The Yiddish Art Theatre in Paris after the Holocaust, 1944–1950

2020 ◽  
Vol 61 (3) ◽  
pp. 351-371
Author(s):  
Nick Underwood

Almost as soon as Paris was liberated from Nazi Occupation on 25 August 1944, Yiddish actors took back the stages on which they had once performed. In fact, on 20 December 1944, while war and the Holocaust still raged, a small cohort of actors produced what they advertised in the Naye prese as the “first grand performance by the ‘Yiddish folks-bine.’” This performance was to take place at the four-hundred-seat Théâtre Lancry, a performance space located in Paris's 10th arrondissement, not far from the Place de la République and the Marais. “Lancry,” as it was known, had played host to Yiddish theatre as early as 1903 and, during the interwar years, it was the center of Parisian Yiddish cultural activity: dozens of theatre performances occurred there and it was where the Kultur-lige pariz was based, among other institutions. During the postwar years, it also went by the name Théâtre de la République after 1947 and Théâtre du Nouveau-Lancry after 1951, but many still referred to it simply as “Lancry.”

2016 ◽  
pp. 425-434
Author(s):  
Dan Michman

The percentage of victimization of Dutch Jewry during the Shoah is the highest of Western, Central and Southern Europe (except, perhaps of Greece), and close to the Polish one: 75%, more than 104.000 souls. The question of disproportion between the apparent favorable status of the Jews in society – they had acquired emancipation in 1796 - and the disastrous outcome of the Nazi occupation as compared to other countries in general and Western European in particular has haunted Dutch historiography of the Shoah. Who should be blamed for that outcome: the perpetrators, i.e. the Germans, the bystanders, i.e. the Dutch or the victims, i.e. the Dutch Jews? The article first surveys the answers given to this question since the beginnings of Dutch Holocaust historiography in the immediate post-war period until the debates of today and the factors that influenced the shaping of some basic perceptions on “Dutch society and the Jews”. It then proceeds to detailing several facts from the Holocaust period that are essential for an evaluation of gentile attitudes. The article concludes with the observation that – in spite of ongoing debates – the overall picture which has accumulated after decades of research will not essentially being altered. Although the Holocaust was initiated, planned and carried out from Berlin, and although a considerable number of Dutchmen helped and hid Jews and the majority definitely despised the Germans, considerable parts of Dutch society contributed to the disastrous outcome of the Jewish lot in the Netherlands – through a high amount of servility towards the German authorities, through indifference when Jewish fellow-citizens were persecuted, through economically benefiting from the persecution and from the disappearance of Jewish neighbors, and through actual collaboration (stemming from a variety of reasons). Consequently, the picture of the Holocaust in the Netherlands is multi-dimensional, but altogether puzzling and not favorable.


2014 ◽  
pp. 803-822
Author(s):  
Marta Witkowska ◽  
Piotr Forecki

The introduction of the programs on Holocaust education in Poland and a broader debate on the transgressions of Poles against the Jews have not led to desired improvement in public knowledge on these historical events. A comparison of survey results from the last two decades (Bilewicz, Winiewski, Radzik, 2012) illustrates mounting ignorance: the number of Poles who acknowledge that the highest number of victims of the Nazi occupation period was Jewish systematically decreases, while the number of those who think that the highest number of victims of the wartime period was ethnically Polish, increases. Insights from the social psychological research allow to explain the psychological foundations of this resistance to acknowledge the facts about the Holocaust, and indicate the need for positive group identity as a crucial factor preventing people from recognizing such a threatening historical information. In this paper we will provide knowledge about the ways to overcome this resistance-through-denial. Implementation of such measures could allow people to accept responsibility for the misdeeds committed by their ancestors.


2007 ◽  
Vol 21 (1) ◽  
pp. 69-86
Author(s):  
Maureen Tobin Stanley

Following the retreat to France of half a million Spaniards in the winter of ’38/39 and as a result of the Nazi occupation, 10,000-15,000 Spaniards were deported to concentration camps. Among them was the writer Joaquim Amat-Piniella (1913-1974). His novel K.L. Reich, whose title alludes to the stamp impressed on all objects within the Nazi Reich’s concentration camps, creates a fictional world that reflects the realities within Mauthausen. That author writes in a draft (without date), that with this story his wish was not to focus on the horrors, but rather to document (“manar un record”), and to relate the historical catastrophes of “cruelty, misery, suffering, but also hope.” His poetic work Les llunyanies (The Far Away Lands) also reveals what Amat denoted as his “white hour,” an awakening of conscience and consciousness, the insistence on what is human and humane precisely because he was able to endure four and a half years of brutality. In addition to his novel and poetry, Amat-Piniella’s political efforts following his liberation promoted the reconciliarion that resulted from a sense of justice. With his poetry, this native of Manresa expressed the gamut of his affective responses to Mauthausen. With K.L. Reich, Amat-Piniella gives voice to the Republicans whose exile led to a concentrationary sentence. With his activism, he did everything possible to vindicate the ex-prisoners and obtain for them their due “indemnización” (compensatory damages) and thus overcome the obstacles imposed by the repressive forces. In spite of numerous hurdles, Amat was triumphant.


