‘Eternity will nail him to himself’: the logic of damnation in Kierkegaard'sThe Sickness unto Death

2015 ◽  
Vol 52 (3) ◽  
pp. 287-314 ◽  
Author(s):  
R. ZACHARY MANIS
Keyword(s):  
Choice Model ◽  
Direct Object ◽  
Close Reading ◽  
Natural Consequence ◽  
Philosophical Literature ◽  
Significant Challenge ◽  
Conceptual Resources

AbstractThough Kierkegaard's writings are rarely referenced in discussions of the problem of hell, the choice model of hell, I argue, can be strengthened by a close reading of the relevant passages ofThe Sickness unto Deaththat bear on the topic of damnation. Each of the two major forms of the choice model that are discussed in the contemporary philosophical literature are anticipated and developed in masterful psychological detail in this key Kierkegaardian text. The first form of the choice model, which sees damnation as the explicit and direct object of choice of those who are finally lost, faces the challenge of explaining motive: why would anyone freely choose eternal damnation? The second form, in which damnation is the natural consequence of certain free choices but not that which is chosen directly, faces the significant challenge of explaining why God does not annihilate the damned, mercifully putting them out of their misery. I argue thatThe Sickness unto Deathcontains conceptual resources for meeting both of these challenges.

The Choice Model

2019 ◽  
pp. 193-242
Author(s):  
R. Zachary Manis
Keyword(s):  
Free Will ◽  
Choice Model ◽  
Direct Object ◽  
Natural Consequence ◽  
Important Sense ◽  
Conceptual Resources ◽  
The Way

According to the choice model, damnation is, in some important sense, chosen by the damned: God is simply respecting human free will in consigning some to hell. The choice model is subdivided into two general forms, corresponding to the way that damnation can be chosen either directly or indirectly. The first form, which sees damnation as the explicit and direct object of choice of those who are finally lost, faces the challenge of explaining motive: why would anyone freely choose eternal damnation? The second form, in which damnation is the natural consequence of certain free choices but not that which is chosen directly, faces the challenge of explaining why God does not annihilate the damned, mercifully putting them out of their misery. The author argues that Kierkegaard’s The Sickness unto Death contains conceptual resources for addressing both of these challenges and thereby strengthening the choice model significantly; nevertheless, even this version faces difficulties that prevent it from being entirely satisfactory.

scholarly journals The impact of culture on mindreading

Synthese ◽  
2019 ◽  
Author(s):  
Jane Suilin Lavelle
Keyword(s):  
Social Cognition ◽  
Cultural Differences ◽  
Folk Psychology ◽  
Cognitive Architecture ◽  
Philosophical Literature ◽  
Psychological States ◽  
Good Account ◽  
The Impact ◽  
Conceptual Resources

AbstractThe role of culture in shaping folk psychology and mindreading has been neglected in the philosophical literature. This paper shows that there are significant cultural differences in how psychological states are understood and used by (1) drawing on Spaulding’s recent distinction between the ‘goals’ and ‘methods’ of mindreading (2018) to argue that the relations between these methods vary across cultures; and (2) arguing that differences in folk psychology cannot be dismissed as irrelevant to the cognitive architecture that facilitates our understanding of psychological states. The paper concludes that any good account of social cognition must have the conceptual resources to explain how culture affects our understanding of psychological states, and that this explanandum should not be an after-thought but instead a guiding feature for those accounts.

scholarly journals Tending Immanence, Transcending Sectarianism: Plane of Mixed Castes and Religions

2021 ◽  
Vol 2 (2) ◽  
pp. 359-374
Author(s):  
Roshni Babu
Keyword(s):  
Theoretical Framework ◽  
Causal Link ◽  
Classical Period ◽  
Amartya Sen ◽  
Close Reading ◽  
Philosophical Thinking ◽  
Philosophical Literature ◽  
Work Identity ◽  
Ideological Position ◽  
Indian Tradition

The attempt in this article is to extrapolate the notion of hybridity latent in B. R. Ambedkar’s reflections on mixed castes, and outcastes, which subsequently leads to the causal link that he then derives gesticulating to social evils, namely, the origin of untouchability. Whether this embryonic notion of hybridity present in Ambedkar’s work is amenable to the extrapolation of Dalit identity thought along the lines of Gilles Deleuze’s notion of “immanent mixtures” is a thread that this study pursues. This certainly has broad implications for the prevalent notions of Dalit identity. This study ventures to read Ambedkar’s work, Riddles in Hinduism (1987) alongside Deleuze, probing into the intuitive link between notions of hybridity and the plane of immanence. Ideological distancing from predetermined categories of identity considered to be reductive in nature by the intellectuals of Indian philosophical thinking view such predetermined notions as facile conceptions that run short of representative qualities of complex and varied particularities of reasoned engagement with one’s resources. Amartya Sen heralded this ideological position in his work titled, The Argumentative Indian (2006), in favor of heterodoxy and reasoned choice determining priorities between different identities. Lacunae regarding identification of resources prominent in Sen’s work is pointed out by Jonardon Ganeri, who hails from the cluster of contemporary Sanskritists competent in philological and theoretical exegesis of “sastric” philosophical literature from the classical period of India. This study is a close reading of Jonardon Ganeri’s concept of ‘resources within’ which he develops in his work, Identity as Reasoned Choice (2012) to examine the potentiality of this concept to advance a theoretical framework that could counter a sectarian view of Indian tradition, as it is professed at the outset of his work. Sectarianism, which Ganeri opposes, identifies mysticism to be its chief trait which he shows to be selectively usurping only those resources grounded in Vedantic wisdom from India’s past.

