British Islam and English Law

British Islam and English Law presents a novel argument about the nature and place of groups in society. The encounter with Islam has led English law to tread a line between two theoretical models, liberal individualism and multiculturalism, competing for dominance over the law of organised religion. This philosophical rivalry has generated a set of seemingly intractable conflicts between individual and community, religion and state, nation and culture. This book resurrects the long-buried theory of classical pluralism to address and resolve these tensions. Applying this to five understudied institutions that give structure and form to British Islam – banks, charities, schools, elections, clans – it outlines and justifies the reforms that would optimise the relationship between law and religion. Unflinching and unorthodox, this book places law and theory in context, employs innovative methods such as nudge theory and applied history, and provides detailed answers to hard questions about British Islam.

The practice of multispecies relations in urban space and its potentialities for new legal imaginaries

This article explores what it means to enact multispecies relations in urban space. This exploration is rooted in contemporary art practices that create living frameworks through which encounters with non-human animal cultures, histories, rituals and justice are manifested. Such works play with the legalities and categorizations of ‘animal’ and ‘nature’ by exposing the nested reasonings and protocols that continue to propagate hierarchical species logics. Consequentially such work, alongside scholarship on earth-bound legalities, looks to how law can foster more just multispecies orderings, which aspire to create more equitable conditions for all. To scaffold such transitions the article makes the case for how a constant, public, educational and social rehearsal that unknots histories of liberal individualism is required in order to shift the ontological position of the human species. This rehearsal is set against the backdrop of climate emergencies and the call for a more expansive notion of the urban commons. The closing reflections point to how the Earth’s inviolability must necessarily be placed at the centre of an approach to urban making that is complemented by an intersectional set of innovative cosmologies, actions, manners and ways.

Vulnerable bodies and invisible work: The Covid-19 pandemic and social reproduction

The restrained state has always sought to devalue socially reproductive work, often consigning it to the private family unit, where it is viewed as a natural part of female relational roles. This marginalisation of social reproduction adversely affects those performing it and reduces their resilience to vulnerability. The pandemic has largely shattered the liberal illusions of autonomous personhood and state restraint. The reality of our universal embodied vulnerability has now become impossible to ignore, and society’s reliance on socially reproductive work has therefore been pushed into public view. However, the pandemic has also exacerbated harms and pressures for those performing paid and unpaid social reproduction, creating a crisis that demands an urgent state response. As it is argued in this paper, the UK response to date has been inadequate, illustrating an unwillingness to abandon familiar principles of liberal individualism. However, the pandemic has also created a climate of exceptionality, which has prompted even the most neoliberal of states to consider measures that in the past would have been dismissed. In this paper, it is imagined how the state can use this opportunity to become more responsive and improve the resilience of social reproduction workers, both inside and outside the home.

A critical review of Chinese and international social work: Walking a tightrope between local and global standards

This article presents a critical analysis of the challenges global social work standards present for mainland China (hereafter China) with its authoritarian political ideology that is in tension with the profession’s universal values grounded in liberal individualism. China is caught between the Scylla of universal standards and Charybdis of indigenisation seeking to adapt social work to its unique sociocultural contexts. Based on our extensive literature review, we identified four challenges for Chinese social work: (1) balancing personal social services and social development, (2) negotiating global standards and local realities, (3) responding to poverty and other national social development issues and (4) pressures towards indigenisation, while remaining in step with social work’s global standards. China favours the continued adaptation of imported knowledge and practice interventions within local and national sociocultural, economic and political realities. This study also highlights social work in China’s urban bias and limited attention to rural issues, acknowledging this is a concern for social work even in Western contexts.

A Victorian Wrenaissance: Historical Narrative at St. Paul's Cathedral

The condition of St. Paul's Cathedral was central to concerns about the perception of London over the course of the nineteenth century. Designed by Sir Christopher Wren, it faced public criticism from the start. Unlike gothic Westminster Abbey, St. Paul's was an eclectic amalgam of gothic and neoclassical architecture; its interior was never finished. Efforts to decorate were boxed in by the strictures of Victorian architectural revivalism. This is the story of how academic historiography resolved a problem that aesthetic and architectural theory could not. Throughout the century, cathedral administrators sought to improve the cathedral by borrowing tools from historians with varying success. In the 1870s, a solution emerged when historians reinvented the Italian Renaissance as a symbol of liberal individualism. Their revisionist Renaissance provided an alternative to pure gothic or neoclassical revivalism, able to accommodate Wren's stylistic eclecticism. Scholars have traditionally plotted disputes about St. Paul's within broader architectural debates. Yet I argue that these discussions were framed as much by historical discourse as aesthetics. Turns in Victorian historiography eventually allowed architects to push past the aesthetic limits of the Battle of the Styles. New methods in Victorian historical research were crucial to nineteenth-century experiences of urban space.

