The Tree and the Temple: Echoes of a New Ingathering and Renewed Exile (Mark 11.12–21)

2021 ◽  
Vol 68 (1) ◽  
pp. 26-37
Author(s):  
George H. Guthrie
Keyword(s):  
The Other ◽  
Fig Tree ◽  
The Temple

AbstractThis article considers Mark's account of the cursing of the fig tree, read in conjunction with Jesus’ temple action. Having reviewed recent proposals on the literary shape of Mark 11.1–12.12, the article proposes a fresh reading of the section's structure. Triple introductions at 11.11, 11.15 and 11.27 are shown to match triple conclusions at 11.11, 11.19 and 12.12, these constituents framing interwoven units running from 11.11 to 12.12. The pattern of triple intercalation suggests that the cursing of the fig tree and Jesus’ temple action should be interpreted one in light of the other. The article then considers the intertextual relationship between Mark's narrative and the scriptural texts it evokes. The study uncovers previously neglected echoes vital for understanding the significance of Jesus’ cursing of the fig tree and temple action. The ‘casting out’ motif in Jeremiah 7–8, as dramatically portrayed in Jesus’ temple action, is set forth as heralding a ‘renewed exile’ for those who reject Jesus’ message, while the mirror motif of ‘ingathering’ in Isa 56.1–8, accentuated by the ‘withered tree’ imagery of 56.3, heralds new opportunity, with those who were previously outsiders to the temple made insiders in the eschatological house of prayer.

scholarly journals Art. XVI.—Tales of the Wise Man and the Fool, in Tibetan and Chinese

1901 ◽  
Vol 33 (3) ◽  
pp. 447-460 ◽  
Author(s):  
J. Takakusu
Keyword(s):  
Chinese Version ◽  
The Other ◽  
Original Text ◽  
Popular Work ◽  
The Temple

The book I have chosen for my present paper is a sort of Jātaka or Avadāna entitled the “ Hien-yü-Ching,” which Mr. Nanjio has restored into Sanskrit as “ Damamūkasūtra” , or “ Tales of the Wise Man and the Fool.” It will at once remind one of the Tibetan work “ mDsans-blun ” (generally called Dsan-lun), that is, “Der Weise und der Thor,” published by I. J. Schmidt, and afterwards by Schiefner, for this is a popular work and is read by almost every student of Tibetan. The Chinese version was by Hui-hsio , Wei-teh , and others, written during their stay in Karakhodjo, a.d. 445 . There are, however, two texts both assigned to the same translators, one coming down through the Korean Buddhists and the other through the Chinese. It is said in the earliest catalogue in existence (a.d. 520) that the original text was obtained by the translators in Khoten (Kustana, ) and translated by them in the Temple Tien-an-shi, Karakhodjo . As to the Tibetan text we were first informed of its existence by Csoma de Cörösi in the “ Asiatic Researches,” vol. xx, 1836, and seven years later we were furnished with the text by the Russian savants mentioned above.

scholarly journals Deux fragments de portraits funéraires romains de Deir el-Bahari

2011 ◽  
pp. 259-266
Author(s):  
Zsolt Kiss ◽  
Keyword(s):  
19Th Century ◽  
The Other ◽  
General Context ◽  
Small Fragment ◽  
Intermediate Period ◽  
The Third ◽  
The Temple ◽  
Third Intermediate Period

Two fragments of painted Roman funerary portraits on wooden panels of the Fayum type, discovered in 2001 during a revisiting of the Third Intermediate Period shaft tombs inside the Chapel of Hatshepsut in the Royal Mortuary Cult Complex at the Temple of Hatshepsut in Deir el-Bahari, come from 19th century excavations, hence are without anything but a general context. The pieces are very small—fragment of a robe, sliver of a face with one eye—but in a brilliant analysis of iconography and style Kiss identifies one as a depiction of a female, possibly a priestess of Isis, from the second half of the 2nd century AD, and the other as a male portrait from the 2nd century. The portraits may belong to what some scholars have called “Theban” painted funerary portraits and they must have come from a Roman necropolis in West Thebes, possibly Deir el-Medineh. On any case, they are proof that mummies with painted portraits of the deceased on wooden panels fitted into the cartonnages were not unknown in ancient Thebes.

scholarly journals JAVANESE ISLAMIC ARCHITECTURE: ADOPTION AND ADAPTATION OF JAVANESE AND HINDU-BUDDHIST CULTURES IN INDONESIA

2021 ◽  
Vol 45 (1) ◽  
pp. 9-18
Author(s):  
Noor Cholis Idham
Keyword(s):  
The Other ◽  
13Th Century ◽  
Islamic Architecture ◽  
Cultural Products ◽  
High Culture ◽  
Other Hand ◽  
The Temple ◽  
New Religion ◽  
Islamic Values

