Germany and the Papacy in the Late Middle Ages

2020 ◽  
Vol 71 (2) ◽  
pp. 362-367
Author(s):  
DAVID D'AVRAY
Keyword(s):  
Fifteenth Century ◽  
Search Engine ◽  
Middle Ages ◽  
Historical Research ◽  
Research Projects ◽  
Channel One ◽  
Late Middle Ages ◽  
The Usa ◽  
Public Money ◽  
The Uk

Towards the end of the twentieth century much UK public money for research was diverted to collaborative projects with specific research objectives, notably in the field of history. This distinguished the UK from other countries on the cutting edge of historical research, notably the USA which lags far behind, but not from Germany, which had long led the way when it comes to teamwork with a clearly defined theme, and where average budgets for historical research projects are still on a scale unimaginable on this side of the Channel. One of the greatest German historical enterprises is the Repertorium Germanicum. The project was conceived in the 1890s, and linked from the start with the German Historical Institute in Rome, from which so much fine work on papal history has emerged, notably by Protestant scholars. The first secretary of the DHI (Deutsches Historisches Institut) had the idea of creating a ‘search engine’ (Suchmaschine). It was to be and is organised within pontificates by the names of individuals who appear in documents in the Vatican Archives: a prosopographical structure. Though the individuals need a ‘German’ connection to be included, that is interpreted in the broadest sense, so that dioceses from Poland to Belgium find a place, as do any Germans who turn up in any other region, if the team happened upon them. Consultation online is now also possible, at < http://194.242.233.132/denqRG/index.htm>, though the volumes under review did not seem to have been made available electronically at time of writing – and many will find the paper volumes easier to manage, where they are available. Ludwig Quidde, who conceived of the project, thought that it could be completed up to the end of the fifteenth century by a team of five within three years. He had no idea of the scale of the holdings in the archive. Furthermore, alongside the Repertorium Germanicum one must now place its precocious younger sister, the Repertorium Poenitentiariae Germanicum, which has (thanks to Ludwig Schmugge and his team) already overtaken the elder sibling with Repertorium Poenitentiariae Germanicum, XI: Hadrian VI,1522–1523, ed. Ludwig Schmugge (Tübingen 2018).

Krijg je nog rente voor een lied? : Stadsdichterschap als eer en verdienste sinds de middeleeuwen1

2020 ◽  
Vol 25 (1) ◽  
pp. 99-131
Author(s):  
Laurens Ham ◽  
Nina Geerdink ◽  
Johan Oosterman ◽  
Remco Sleiderink ◽  
Sander Bax
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Middle Ages ◽  
First Century ◽  
City Marketing ◽  
Low Countries ◽  
City Councils ◽  
Late Middle Ages ◽  
Public Money

Abstract This article presents the first diachronic overview of the economic, social and symbolic profits of ‘city poets’ (‘stadsdichters’) in the Low Countries. From the early fifteenth century onwards, there have been many (more or less) official relationships between city councils and poets. The prominence and the form of these relationships, however, diverged greatly in different periods: whereas official appointments were the standard in the fifteenth, sixteenth and the twenty-first centuries, the period in between saw a much more diverse landscape of informal appointments and relationships. After presenting a historical overview of the role of city poets throughout the centuries, this article focuses on two well-documented periods in which formal agreements were made between town governments and poets: the late Middle Ages and the start of the 21st century. We analyze political and financial agreements explicitly in relationship to the complexities surrounding the production of city poetry. City poetry, paid by public money, is bound to be controversial: in general because its status is subject to changes and political discussions, but also because this form of commissioned poetry is sometimes seen as a form of propaganda. Official city poetry seems to flourish most in societies with a stable political-religious climate (as in the Southern Low Countries in the fifteenth and sixteenth century) and/or with a keen interest in city marketing (as in Flanders and the Netherlands in the twenty-first century).

A Crooked Mirror for Princes

2018 ◽  
Author(s):  
Pavlína Rychterová
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Political Discourse ◽  
Late Middle Ages ◽  
Bourgeois Culture ◽  
Mirrors For Princes

This chapter examines the growing importance of the vernacular languages during the later Middle Ages in shaping the form, content, and audiences of political discourse. It presents a famously wicked king of the late Middle Ages, Wenceslas IV (1361–1419), as a case study and traces the origins of his bad reputation to a group of fourteenth- and fifteenth-century writings. These have often been dismissed as fictions or studied solely as literature, but in fact they represent new modes of articulating good and bad kingship. The chapter shows that, in the context of an increasingly literate bourgeois culture, especially in university cities, these vernacular works transformed Latin theological approaches to monarchy, while rendering mirrors for princes and related literatures accessible to an unprecedented audience.

