Is Kierkegaard an Irrationalist? Reason, Paradox, and Faith

1989 ◽  
Vol 25 (3) ◽  
pp. 347-362 ◽  
Author(s):  
C. S. Evans

If some philosophers had not existed, the history of philosophy would have to invent them. After all, what would the introduction to philosophy teacher do without good old Berkeley, the notorious denier of common sense, or Hume, the infamous sceptic. In some cases, in fact, philosophers have been invented by the history of philosophy. I don't mean to suggest that historians of philosophy have actually altered the past by bringing into being real flesh and blood philosophers. Rather, I mean to say that the textbook caricatures of famous philosophers are often a creation of the tradition, encrusted layers of hoary myths and legends which often hold the actual philosopher prisoner, the myths of Berkeley and Hume which I just alluded to being excellent examples.

2014 ◽  
Vol 59 (1) ◽  
pp. 49-60
Author(s):  
Davide Sparti

Obwohl jede menschliche Handlung mit einem gewissen Grad an Improvisation erfolgt, gibt es kulturelle Praktiken, bei denen Improvisation eine überwiegende Rolle spielt. Um das Risiko zu vermeiden, einen zu breiten Begriff von Improvisation zu übernehmen, konzentriere ich mich im vorliegenden Beitrag auf den Jazz. Meine zentrale Frage lautet, wie Improvisation verstanden werden muss. Mein Vorgehen ist folgendes: Ich beginne mit einem Vergleich von Improvisation und Komposition, damit die Spezifizität der Improvisation erklärt werden kann. Danach wende ich mich dem Thema der Originalität als Merkmal der Improvisation zu. Zum Schluss führe ich den Begriff affordance ein, um die kollektive und zirkuläre Logik eines Solos zu analysieren. Paradigmatisch wird der Jazzmusiker mit dem Engel der Geschichte verglichen, der nur auf das Vergangene blickt, während er der Zukunft den Rücken zugekehrt hat, und lediglich ihr zugetrieben wird. Weder kann der Improvisierende das Material der Vergangenheit vernachlässigen noch seine genuine Tätigkeit, das Improvisieren in der Gegenwart und für die Zukunft, aufgeben: Er visiert die Zukunft trotz ihrer Unvorhersehbarkeit über die Vermittlung der Vergangenheit an.<br><br>While improvised behavior is so much a part of human existence as to be one of its fundamental realities, in order to avoid the risk of defining the act of improvising too broadly, my focus here will be upon one of the activities most explicitly centered around improvisation – that is, upon jazz. My contribution, as Wittgenstein would say, has a »grammatical« design to it: it proposes to clarify the significance of the term »improvisation.« The task of clarifying the cases in which one may legitimately speak of improvisation consists first of all in reflecting upon the conditions that make the practice possible. This does not consist of calling forth mysterious, esoteric processes that take place in the unconscious, or in the minds of musicians, but rather in paying attention to the criteria that are satisfied when one ascribes to an act the concept of improvisation. In the second part of my contribution, I reflect upon the logic that governs the construction of an improvised performance. As I argue, in playing upon that which has already emerged in the music, in discovering the future as they go on (as a consequence of what they do), jazz players call to mind the angel in the famous painting by Klee that Walter Benjamin analyzed in his Theses on the History of Philosophy: while pulled towards the future, its eyes are turned back towards the past.


Think ◽  
2021 ◽  
Vol 21 (60) ◽  
pp. 5-20
Author(s):  
Anna Marmodoro

The debate over whether and how philosophers of today may usefully engage with philosophers of the past is nearly as old as the history of philosophy itself. Does the study of the history of philosophy train or corrupt the budding philosopher's mind? Why study the history of philosophy? And, how to study the history of philosophy? I discuss some mainstream approaches to the study of the history of philosophy (with special focus on ancient philosophy), before explicating the one I adopt and commend.


