With the Declining Significance of Labor, Who Is Producing our Global Cities?

2015 ◽  
Vol 87 ◽  
pp. 137-164 ◽  
Author(s):  
Michael Goldman

AbstractThis article engages the question of what happens to labor as Indian cities become transformed into “global cities.” It does so by focusing on the convergence of three interrelated trends over the past few decades: the informalization of labor, the making of global cities, and the financialization of the economy. The article explains the effect on labor, capital, and urban space of this concatenation of trends. It challenges the conclusion of urbanization scholars who emphasize how labor has been largely excluded and bypassed by the growing urban economy. Instead, the article demonstrates, by using nationwide data as well as examples from Bangalore, that as labor is being displaced from formal employment and as wages become compressed, the urban commons is becoming a more valued terrain. On the one hand, displaced urban and rural workers must increasingly rely on subsistence practices and depend more upon the city's public spaces and goods to survive. On the other hand, these spaces, vital to city life, are becoming attractive to indebted municipal governments and aggressive financial investors for their speculative land values, and hence have led to greater insecurity and dispossession. The global city, therefore, is being built in large part with workers' wageless labor. Consequently, the struggle between capital and labor has reached far “beyond the factory” and farm, to the urban commons, sites simultaneously key to the majority's survival and integral to the urban speculative project of financialization.

Author(s):  
Alex Murray

This essay provides an overview of recent debates in Victorian studies over the ways in which we read urban space and literature. It places these debates in a broader theoretical and historical context, emphasizing the tension between a need to pay attention to the minutiae of city life on the one hand, and the politics of mapping space more broadly on the other. In order to crystallize these debates, the essay offers a survey of Victorian responses to the London Sunday. Beginning with Dickens’s early response to sabbatarian debates, the essay moves through the key London texts of the period, from Gissing to Stevenson and Wilde, demonstrating that despite the increasing secularity of Sundays by the end of the century the singular character of the day remained.


Author(s):  
Jonathan Stutz

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.


2019 ◽  
Vol 56 (4) ◽  
pp. 427-456
Author(s):  
Ishita Chakravarty

This article tries to reconstruct the world of the property-owning, mortgage-holding and money-lending women in late colonial Bengal and especially in Calcutta, the commercial capital of British India until the First World War. It argues that as all poor women occupying the urban space were not either sex workers or domestic servants, similarly all middle-class women in colonial Calcutta were not dependent housewives, teachers and doctors. At least a section of them engaged in other gainful economic activities. However, existing scholarship sheds very little light on those women who chose other means of survival than the bhadramahila: those who bought and sold houses, lent money for interest, acquired mortgages, speculated in jute trade and even managed indigenous banking business. Evidence of court records suggests that they, along with the lady teacher, the lady doctor, the midwife and the social worker or later members of political organisations, could be found in considerable numbers in late colonial Calcutta. Due to the enactment of stringent laws to control moneylending, on the one hand, and the commercial decline of Calcutta, on the other hand, these women were possibly driven out of the shrinking market of the 1940s and 1950s.


2012 ◽  
Author(s):  
Χαρίκλεια Μαρίνη

This thesis contributes to discourses concerned with urban space and performancepractice. It identifies ways in which built environments become performative; how thebuilt environment performs meaning(s) within the urban context and how spatialpractices of contemporary performance engage with city-spaces. The programmingand order of urban space tends to fix meanings; increasingly regulated and singlepurposecity-spaces seem unable to react to informal or unplanned activities. However,this thesis suggests that urban space entails inherent opportunities for conceiving andpractising space otherwise and looks at a spatial spectrum – from leftover spaces toLondon’s landmarks. It analyses incomplete presences in the built environment andtheir unexpected (re)uses, which make urban space an arena of ideas, interaction andcreativity. It examines how spatial practices of performance, such as site-specificperformance, audio-walks and installations, inform our (re)thinking of space, itsmeaning and its re-appropriation. It argues that through performative concepts andactions, space manifests a changeable and dynamic quality, rather than motionlessness and inertia.The thesis involves an interdisciplinary approach employing geography, urban,architectural and performance studies. It looks at four types of built spaces that havebeen used for performance purposes; a disused warehouse at 21 Wapping Lane, theconverted power station housing the Tate Modern art gallery, the exterior of theNational Theatre’s building and the London district of Wapping. All of these sites areawaiting, or are undergoing, major alterations in their design or planning, involvingreconstruction and expansion, or total demolition. The uncertain future of these sitesand buildings, the inevitable decay of their material, and the temporality of the builtenvironment invite questions of architectural design and urban planning in terms ofperformance. The examination of these sites at this moment of change and thepotential impact of the redevelopment plans on city life make this research timely,since the thesis emphasises the imperative of re-defining concepts of space, planningstrategies, and design processes so as to imagine a less determinate, more creative urban space.


Author(s):  
Antonio Desiderio

As part of the societal world, architecture and urban space do not have any ‘objective’ quality. They are representations. Their meaning is produced through the negotiation and interaction of individuals, groups and classes. Yet, such ‘subjective’ meanings do have a ‘material’ relevance, as they reflect a dialectical process between the functions, forms, ownership and practices of space. They reveal construal and construction: the way in which architectural spaces are represented on the one hand, and the way in which they are physically constructed and used on the other. Nowhere does this become more evident in our current society than in the arguments around urban renewal and regeneration. The Westfield Stratford City is a typical example. Part of the vast process of the urban regeneration of East London prompted by London 2012 Olympic Games, Westfield is a massive complex of luxury shops, restaurants, bars and five star hotels. It is seen by investors and local and national political authorities as capable of transforming Stratford into a site for shopping, tourism and leisure. It does this in numerous ways, one of which involves reconfiguring the image of the region through the press and media - through visual imagery and linguistic manipulations that promote a neoliberal agenda of gentrification that simultaneously devalue the existent societal structures and communities in the area. This paper offers a Critical Discourse Analysis of the manipulation of Stratford’s image by government, business and the media and suggests that the purely financially motivated misrepresentation it reveals, is typical of the urban regeneration ethos at work across the developed world today.


