20th century, differences of opinion on the subject of unity led to divisions. This point cannot be ignored. That is why the researcher conducted an integrated exegessa study on the meaning of the Church as the unity of the body of Christ Ephesians 2: 11-22. Ephesians 2: 11-22 is not a separate passage, but integrative, with other passages in the book of Ephesians. (this would be integrative both with Ephesians 2: 1-10 and Ephesians 4: 1-6) The conjunction "therefore" in Ephesians 2.11, describes the preceding verses that speak of grace. The suffering of Jesus Christ and His sacrifice on the cross, and His shed blood, are manifestations of grace that saves sinners. A demonstration of grace, which is free gift. It is the grace that saves people from sin. Thus Ephesians 2: 11-22 must be seen as a context that comes from grace. The saving or salvation based on the grace of God, as a building body of Christ, which is a union, which was previously "distant", ie those who are without Christ, not belonging to the citizens of Israel, become one body of Christ as intended by God. Ephesians 2: 11-22 explains that the unification of the body of Christ is a reflection of the journey of a Christian individual who has been saved by the grace of Christ God, is united or united with other Christian individuals to move towards the unity of building the body of Christ, as the Temple of God. the church as the unified Body of Christ, is built on the teachings of the Apostles and Prophets. Thus, the church, which has a government, a doctrine that may not be the same as one another, but the church is a unity in the bonds of the Spirit of peace, one faith, one Baptism, one god, one GOD the FATHER of all God, as salt and The light of the world, brings transformation and restoration for the world, through the carrying out of the task of the grace of Christ, namely the preaching of the gospel of the kingdom of heaven, so that all knees will kneel and all tongues confess that Jesus Christ is Lord to the glory of the heavenly Father.

The Early Medieval Textiles at Maaseik, Belgium

1985 ◽  
Vol 65 (2) ◽  
pp. 353-389 ◽  
Author(s):  
Mildred Budny ◽  
Dominic Tweddle
Keyword(s):  
Middle Ages ◽  
Eighth Century ◽  
Anglo Saxon ◽  
Early Medieval ◽  
The West ◽  
Missing Link ◽  
History Of ◽  
Western European ◽  
The Church ◽  
The Middle Ages

This article offers an account of the components, the structure and the history of the so-calledcasulaandvelaminaof Sts Harlindis and Relindis preserved at the Church of St Catherine at Maaseik in Belgium as relics of the two sisters who founded the nearby abbey of Aldeneik (where the textiles were kept throughout the Middle Ages). The compositecasulaof Sts Harlindis and Relindis includes the earliest surviving group of Anglo-Saxon embroideries, dating to the late eighth century or the early ninth. Probably similarly Anglo-Saxon, a set of silk tablet-woven braids brocaded with gold associated with the embroideries offers a missing link in the surviving corpus of Anglo-Saxon braids. The ‘David silk’ with its Latin inscription and distinctly western European design dating from the eighth century or the early ninth offers a rare witness to the art of silk-weaving in the West at so early a date. Thevelamenof St Harlindis, more or less intact, represents a remarkable early medieval vestment, garment or cloth made up of two types of woven silk cloths, tablet-woven braids brocaded with gold, gilded copper bosses, pearls and beads. Thevelamenof St Relindis, in contrast, represents the stripped remains—reduced to the lining and the fringed ends—of another composite textile. Originally it was probably luxurious, so as to match the two other composite early medieval textile relics from Aldeneik. As a whole, the group contributes greatly to knowledge of early medieval textiles of various kinds.

Toledo, Rome and the legacy of Gaul

1984 ◽  
Vol 4 ◽  
pp. 49-99 ◽  
Author(s):  
Kenneth Levy
Keyword(s):  
Eighth Century ◽  
Northern Italy ◽  
Anglo Saxon ◽  
Musical Practice ◽  
Gregory The Great ◽  
Local Material ◽  
Practical Politics ◽  
Lengthy Process

Between the late sixth and mid-ninth centuries the lengthy process unfolded that brought substantial unity to the liturgical-musical practice of the Western Church. The Roman-Benedictine liturgy of Gregory the Great was taken to England in 596–7 by the Italianborn Augustine, prior of the Monastery of St Andrew on the Caelian hill. His purpose was to substitute Roman observance for entrenched Anglo-Saxon, Celtic and Gallican rites as well as pagan customs. Yet when Augustine questioned Gregory about the variety of Christian usages he found, the pope was unwilling to offend local sensibilities and impede the Anglo-Saxons' conversion. Augustine was told to leave in place whatever of the local rites seemed desirable. During the seventh and early eighth centuries an accelerating missionary activity spread the Roman liturgy through France, Germany and northern Italy. Yet wherever it arrived it became similarly intermixed with local material, and it was not until the mid-eighth century that vigorous measures were taken to impose a purer Roman usage. The change came about not through ecclesiastical initiative but through the practical politics of a pious Frankish monarch. Pepin the Short (714–68) sought to increase unity throughout his domain by imposing the Roman rite. He asked Stephen iii (752–7) for clerics to teach the musical rite, and Stephen's successor Paul i (757–67) sent Roman chant books, an ‘antiphonale et responsale’, presumably without notation.

John Macquarrie 1919–2007

2009 ◽  
Author(s):  
Keith Ward
Keyword(s):  
Christian Theology ◽  
Anglo Saxon ◽  
Ethical Thought ◽  
University Of Oxford ◽  
Wide Range ◽  
Christ Church ◽  
High Regard ◽  
John Macquarrie ◽  
Existentialist Philosophy ◽  
The Church

John Macquarrie (1919–2007), a Fellow of the British Academy, was the foremost Anglican systematic theologian of the twentieth century. His many books cover a wide range of topics, from studies of existentialist philosophy to expositions of systematic Christian theology, writings on mysticism and world religion, and analyses of ethical thought. Macquarrie was always a theologian of the church, using a philosophical vocabulary that united philosophical idealism, existentialism, and Anglo-Saxon analytical philosophy in an original and fruitful way. His masterpiece was the 1966 Principles of Christian Theology, which works through almost every aspect of Christian doctrine in the light of the concepts of human nature and of God that he had forged from idealism, from Martin Heidegger, and from an increasingly sacramental and mystical approach to Christian faith. In 1970, Macquarrie was offered, without his prior knowledge, the Lady Margaret Chair of Divinity at Christ Church, University of Oxford. He received various honours that testify to the high regard in which he was held both in America and in Britain.

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