A new attribution to Brassart?

1994 ◽  
Vol 3 (1) ◽  
pp. 23-43
Author(s):  
Peter Wright
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
The Other ◽  
Late Middle Ages

A badly trimmed ascription can be more a matter for relish than regret: if enough of the composer's name survives to permit informed speculation, the musicologist's sense of pleasure is likely to outweigh his sense of loss. Most musical manuscripts from the late Middle Ages have visibly suffered at the hands of the binder's knife, but perhaps none more so than the famous ‘Aosta Manuscript’ (I-AO15), one of the central sources of early fifteenth-century sacred polyphony. In his inventory of the manuscript Guillaume de Van reported no fewer than twenty names as surviving in varying states of incompleteness. In fifteen instances he was able to decipher the composer's name or supply it from the manuscript's index or a concordant source, while the other five apparently defeated him. Two of the names have since been deciphered, and a third has been identified from another source, but the remaining two have attracted no further comment.

The New Entities of Abbacus and Renaissance Algebra

2017 ◽  
Author(s):  
Roi Wagner
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Natural Science ◽  
Philosophy Of Mathematics ◽  
Mathematical Practice ◽  
Northern Italy ◽  
Historical Narrative ◽  
Negative Numbers ◽  
Late Middle Ages ◽  
Mathematical Signs

This chapter offers a historical narrative of some elements of the new algebra that was developed in the fourteenth to sixteenth centuries in northern Italy in order to show how competing philosophical approaches find an intertwining expression in mathematical practice. It examines some of the important mathematical developments of the period in terms of a “Yes, please!” philosophy of mathematics. It describes economical-mathematical practice with algebraic signs and subtracted numbers in the abbaco tradition of the Italian late Middle Ages and Renaissance. The chapter first considers where the practice of using letters and ligatures to represent unknown quantities come from by analyzing Benedetto's fifteenth-century manuscript before discussing mathematics as abstraction from natural science observations that emerges from the realm of economy. It also explores the arithmetic of debited values, the formation of negative numbers, and the principle of fluidity of mathematical signs.

Why This Time and Place?

Born to Write ◽  
2020 ◽  
pp. 10-19
Author(s):  
Neil Kenny
Keyword(s):  
Seventeenth Century ◽  
Fifteenth Century ◽  
Middle Ages ◽  
Social Position ◽  
Late Middle Ages ◽  
The Social ◽  
Late Fifteenth ◽  
The Revolution

From about the late fifteenth century onwards, literature and learning acquired increased importance for the social position of noble and elite-commoner families in France. One reason is the expansion and rise to prominence of the royal office-holder milieu, which had no exact equivalent in, say, England, where the aristocracy was much smaller than the French nobility and where there was no equivalent of the French system of venality of office. In France, family literature often helped extend across the generations a relationship between two families—that of the literary producer and that of the monarch. From the late Middle Ages, the conditions for family literature were made more favourable by broad social shifts. Although this study focuses mainly on the period from the late fifteenth to the mid-seventeenth century, it is likely that the production of works from within families of literary producers thrived especially up to the Revolution.

Rapakivi granite in the architecture of St Petersburg: a potential Global Heritage Stone from Finland and Russia

2020 ◽  
Vol 486 (1) ◽  
pp. 67-76 ◽  
Author(s):  
Andrey Bulakh ◽  
Paavo Härmä ◽  
Elena Panova ◽  
Olavi Selonen
Keyword(s):  
South Africa ◽  
Middle Ages ◽  
Russian Federation ◽  
Natural Stone ◽  
Leningrad Region ◽  
Rapakivi Granite ◽  
The Usa ◽  
Granite Batholith ◽  
The Russian Federation ◽  
The Uk

AbstractRapakivi granites were in use during the Middle Ages in Finland. Their most spectacular use, however, was for structures built in St Petersburg between 1760 and 1917. Remarkable examples are the majestic and slender Alexander Column and the 112 columns of St Isaac's Cathedral. All Rapakivi granite was extracted from the Wiborg Rapakivi granite batholith in several quarries around the municipality of Virolahti in SE Finland (old Russia). Today, the 1640 Ma-old Wiborg batholith is the most important area for natural stone production in Finland and in the Leningrad region, Russian Federation. The main quarried stone varieties of Rapakivi granite (Baltic Brown, Baltic Green, Carmen Red, Karelia Red, Eagle Red and Balmoral Red) are regularly produced in large quantities in Finland for the global stone market due to the stone's unique qualities. Examples of applications in Rapakivi granite from Finland can be found in the USA, China, South Africa, the UK, Italy, Austria, Ireland, Spain and Germany as well as in Scandinavia and Russia. There are also quarries near Vyborg, the Russian Federation: Vozrozhdenie and Ala-Noskua.