Javanese Islamic architecture appears to be highly influenced by previous cultures, even though Islam has brought a new civilisation since the 13th century in Indonesia. The classical mosques and houses seem to follow Javanese and Hindu-Buddhist principles in their buildings, elements and spatial arrangements. This paper examines how the Javanese adapted their architecture to meet Islamic values while preserving their previous traditions. The concept of architectural synchronisation in Javanese architecture is examined from the traces observed in the temple dioramas, depictions of contemporary cultural products, and several traditional buildings. The adoptions and adaptations that appear in some significant objects such as old mosques and houses are traced back to previous transformation principles. Architectural harmonisation for new needs seemingly bases on religion as the most potent driving aspect. However, what is interesting is that in the case of Java, embracing a new religion does not mean forgetting existing traditions. On the other hand, the principle of acculturation has created a peaceful transition in architecture. Some evidence suggests that Javanese high culture, such as the classical grand mosque and the joglo house, succeeded in translating Javanese and Hindu-Buddhist ideas into Islamic architecture in very distinctive ways.

scholarly journals TEMUAN FRAGMEN GERABAH SEBAGAI INDIKASI PERMUKIMAN KUNO DI SITUS BOROBUDUR

2013 ◽  
Vol 33 (2) ◽  
pp. 211-226
Author(s):  
Agni Sesaria Mochtar
Keyword(s):  
20Th Century ◽  
Cultural Context ◽  
The Other ◽  
Back Side ◽  
The South ◽  
South West ◽  
Pottery Sherds ◽  
Few Data ◽  
The Temple

Borobudur temple has been famously known as one of the Indonesian heritage masterpiece. Various aspects of it had been studied thoroughly since the beginning of 20th century A.D. Those studies tended to be monumental centric, giving less attention to the cultural context of the temple and its surroundings. Settlement in the nearby places is one of the topics which not have been studied much yet; leaving a big question about how the settlement supported continuity of many activities in the temple, or even the other way around; how the temple affected the settlement. There is only a few data about old settlement found in situ in Borobudur site, only abundance of pottery sherds. The analysis applied on to the potteries find during the 2012 excavation had given some information about the old settlement in Borobodur site. The old settlement predicted as resided in the south west area, in the back side of the monument.

Mysterious Wooden Objects Represented in the Punt Portico in the Temple of Hatshepsut at Deir el-Bahari

2021 ◽  
Vol 148 (2) ◽  
pp. 229-238
Author(s):  
Filip Taterka
Keyword(s):  
The Other ◽  
The One ◽  
The Temple

Summary The article presents a previously unpublished block coming from the Southern Lower Portico (also known as the Punt Portico) in Hatshepsut’s temple of millions of years at Deir el-Bahari. It contains a depiction of a young Nubian man carrying two mysterious objects. The one is the double tjsw-staff, while the other is most likely a wooden stool. In order to support his identification of the objects in question, the author discusses some parallels coming from early 18th dynasty private tombs at Thebes.

scholarly journals Household and meals versus the Temple purity system: Patterns of replication in Luke-Acts

1991 ◽  
Vol 47 (2) ◽  
Author(s):  
J. H. Elliott
Keyword(s):  
Social Relations ◽  
Kingdom Of God ◽  
The Other ◽  
Christian Community ◽  
Jerusalem Temple ◽  
The Social ◽  
Social Expression ◽  
The One ◽  
The Temple ◽  
Inclusive Form

In Luke-Acts the social codes and concepts associated with food and meals replicate and support the contrasting social codes, interests, and ideologies associated with the Jerusalem Temple, on the one hand, and the Christian household, on the other. In this study the thesis is advanced that in contrast to the Temple and the exclusivist purity and legal system it represents, Luke has used occasions of domestic dining and hospitality to depict an inclusive form of social relations which transcends previous Jewish purity regulations and which gives concrete social expression to the inclusive character of the gospel, the kingdom of God, and the Christian community.

