scholarly journals Re-defining urban space through performance

2012 ◽  
Author(s):  
Χαρίκλεια Μαρίνη
Keyword(s):  
Urban Space ◽  
Architectural Design ◽  
Interdisciplinary Approach ◽  
Spatial Spectrum ◽  
Urban Context ◽  
City Life ◽  
Tate Modern ◽  
Uncertain Future ◽  
And Performance ◽  
Dynamic Quality

This thesis contributes to discourses concerned with urban space and performancepractice. It identifies ways in which built environments become performative; how thebuilt environment performs meaning(s) within the urban context and how spatialpractices of contemporary performance engage with city-spaces. The programmingand order of urban space tends to fix meanings; increasingly regulated and singlepurposecity-spaces seem unable to react to informal or unplanned activities. However,this thesis suggests that urban space entails inherent opportunities for conceiving andpractising space otherwise and looks at a spatial spectrum – from leftover spaces toLondon’s landmarks. It analyses incomplete presences in the built environment andtheir unexpected (re)uses, which make urban space an arena of ideas, interaction andcreativity. It examines how spatial practices of performance, such as site-specificperformance, audio-walks and installations, inform our (re)thinking of space, itsmeaning and its re-appropriation. It argues that through performative concepts andactions, space manifests a changeable and dynamic quality, rather than motionlessness and inertia.The thesis involves an interdisciplinary approach employing geography, urban,architectural and performance studies. It looks at four types of built spaces that havebeen used for performance purposes; a disused warehouse at 21 Wapping Lane, theconverted power station housing the Tate Modern art gallery, the exterior of theNational Theatre’s building and the London district of Wapping. All of these sites areawaiting, or are undergoing, major alterations in their design or planning, involvingreconstruction and expansion, or total demolition. The uncertain future of these sitesand buildings, the inevitable decay of their material, and the temporality of the builtenvironment invite questions of architectural design and urban planning in terms ofperformance. The examination of these sites at this moment of change and thepotential impact of the redevelopment plans on city life make this research timely,since the thesis emphasises the imperative of re-defining concepts of space, planningstrategies, and design processes so as to imagine a less determinate, more creative urban space.

scholarly journals DECIPHERING URBAN LIFE: A MULTI-LAYERED INVESTIGATION OF ST. ENOCH SQUARE, GLASGOW CITY CENTRE

2017 ◽  
Vol 11 (2) ◽  
pp. 137 ◽  
Author(s):  
Ashraf M. Salama ◽  
Adel M. Remali ◽  
Laura MacLean
Keyword(s):  
Social Interaction ◽  
Urban Space ◽  
Social Life ◽  
Methodological Approach ◽  
Urban Life ◽  
City Centre ◽  
Urban Context ◽  
City Life ◽  
And Performance ◽  
The City

An urban space is a vital stage for social interaction and city life.  Measuring the city life is always related to social, economic and cultural conditions of an urban context.  Social gathering increases the quality of urban space and improves economic vitality. This paper aims to explore how successful urban spaces could impact the growth and performance of an urban context, not only as a physical urban reality, but also as a generator of social life.  Utilising St. Enoch Square as a case study, a multi-layered methodological approach constituted in a series of tools was implemented, including behavioural mapping, visual preference survey, walking tour assessment, contemplating settings, and observing physical traces and by-product of use in order to interpret various forms of experiences that take place. Findings reveal various attributes of St. Enoch Square while highlighting different qualities that promote and support the overall vibrancy of the city life. Conclusions are drawn to emphasise that the physical and spatial characteristics of an urban space are critical factors for maintaining social interaction while creating essential opportunities that support the human experience in the public realm.

scholarly journals The Voices of Berlin: Busking in a ‘Creative’ City

2020 ◽  
pp. 1-23
Author(s):  
Claudia Seldin
Keyword(s):  
Urban Space ◽  
Interdisciplinary Approach ◽  
Field Research ◽  
Point Of View ◽  
Global Network ◽  
Negative Consequences ◽  
Urban Context ◽  
Urban Image ◽  
Creative City ◽  
Creative Workers