Londoners and London Mendicants in the Late Middle Ages

1996 ◽  
Vol 47 (3) ◽  
pp. 446-477 ◽  
Author(s):  
Jens Röhrkasten
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Rapid Development ◽  
Rapid Expansion ◽  
Spiritual Needs ◽  
Social Significance ◽  
Way Of Life ◽  
Late Middle Ages ◽  
The People ◽  
General Answer

Much attention has been paid to the role and functions of the mendicant orders in their urban environment. Among the topics discussed have been the friars' importance for urban development, their coexistence with other religious institutions, their economic practices and their relations with the secular authorities. As far as their spiritual and social significance is concerned their spectacular success and rapid development in the thirteenth century are generally accepted. There were some setbacks, particularly in towns where the Dominicans or Franciscans became involved in the suppression of heresy, but these had little impact on the rapid expansion of the orders. Members from all social groups, academics as well as aristocrats, merchants and artisans as well as the poor, felt the attraction of their sermons and way of life, some to such an extent that they decided to join one of the orders. But while the attraction of the mendicant ideal in the decades following the friars' arrival is undisputed, the problem of their importance for the religious life of the late medieval urban population is far more difficult to discuss. While there are assertions that the friars remained particularly popular, the orders' decline and their need of reform were already obvious in the fourteenth century and the various efforts to bring about a reinvigoration confirm this impression. In the fifteenth century famous mendicant preachers from Vincent Ferrer and Bernardino of Siena to Girolamo Savonarola attracted large crowds in many parts of Europe, but was this indicative of the population's general attitude towards the orders? Were the mendicants still perceived by the people as responding to their spiritual needs? How did the public react to signs of decadence, to disputes among the brothers? A general answer to such questions needs to be based on a large number of local studies and this is still a task for the future.

The Savior, the Woman, and the Head of the Dragon in the Caput Masses and Motet

2006 ◽  
Vol 59 (3) ◽  
pp. 537-630 ◽  
Author(s):  
ANNE WALTERS ROBERTSON
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Late Middle Ages ◽  
Immaculate Conception ◽  
Genesis 3 ◽  
Johannes Ockeghem ◽  
Late Fifteenth ◽  
The Masses ◽  
The Devil ◽  
Lasting Influence

Abstract God's dramatic curse of Adam, Eve, and the serpent, as recorded in Genesis 3:14–15, contains a theological ambiguity that played out in the visual arts, literature, and, as this article contends, music of the fifteenth and sixteenth centuries. Translations of this passage leave in doubt whether a male, a female, or both, will defeat sin by crushing Satan's head (“caput”). This issue lies at the heart of the three Caput masses by an anonymous Englishman, Johannes Ockeghem, and Jacob Obrecht, and the Caput Motet for the Virgin by Richard Hygons from the Eton Choirbook. Fifteenth-century discussions of the roles of Christ and Mary in confronting sin, often called the “head of the dragon,” help unravel the meaning of these works. The Caput masses are Christ-focused and emphasize the Savior or one of his surrogates suppressing the beast's head, as seen in illumination, rubric, and canon found in the masses. Folklorically based rituals and concepts of liturgical time are similarly built around the idea of the temporary reign of the Devil, who is ultimately trodden down by Christ. Hygons's motet appears after celebration of the Immaculate Conception was authorized in the late fifteenth century. This feast proclaimed Mary's conquest of sin through her own trampling on the dragon; the motet stresses Marian elements of the Caput theology, especially the contrast between the Virgin's spotlessness and Eve's corruption. Features of the Caput tradition mirror topics discussed in astrological and astronomical treatises and suggest that the composer of the original Caput Mass may also have been an astronomer. The disappearance of the Caput tradition signals its lasting influence through its progeny, which rise up in yet another renowned family of polyphonic masses. Together, the Caput masses and motet encompass the multifaceted doctrine of Redemption from the late middle ages under one highly symbolic Caput rubric.

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