2001 ◽  
Vol 18 (2) ◽  
pp. 177-217
Author(s):  
David Sidorsky

The search for moral objectivity has been constant throughout the history of philosophy, although interpretations of the nature and scope of objectivity have varied. One aim of the pursuit of moral objectivity has been the demonstration of what may be termed its epistemological thesis, that is, the claim that the truth of assertions of the goodness or rightness of moral acts is as legitimate, reliable, or valid as the truth of assertions involving other forms of human knowledge, such as common sense, practical expertise, science, or mathematics. Another aim of the quest for moral objectivity may be termed its pragmatic formulation; this refers to the development of a method or procedure that will mediate among conflicting moral views in order to realize a convergence or justified agreement about warranted or true moral conclusions. In the ethical theories of Aristotle, David Hume, and John Dewey, theories that represent three of the four variants of ethical naturalism (defined below) that are surveyed in this essay, the epistemological thesis and the pragmatic formulation are integrated or combined. The distinction between these two elements is significant for the present essay, however, since I want to show that linguistic naturalism, the fourth variant I shall examine, has provided a demonstration of the epistemological thesis about moral knowledge, even if the pragmatic formulation has not been successfully realized.


Author(s):  
Dorothea E. Olkowski

Although grounded in the history of philosophy, Gilles Deleuze’s work does not begin with first principles but grasps the philosophical terrain in the middle. This method overthrows subject–object relations in order to initiate a philosophy of difference and chance that is not derived from static conceptions of being. It is a philosophy of the event, a state where sense arises independently of lived experience or scientific fact. The event is a sign without a signifier-signified relationship; a form of content that consists of a complex of forces that are not separable from their form of expression; an assemblage or body without organs, not the organized ego; time, intensity and duration instead of space; in short, a world in constant motion consisting of becomings and encounters that common sense concepts do not grasp. This radical philosophical project is rendered most clearly in Deleuze (and his collaborator Guattari’s concept of the ‘rhizome’). The rhizome is a multiplicity of connections without the unity that could pinpoint or identify a subject or an object. Any point of the rhizome can and must be connected to any other, though in no fixed order and without homogeneity. It can break or rupture at any point, yet old connections will start up again or new connections will be made; the rhizome’s connections thus have the character of a map, not a structural or generative formation. The rhizome, then, is not a model, but consists of lines of escape from from rooted, tree-like structures that open up the route for encounters and makes philosophy into cartography, that is, the mapping of concepts.


Prospects ◽  
1987 ◽  
Vol 12 ◽  
pp. 293-320
Author(s):  
Michael Lopez

Recent literary theory has questioned the way we look at a text as the product of an individual “author.” But for William James—who was, like Emerson, a thoroughly nineteenth-century mind-any utterance, even the most complicated philosophical system, was at bottom the expression of the personality of the author. The history of philosophy, James believed, was in essence the “clash of human temperaments,” and temperament seems to gravitate to either the “idealistic” or what James denned as the “materialistic” pole:Idealism will be chosen by a man of one emotional constitution, materialism by another.… [I]dealism gives to the nature of things such kinship with our personal selves. Our own thoughts are what we are most at home with, what we are least afraid of. To say then that the universe is essentially thought, is to say that I myself, potentially at least, am all. There is no radically alien corner, but an all-prevading intimacy. … That element in reality which every strong man of common-sense willingly feels there because it calls forth powers that he owns-the rough, harsh, sea-wave, north-wind element, the denier of persons, the democratizer-is banished because it jars too much on the desire for communication. Now, it is the very enjoyment of this element that throws many men upon the materialistic or agnostic hypothesis, as a polemic reaction against the contrary extreme. They sicken at a life wholly constituted of intimacy. There is an overpowering desire at moments to escape personality, to revel in the action of forces that have no respect for our ego, to let the tides flow, even though they flow over us. The strife of these two kinds of mental temper will, I think, always be seen in philosophy. Some men will keep insisting on the reason, the atonement, that lies in the heart of things, and that we can act with; others, on the capacity of brute fact that we must react against.