2017 ◽  
Vol 44 (2) ◽  
pp. 133-153
Author(s):  
Kirsten Andersen

In January 1866, journalist James Greenwood entered the Lambeth Workhouse disguised as a vagrant. Greenwood's account of his experience inspired a host of imitators, and inaugurated a mania for slum journalism. Critics have noted the voyeurism and the homoerotic subtext of Greenwood's ‘A Night in a Workhouse', but the impact of Victorian popular theatre on his narrative has received scant attention. This essay recuperates the links between workhouse and theatre: examining paupers' reception, criticism, and appropriation of popular forms of entertainment such as the pantomime and the music hall song, analysing the representation of the workhouse on the Victorian stage, and finally proposing the concept of the workhouse itself as a performance space. Greenwood provides a valuable source of information about the theatregoing habits of the houseless poor, the most marginalised demographic within audiences at the Victorian theatre.


1994 ◽  
Vol 8 (3) ◽  
pp. 335-348 ◽  
Author(s):  
Wybrand Op den Velde ◽  
Ellen Frey-wouters ◽  
Henk E. Pelser

2017 ◽  
pp. 260-274
Author(s):  
Judith Lyon-Caen

Michał Borwicz was a Polish poet, prose writer, and a publicist of Jewish origins. During the Nazi occupation he was resettled to the Lvov getto, and in the years 1942–1943 he was imprisoned in the Janowska concentration camp. He managed to escape and next he was active in the resistance movement. After the war as a director of the Jewish Historical Commission in Kraków he tried to collect and publish testimonies of the Holocaust survivors. In 1947 he decided to emigrate to France. In 1953 Borwicz defended his doctoral dissertation at the Sorbonne. The dissertation was published the same year. It presents writings of people “condemned to death” under Nazi occupation, and is considered a pioneer study of literature and writing practices in the camps and ghettos. Unfortunately the singularity of the author and the strength of his work are still underestimated.


1999 ◽  
Vol 123 (4) ◽  
pp. 486-493 ◽  
Author(s):  
Liang Zhu ◽  
David Kazmer

A design representation is developed to model multi-attribute systems utilizing multi-dimensional clipping and transformation algorithms. Given a linear system characterization, three types of supporting information is generated for the decision maker: (1) a function matrix that describes the performance attributes dependent upon the decision variables; (2) a decision space that corresponds to the feasible decision set that meets performance requirements, and; (3) a performance space that represents the feasible performance region and the Pareto Optimal set. The analytical method developed for solving these feasible spaces is described for a linear system model. A case study is presented to demonstrate how to utilize the representation to locate a feasible solution and proceed to the desired trade-off of multiple attributes. Moreover, the potential incorporations of the representation with other influential design methodologies are discussed.


2018 ◽  
pp. 121-127
Author(s):  
A. G. Venger

 The article is devoted to the biography of professor D. B. Frank who was a well-known scholar and psychiatrist. Frank graduated from medical faculty of Yurivski university. Later he worked in the leading clinics of the Russian empire. At the beginning of XX century he went abroad to take over the experience of theprominent European specialists. His aim was to enhance his professional level. As a doctor he participated in Russian-Japanese War and World War First. After the Soviet rule had been established, Frank worked in Kharkiv. In 1921 he got professor position in Katerynoslav Medical Institute. There he headed the Department of Psychology and later the Department of Psychiatry. During his Katerynoslav period he researched the phenomenon of cannibalism and then he published a monograph on this topic. He also worked in Igren psychiatric clinic that was in Dniproprtrovsk. During the Nazi occupation the physicians of that hospital had to kill mentally ill patients according to the order of the Nazis. Patients were given morphine, ammonia and other medical preparations. During the years of occupation, 1,200 patients were killed in this way. At the first stages of euthanasia program Franck's task was to select candidates for it – Jewish people, seriously ill patients and the communists. Nevertheless the cooperation with the Germans did not save his life. D. Frank was executed by shooting during the Holocaust as he was a Jew.


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