Victorianism and Contemporary Literature

Victorianism refers to contemporary texts that cede time and space to Victorian ideologies, modes, plots, and problems. In its broadest and most contemporary definition, Victorianism describes any literary, filmic, or cultural text that signals contemporary investment in Victorian literature and culture. Such works can be loosely grouped into three categories: original plots set in the 19th century; retellings of canonical 19th-century texts; and “hybrid” texts—those that oscillate between contemporary and Victorian time frames, for instance, or those that create a new story peopled with characters from Victorian media and/or history, including narrativized stories of authors’ lives. There are persistent modes and themes across these forms, including the networking of science and technology with the human; the detective or mystery story; and the connection between the contemporary Victorian and the gothic mode. While in the 20th century the primary archive was largely white and male, the 21st century has seen the advent of a more intersectional archive and authorship. The topic is often consolidated under the term “neo-Victorian” but is also sometimes referred to as “Victoriana,” “strategic presentism,” and other designations. Specifically under the rubric of “neo-Victorian” the study is sometimes associated with postmodernism itself. Other critical interpretations hold that its organizing principle is neoliberalism and its social corollary, liberal individualism. Yet others connect the subject with cultural studies and its corollaries gender studies, queer studies, and—much more recently—postcolonial or imperial studies. Underlying all of these critical interventions is the notion that the primary affective/aesthetic register of neo-Victorian media is nostalgia and/or belatedness. Nevertheless, critical trends of the 2010s and onward theorize not the continuity but the simultaneity of the 19th and 21st centuries. This suggests exciting implications and directions in contemporary Victorianism, including responses to empire, examinations of global crises, and an expansion of the canon to include media not usually included in considerations of Victorianism.

Pedagogy and the Politics of Organizing in Mississippi

This article reflects on a community-directed collaboration between students at a four-year liberal arts institution and a local organization in Mississippi to develop an index of women's economic security. It suggests that the collaborative nature of the course, as well as the relationship- and community-building witnessed in Mississippi offer counter-narratives to liberal individualism, southern conservatism, and the practice of social justice work.

Robert Lowell, the New Critics, and the “Unforgivable Landscape” of Liberalism

This essay argues that Robert Lowell’s poetry demonstrates a critical engagement with the liberal individual that he is not often given credit for. By examining Lowell’s handling of the pathetic fallacy, whereby the external landscape is made to match the mood of the observer, the essay reveals a critique of the historical formation of American individualism, visible in how Lowell connects the literary historical tropes he is employing to the history of American “imperial” violence. This is first shown through a close reading of “Mouth of the Hudson.” The essay connects Lowell’s view to those of his New Critical mentors, such as John Crowe Ransom, for whom the individual of the liberal political order is entwined with the history of Puritan iconoclasm and Romantic views of the poetic subject. It argues that Ransom’s critique parallels those of later critics, such as Marjorie Perloff, David Antin, and Maria Damon, who see Lowell’s poetic self as both solipsistic and symptomatic of an American liberal ideology. Demonstrating that Lowell’s views were formed by a critique of liberal individualism, it then attempts to show how Lowell moved beyond this in his later work, harnessing a depiction of the poetic subject’s individual experience to a critique of individualism itself as manifested in the American political worldview of the Cold War era. It reads “Beyond the Alps” as a demonstration of the way Lowell is able to wed both critique and depiction of individuality together through a self-aware handling of the poetic landscape.

Shame is the Spur

This chapter discusses key trends in the development of Irish Catholic fiction written between the 1870s and 1920s. During this period, novelists from the majority religiously-identified tradition on the island tested imagined future Irelands in their fiction. The realities to be tested were those within their own community, one dominated by a vision of a rural, small-farmer, family-aspirational, faith-sustained solidarity. Some late nineteenth-century Irish novelists cherished that solidarity, though they were not uncritical of it, while others critiqued its perceived darker side, a mean-spirited materialism and clerical authoritarianism. At the beginning of the twentieth century, a group of novelists emerged from an educated and generally urban context which valued liberal individualism. Working as priests, teachers, political activists, and journalists, they promoted an intelligentsia critique of the dominant communitarianism of the Ireland of their day. This chapter examines these developments with reference to a range of novels.