Consistency is the Hobgoblin: Manuel L. Quezon and Japan, 1899–1934

1983 ◽  
Vol 14 (1) ◽  
pp. 79-94
Author(s):  
Grant K. Goodman

During the period of American colonial rule in the Philippines prior to the Pacific War, the attitude of most thoughtful Filipinos toward Japan seemed to waver as though tantalized between fear and fascination. For while there was often a genuine concern, principally as a result of Japanese-American tensions, that a predatory Japan was literally counting the moments to an invasion and conquest of the Islands, there was also the tremendous admiration of one Asian people for another and an almost awe-struck eagerness to emulate the startling successes of Japan in achieving modern nationhood in its fullest sense. To this generalization Manuel Luis Quezon (1878–1944) was no exception.

Author(s):  
Steven Casey

From Pearl Harbor to Hiroshima and Nagasaki, a group of highly courageous correspondents covered America’s war against Japan. Based on a wealth of previously untapped primary sources, War Beat, Pacific provides the first comprehensive account of what these reporters witnessed, what they were allowed to publish, and how their reports shaped the home front’s perception of some of the most pivotal battles in American history. In a dramatic and fast-paced narrative, the book takes us from MacArthur’s doomed defense on the Philippines and the navy’s overly strict censorship policy at the time of Midway through the bloody battles on Guadalcanal, New Guinea, Tarawa, Saipan, Leyte and Luzon, Iwo Jima and Okinawa, detailing the cooperation, as well as conflict, between the media and the military as they grappled with the enduring problem of limiting a free press during a period of extreme crisis. At the heart of this book are the brave, sometimes tragic stories of reporters like Clark Lee and Vern Haugland of the Associated Press, Byron Darnton and Tillman Durdin of the New York Times, Stanley Johnston and Al Noderer of the Chicago Tribune, George Weller of the Chicago Daily News, Keith Wheeler of the Chicago Times, and Robert Sherrod of Time magazine. Twenty-three correspondents died while reporting on the Pacific War. Many more sustained serious wounds. War Beat, Pacific shows how both the casualties and the survivors deserve to be remembered as America’s golden generation of journalists.


Plaridel ◽  
2021 ◽  
Vol 18 (1) ◽  
pp. 111-145
Author(s):  
John Lee Candelaria

This article analyzes the visual depiction of women in the Tribune, the main propaganda newspaper of Japan in the Philippines during the Pacific War. Japanese wartime propaganda painted an image of a productive and cooperative Filipina, respectable and modest like her Japanese counterpart. The analysis reveals three motivations for depicting women in said light: to show a semblance of normalcy despite the turbulent war, to entice women to serve Japan’s aims, and to disprove the Japanese women’s image as subservient wives or entertainers while asserting the connection between the two countries. Analyzing the depiction of women in Japanese propaganda contributes to the understanding of war as a gendered phenomenon. Beyond seeing women as symbols of the private obligations for which men fight or as surrogate objects of sexual desire, the image of women was perceived to be instrumental in showcasing Japan’s New Order.


1986 ◽  
Vol 17 (2) ◽  
pp. 307-321 ◽  
Author(s):  
Roger Dingman

Historians have examined the Japanese peace settlement of 1951 in a variety of ways. A few have treated it as an episode in the ongoing evolution of the structure of international relations in the Pacific and East Asia. Most have focused on the interaction between the principal victor, the United States, and vanquished Japan, weighing the negotiating successes and failures of each and assessing the impact of the settlement on subsequent Japanese-American relations. Recently still other historians have exploited newly available archival materials to analyze the role middle-range powers such as Australia and Britain played in shaping the 1951 peace treaty. While this research has revealed a great deal about the San Francisco peace settlement, it has left unexplored the part small powers played in a major restructuring of the Pacific/East Asian international order.