2012 ◽  
Vol 37 (2) ◽  
pp. 6-14
Author(s):  
Alain Thierstein ◽  
Anne Wiese

In the context of the European city, the regeneration of former industrial sites is a unique opportunity to actively steer urban development. These plots of land gain strategic importance in actively triggering development on the city scale. Ideally, these interventions radiate beyond the individual site and contribute to the strengthening of the location as a whole. International competition between locations is rising and prosperous development a precondition for wealth and wellbeing. This approach to the regeneration of inner city plots makes high demands on all those involved. Our framework suggests a stronger focus of the conceptualization and analysis of idiosyncratic resources, to enable innovative approaches in planning. On the one hand, we are discussing spatially restrained urban plots, which have the capacity and need to be reset. On the other hand, each plot is a knot in the web of relations on a multiplicity of scales. The material city is nested into a set of interrelated scale levels – the plot, the quarter, the city, the region, potentially even the polycentric megacity region. The immaterial relations however span a multicity of scale levels. The challenge is to combine these two perspectives for their mutual benefit. The underlying processes are constitutive to urban space diversity, as urban form shapes urban life and vice versa.


2021 ◽  
Vol 12 (0) ◽  
pp. 148-161
Author(s):  
Teresa Dillon

This article explores what it means to enact multispecies relations in urban space. This exploration is rooted in contemporary art practices that create living frameworks through which encounters with non-human animal cultures, histories, rituals and justice are manifested. Such works play with the legalities and categorizations of ‘animal’ and ‘nature’ by exposing the nested reasonings and protocols that continue to propagate hierarchical species logics. Consequentially such work, alongside scholarship on earth-bound legalities, looks to how law can foster more just multispecies orderings, which aspire to create more equitable conditions for all. To scaffold such transitions the article makes the case for how a constant, public, educational and social rehearsal that unknots histories of liberal individualism is required in order to shift the ontological position of the human species. This rehearsal is set against the backdrop of climate emergencies and the call for a more expansive notion of the urban commons. The closing reflections point to how the Earth’s inviolability must necessarily be placed at the centre of an approach to urban making that is complemented by an intersectional set of innovative cosmologies, actions, manners and ways.


Author(s):  
Sylwia Widzisz-Pronobis ◽  
◽  
Grzegorz Pronobis ◽  

Bytom is a polish, post-industrial city which is looking for a new vision of the future. City dwellers are between a history related to coal and new challenges. It is not easy for them to understand that industry is a thing of the past and you need to look for yourself and your identity again. Groups of social leaders are trying to show a different picture of the city and engage more and more people to act for the city. Building the city's identity and new image are basic ideas. However, in the era of global discussion about climate change and the technologization of city life, it becomes important to become aware of the role of greenery and community. In the article I want to show how Bytom social activists promote and animate the local community in the spirit of collectivism and improving the quality of life in the city. The assumption of the described groups was the maximum involvement of residents in activities to improve the space in Bytom. In the article I want to show what tools they used and what effects they obtained. Particularly important here are activities that contribute to making the community aware of the role of greenery and pedestrian space. The effects of social activities show more clearly how important are strong communities opposing local authorities and supporting good investment decisions. Analysis of the activities of social groups showed how important local leaders play and how various methods and tools used by them gave measurable effects in the city space. The bottom-up activity helped to understand the advantages of a pedestrian city, which is Bytom, and to show how little it takes for the city to gain a new image.


Author(s):  
Maurice Roche

This chapter explores the ‘material embedding’ of mega-event spectacles in the legacies they leave in host cities which can be of both a negative and positive kind, and consist of the creation of new place and space legacies. These themes are illustrated with reference to the modern Olympics, and particularly in the contemporary period. The chapter’s main focus is on Olympic mega-events as urban ‘place-makers’. That is they often involve new constructions, on the one hand of sports and related event facilities complexes, and on the other hand of community-related developments in housing and places of employment. Since the turn of the millennium they are now effectively required by the IOC bidding system to leave such legacies. The chapter explore such legacies in some detail in the influential case of the Sydney 2000 Olympic project which, in some respects, was understood to represent a ‘model’ for subsequent Olympic cities. The case of the Sydney Olympics is seen to show how mega-events can simultaneously be urban ‘space-makers’ as well as ‘place-makers’. Since Sydney mega-events have often been notably associated with strategically important values and policies of both ‘greening’ and humanising modern urbanisation through the provision of open and green spaces in urban centres.


2019 ◽  
Vol 8 (7) ◽  
pp. 210
Author(s):  
Rafik Arfaoui

This article focuses on the integration process of people seeking asylum in non-metropolitan areas in France. It conceptualizes the reception of asylum seekers involving two interrelated approaches: the utilitarian approach and the humanitarian approach. This article is based on surveys, participatory and sensitive cartography, and participant observation conducted in the Ambertois territory between 2017 and 2018. I find the Ambertois territory can be considered a “fragile space,” particularly in terms of demographics, with difficulties in maintaining public services. These difficulties are risks for asylum seekers, and are impacting the urban space. These risks are intensified by the national and regional level policies like the recent reform of the asylum and immigration act on the one hand, and the suffering they experienced throughout their migratory journey on the other. Faced with these risks, local synergies, which facilitate the integration of asylum seekers, are emerging from local actors. This integration is temporary and is considered by local actors as leading to the autonomy of asylum seekers.


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