Gendered Paths to Enlightenment: The Intersection of Gender and Religion in Buddhist Temples in Mainland China and the United States

2020 ◽  
pp. 232949652096818
Author(s):  
Di Di
Keyword(s):  
United States ◽  
Gender Norms ◽  
Mainland China ◽  
The United States ◽  
The Other ◽  
Macro Level ◽  
Men And Women ◽  
Close Analysis ◽  
The Relationship ◽  
The Temple

This study explores how religious adherents construct their ideas regarding gender in Buddhist faith communities. Two temples, one in China and the other in the United States, both affiliated with the same international Buddhist headquarters, are situated in national contexts that endorse different macro-level gender norms. While leaders of both temples teach similar religious gender norms—specifically, that gender is unimportant for spiritual advancement—adherents do articulate gender differences in other respects. Buddhists at the temple in China believe that men and women differ but should be treated equally, with neither holding dominance over the other; meanwhile, U.S. practitioners also believe that everyone should be treated equally irrespective of gender, but they view men and women as essentially the same. A close analysis reveals that Buddhists at both temples recognize the distinctions between their religious and societal macro-level gender norms and navigate between these norms when constructing their own understandings of gender. This study highlights the influence of national context on the relationship between gender and religion, thereby contributing to and deepening our understanding of the subject.

Some Remnants of Ancient Laws in the Deuteronomic Code

1974 ◽  
Vol 9 (3) ◽  
pp. 346-351 ◽  
Author(s):  
Yair Zakovitch
Keyword(s):  
The Other ◽  
Short Article ◽  
The Third ◽  
Other Hand ◽  
The Law ◽  
The Temple ◽  
Deuteronomic Code ◽  
Comprehensive Study

This short article deals with two of the Deuteronomic laws: the law of the tithe (Deut. 14:22–28; 26:12–16) and the law of the Hebrew slave (Deut. 15:12–18). It is not intended to present a comprehensive study of these two laws, but to limit the investigation to the uncovering of those ancient laws referred to only by the author of Deuteronomy and not by the authors of the other Biblical codes, including that of the Covenant Code.I.Bashanah hashlishit shnat hama'asar“in the third year, which is the year of tithing” (Deut. 26:12).The reader of the law of the declaration of the tithe will quickly discern a contradiction: the tithe of the third year is given to the Levite, sojourner, orphan, and widow,bisharekha, literally, “within your gates” (within which there are no cultic places according to the laws of Deuteronomy—Deut. 26:2b). On the other hand, the tithe is declared in the Templelifnei adonai“before the Lord” (Deut. 26:1s). Another surprising point is that the law creates an impression of unfamiliarity with the annual tithe. Apparently, only the triennial tithe is known: “in the third year, which is the year of tithing”.

Garments of Shame, Garments of War: Clothing Imagery in 1 Maccabees 1:25-28, 14:9

2019 ◽  
Vol 69 (4-5) ◽  
pp. 670-681
Author(s):  
Atar Livneh
Keyword(s):  
Young Men ◽  
The Other ◽  
Other Hand ◽  
The People ◽  
The Temple

AbstractTwo poetic passages in 1 Maccabees depict historical circumstances via the use of apparel. 14:9 portrays the young men as wearing “glories and garments of war” as a marker of the peace and prosperity characterizing Simon’s reign. These contrast with the “shame” that shrouds the people following Antiochus Epiphanes’ desecration of the temple in 1:28. This paper explores the biblical background of the dress imagery, suggesting that the Maccabean author transformed the “robe of righteousness” in Isa 61:10 into “garments of war” on the basis of a gezerah shava with Isa 59:17. The biblical metaphor of “being clothed with shame” in 1 Macc 1:28, on the other hand, refers to the “putting on of mourning dress”—a practice also alluded to in v. 26.

The Shield of Argive Abas at Aeneid 3.286

1993 ◽  
Vol 43 (2) ◽  
pp. 445-450 ◽  
Author(s):  
J. F. Miller
Keyword(s):  
The Other ◽  
The Future ◽  
Full Force ◽  
The Temple

Aeneas' stopover at Actium has struck most readers as an Augustan interlude in the odyssey of Aeneid 3. The scene is conspicuous among the other episodes in the trip for its brevity and for the fact that it does not advance the action toward the Trojan exiles' Italian goal. Instead the accent falls on prefiguring actions of Aeneas' distinguished descendant, Octavian, after he achieved victory over Antony at the same site in 31 B.C. Where the future Augustus dedicated spoils from the battle to Actian Apollo and instituted a festival called the Actian Games, the Trojans celebrate athletic games at Actium and their leader affixes an enemy trophy to the temple of Apollo there. This last act, however, Aeneas' dedicatio, points allusively to the mythical past as well as to the Augustan future. To appreciate the full force of that complex reference, which enriches the thematics of the entire scene, hinges on our recognition of a mythological figure whose identity has been long in doubt. The narrator Aeneas reports that he hung up on Apollo's shrine ‘the bronze shield worn by great Abas’ (3.286 ‘aere cavo clipeum, magni gestamen Abantis’). Who is this Abas, and why is his mention here significant?

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