2019 ◽  
pp. 33-57
Author(s):  
Sean J. McLaughlin

This chapter explores Kennedy’s pre-presidential political career. By the end of World War II he had emerged as a well-connected Harvard graduate, author of a popular book, a decorated navy veteran of the Pacific War, and a budding young journalist with the Hearst chain. His political career began in 1946 when he was elected Representative for Massachusetts’s 11th Congressional District. In 1952 he was elected to the Senate, where he gained a reputation for sharp anti-colonial rhetoric that often targeted French policy. Throughout his pre-presidential political career, from 1946 to 1960, Kennedy’s most biting commentary was consistently reserved for the French in Vietnam and later Algeria. While Britain had negotiated its way out of India and later ran a successful counterinsurgency campaign against communist Malayan rebels, Kennedy worried openly that French colonial rule would drive the most rebellious of the Fourth Republic’s subjects toward the Sino-Soviet camp. Early postwar decolonization cemented Kennedy’s perception that the British were clear thinkers with long-term vision, while the French by contrast were characterized by a toxic mixture of short-sightedness, stubbornness, and indifference to the collective interests of the West.


2021 ◽  
Vol 13 (1) ◽  
pp. 73-88
Author(s):  
Elena Buja

Abstract This paper1 aims to offer a picture of the darkest period in the history of the Korean women, namely that of the Japanese colonial rule (1910–1945). The only advantage Korean women enjoyed as a result of their country’s annexation to Japan was access to institutional education, even if this was done in Japanese and from Japanese course books. But this came with a price: many of the Korean teenaged females were turned into comfort women (sex-slaves) for the Japanese soldiers before and during the Pacific War. Not only did these girls lose their youth, but they also lost their national and personal identity, as they were forced to change their Korean names into Japanese ones and to speak Japanese. To build the image of the fate of the Korean women during this bleak period, the research method I have used is a simplified version of content analysis, “an analysis of the content of communication” (Baker 1994, 267). I have explored the content of fragments from a couple of novels authored by Korean or American-Korean authors, which cover the historical events in the peninsula leading to the end of WWII (Keller’s Comfort Woman (2019) and Bracht’s White Chrysanthemum (2018), to mention just a few) and which are focused on the topic of comfort women,2 i.e. young women that were sexually exploited by the Japanese military. The results of the analysis indicate that many of the surviving victims became “unpersons” and led a life of solitude and misery until their death.


Author(s):  
Wen-Qing Ngoei

This book recasts the history of American empire in Southeast and East Asia from the Pacific War through the end of U.S. intervention in Vietnam. It argues that anticommunist nationalism in Southeast Asia intersected with pre-existing local antipathy toward China and the Chinese diaspora to usher the region from European-dominated colonialism into U.S. hegemony. Between the late 1940s and 1960s, Britain and its indigenous collaborators in Malaya and Singapore overcame the mostly Chinese communist parties of both countries by crafting a pro-West nationalism that was anticommunist by virtue of its anti-Chinese bent. London’s neocolonial schemes in Malaya and Singapore prolonged its influence in the region. But as British power waned, Malaya and Singapore’s anticommunist leaders cast their lot with the United States, mirroring developments in the Philippines, Thailand and, in the late 1960s, Indonesia. In effect, these five anticommunist states established, with U.S. support, a geostrategic arc of containment that encircled China and its regional allies. Southeast Asia’s imperial transition from colonial order to U.S. empire, through the tumult of decolonization and the Cold War, was more characteristic of the region’s history after 1945 than Indochina’s embrace of communism.


2017 ◽  
Vol 2 (1) ◽  
pp. 48-59
Author(s):  
Alex Cateforis

Yasuo Kuniyoshi (1889-1953) was a Japanese-American émigré artist active and successful in the United States from the mid-1920s until his death. However, despite his artistic achievement and integration into American culture, Kuniyoshi’s life and fate turned tragic as the Pacific War erupted, which intensified extreme racism toward the people of Japanese heritage and increased nationalism in the United States. Kuniyoshi’s 1950 painting My Fate is in Your Hand reveals the artist’s dual and conflicted identity, his social and political fate in the U.S. after Pearl Harbor, and suggests that a year before his death, the artist no longer controlled his fate. A majority of white Americans and the conservative American art world rejected him as an Asian “other.” Kuniyoshi grew weary, stressed, and anxious, an artist caught between success and rejection and his split Japanese and American identity. In this essay, I argue that each major portion of the work’s title— “My,” “Fate,” and “Your Hand”— reveals the symbolic meaning of the painting and suggests the artist’s inner state in 1950. I also analyze four of Kuniyoshi’s earlier works to provide insight into the meaning of My Fate is in Your Hand and to tell the story of the Japanese-American artist.  


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