Stolen from the Snows: John Kinsella as Poet and as Fiction Writer

CounterText ◽  
2020 ◽  
Vol 6 (2) ◽  
pp. 232-238
Author(s):  
Nicholas Birns
Keyword(s):  
Close Reading ◽  
Artistic Identity ◽  
Close Analysis ◽  
Fiction Writer

This piece explores the fiction of John Kinsella, describing how it both complements and differs from his poetry, and how it speaks to the various aspect of his literary and artistic identity, After delineating several characteristic traits of Kinsella's fictional oeuvre, and providing a close reading of one of Kinsella's Graphology poems to give a sense of his current lyrical praxis, the balance of the essay is devoted to a close analysis of Hotel Impossible, the Kinsella novella included in this issue of CounterText. In Hotel Impossible Kinsella examines the assets and liabilities of cosmopolitanism through the metaphor of the all-inclusive hotel that envelops humanity in its breadth but also constrains through its repressive, generalising conformity. Through the peregrinations of the anti-protagonist Pilgrim, as he works out his relationships with Sister and the Watchmaker, we see how relationships interact with contemporary institutions of power. In a style at once challenging and accessible, Kinsella presents a fractured mirror of our own reality.

‘Nothing is simply one thing’: Woolf, Deleuze and Difference

2013 ◽  
Vol 7 (4) ◽  
pp. 456-474
Author(s):  
Beatrice Monaco
Keyword(s):  
Virginia Woolf ◽  
Prose Poetry ◽  
Close Reading ◽  
Similar Model ◽  
Complex Interplay ◽  
To The Lighthouse

This paper explores some key texts of Virginia Woolf in the context of Deleuzian concepts. Using a close reading style, it shows how the prose poetry in Mrs Dalloway engages a complex interplay of repetition and difference, resulting in a remarkably similar model of the three syntheses of time as Deleuze understands them. It subsequently explores Woolf's technical processes in a key passage from To the Lighthouse, showing how the prose-poetic technique systematically undoes the structures of logical fact and rationality inscribed in both language and everyday speech to an extremely precise level.

Resonance in Dhvani Aesthetics and the Deleuzian Logic of Sensation

2018 ◽  
Vol 12 (1) ◽  
pp. 29-44
Author(s):  
Srajana Kaikini
Keyword(s):  
Art History ◽  
Visual Art ◽  
Normative Theory ◽  
Close Reading ◽  
Literary Interpretation ◽  
Sanskrit Poetics ◽  
Comparative Framework ◽  
Time Image

This paper undertakes an intersectional reading of visual art through theories of literary interpretation in Sanskrit poetics in close reading with Deleuze's notions of sensation. The concept of Dhvani – the Indian theory of suggestion which can be translated as resonance, as explored in the Rasa – Dhvani aesthetics offers key insights into understanding the mode in which sensation as discussed by Deleuze operates throughout his reflections on Francis Bacon's and Cézanne's works. The paper constructs a comparative framework to review modern and classical art history, mainly in the medium of painting, through an understanding of the concept of Dhvani, and charts a course of reinterpreting and examining possible points of concurrence and departure with respect to the Deleuzian logic of sensation and his notions of time-image and perception. The author thereby aims to move art interpretation's paradigm towards a non-linguistic sensory paradigm of experience. The focus of the paper is to break the moulds of normative theory-making which guide ideal conditions of ‘understanding art’ and look into alternative modes of experiencing the ‘vocabulary’ of art through trans-disciplinary intersections, in this case the disciplines being those of visual art, literature and phenomenology.

On the Primacy of Matter: Neoplatonism Right-Side Up

2018 ◽  
Author(s):  
Tyler Tritten
Keyword(s):  
Close Reading ◽  
After Effect ◽  
The One

This chapter provides a close reading of Schelling’s early commentary on Plato’s Timaeus and then contrasts this reading with Neoplatonism’s, particularly Proclus’, understanding of this same text. While Neoplatonism views being according to a hierarchy of degradation or descent, with matter at the bottom, Schelling affirms that being potentiates itself into higher and greater degrees of order such that matter is not the last but the first. He is able to do this, however, only by rejecting the Platonic notion of participation. For Schelling, the participating acquires an independence from the participated so that an effect can be greater than its cause and, moreover, the effect exerts a retroactive after effect on the cause. The identity of a cause or antecedent is only constituted in and through its consequents. If matter is said to process from the One, then matter, in turn, is the consequent condition of the identity of the One as one rather than as many.

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