Philosophy ◽  
2010 ◽  
Author(s):  
Kevin Timpe

Free will is a perennial issue in philosophy, both in terms of the history of philosophy and in contemporary discussions. Aspects of free will relate to a wide range of philosophical issues, but especially to metaphysics and ethics. For roughly the past three decades, the literatures on free will and moral responsibility have overlapped to such a degree that it is impossible to separate them. This entry focuses on contemporary discussions about the nature and existence of free will, as well as its relationship to work in the sciences and philosophy of religion.


Philosophy ◽  
1958 ◽  
Vol 33 (126) ◽  
pp. 193-220
Author(s):  
Morris Lazerowitz

Occasionally there has appeared in the history of philosophy a thinker who has become aware of the chaotic condition of philosophy and of the intellectual anarchy that exists in all of its branches, and has attempted to remedy the situation. Descartes cast about for a guiding principle, a compass which would show him the way through the treacherous terrain of philosophy. As is well known he devised the method of systematic doubt, by means of which he hoped to discover an axiom on which he could securely erect a system of basic and reassuring beliefs. Leibniz had before his mind the notion of an ideal language which would by calculation solve problems with certainty. With this he thought we “should be able to reason in metaphysics and morals in much the same way as in geometry and analysis.” Descartes' attempt was a failure; and nothing came of Leibniz's ideal, even with the development of modern symbolic logic. Russell's claim that “logic is the essence of philosophy” frightened many philosophers and gave new hope to others; but his claim was as empty as the proverbial political promise. With G. E. Moore we have a further attempt to introduce sobriety and certainty into philosophy and to make fruitful research possible in it. He has made prominent a method for obtaining results in philosophy; and he has also formulated a philosophical platform, i.e., set out a list of Common-sense propositions which he says are known to be true by everyone, philosopher as well as non-philosopher, and are not, therefore, open to debate. The method, which he used extensively and with great skill, is the method of analysing concepts.


The Oxford Handbook of Hegel is a comprehensive guide to the philosophy of G. W. F. Hegel, the last major thinker in the philosophical movement known as German Idealism. Beginning with chapters on his first published writings, the authors draw out Hegel’s debts to his predecessors and highlight the themes and arguments that have proven the most influential over the past two centuries. There are six chapters each on the Phenomenology of Spirit and The Science of Logic, and in-depth analyses of the Encyclopedia of Philosophical Sciences. Five chapters cover Hegel’s philosophy of law, action, and the ethical and political philosophy presented in his Philosophy of Right. Several chapters cover the many recently edited lecture series from the 1820s, bringing new clarity to Hegel’s conception of aesthetics, the philosophy of religion, and the history of philosophy. The concluding part focuses on Hegel’s legacy, from his role in the formation of Marx’s philosophy to his importance for contemporary liberal political philosophy. The Handbook includes many essays from younger scholars who have brought new perspectives and rigor to the study of Hegel’s thought. The essays are marked by close engagement with Hegel’s difficult texts and by a concern with highlighting the ongoing systematic importance of Hegel’s philosophy.


2013 ◽  
Vol 30 (7-8) ◽  
pp. 177-198 ◽  
Author(s):  
Erica Fudge

This article is both a work of historical reconstruction and a theoretical intervention. It looks at some influential contemporary accounts of human-animal relations and outlines a body of ideas from the 17th century that challenges what is presented as representative of the past in posthumanist thinking. Indeed, this article argues that this alternative past is much more in keeping with the shifts that posthumanist ideas mark in their departure from humanism. Taking a journey through ways of thinking that will, perhaps, be unfamiliar, the revised vision of human-animal relations outlined here emerges not from a history of philosophy but from an archival study of people’s relationships with and understandings of their livestock in early modern England. At stake are conceptions of who we are and who we might have been, and the relation between those two, and the livestock on 17th-century smallholdings are our guides.


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