The city of Berlin is often advertised as one of the most prominent creative cities today. In the past two decades, its marketing agencies have constructed a carefully crafted urban image designed to attract the young, mobile and creative workers that move the contemporary economy. To do that, they rely on cultural temporary uses that enable selected urban spaces to have the desired ‘cool’ and authentic ambiance that distinguishes this city from others within the competitive global network. This paper investigates the phenomenon of abundant street performers in the German capital to find out if and how these artists perceive their role and instrumentalisation within these creative policies. The field research carried out through the method of ethnography reveals that their understanding of their art as small resistances in urban space often clashes with their use in broader placemaking schemes that have negative consequences. The article begins with a discussion of creative policies in Berlin from an Urban Planning point of view, highlighting how it encourages the migration of young artists and creative professionals. It then analyses the definitions of busking in the existing literature in the Social Sciences to understand its potential as a builder of sociability. Moreover, it draws on theories that speak of the “looseness” of space and the idea of tactically appropriating a place through art to build an interdisciplinary approach between the different fields. Lastly, it presents the case study, using the performers’ own testimonials to draw conclusions about the temporary uses of urban space within a broader urban context.

scholarly journals ‘Empty’ space in Central European medieval towns through an interdisciplinary perspective

Urban History ◽  
2020 ◽  
pp. 1-21
Author(s):  
Paweł Cembrzyński ◽  
Maciej Radomski
Keyword(s):  
Urban Space ◽  
Interdisciplinary Approach ◽  
Empty Space ◽  
Urban Context ◽  
Central European ◽  
Interdisciplinary Perspective

Abstract Empty, abandoned or covered with vegetation – such areas were inherent to the medieval urban space, yet remain overlooked in research. Here, we describe three major types of ‘empty’ space of various origins and functions in Central European towns and suggest how these types can be investigated and interpreted through an interdisciplinary approach combining archaeological, written, pictorial and cartographical sources. We propose a simple interdisciplinary protocol to trace empty spaces in the urban context. This study will help to change our perception of medieval urban space into one that is more dynamic and heterogeneous than commonly believed.

Virtual Embodiment as/and the Threshold of Love

2013 ◽  
Vol 3 (2) ◽  
pp. 97-109 ◽  
Author(s):  
Anne Harris
Keyword(s):  
Urban Space ◽  
State Building ◽  
Modern Life ◽  
Space And Time ◽  
Empire State Building ◽  
Arcades Project ◽  
Performance Texts ◽  
And Performance ◽  
The Stranger

This essay draws upon the author’s performance script Fall and Walter Benjamin’s The Arcades Project as a provocation for considering the ways performance texts provide a threshold for somatic inquiry, and for recognizing the limits of scholarly analysis that does not take up performance-as-inquiry. Set at the Empire State Building, this essay embodies the connections and missed possibilities between strangers and intimates in the context of urban modern life. Fall’s protagonist is positioned within a landscape of capitalist exchange, but defies this matrix to offer instead a gift at the threshold of life/death, virtual/real, and love/loss. Through somatic inquiry and witnessing as threshold experiences, the protagonist (as Benjamin’s flaneur) moves through urban space and time, proving that both scholarship and performance remain irrevocably embodied, and as such invariably tethered to the visceral, the stranger, risk, and death.

Demands and Feasibilities of Open Building in Iranian Urban Context

2008 ◽  
Vol 33 (1) ◽  
pp. 61-71
Author(s):  
Mahta Mirmoghtadaee
Keyword(s):  
Architectural Design ◽  
Building Materials ◽  
Design Principles ◽  
Legal Framework ◽  
Spatial Variations ◽  
Industrial Building ◽  
Urban Context ◽  
Life Styles ◽  
Traditional Design ◽  
Wall Structures

Traditional Iranian houses, were built of heavy, voluminous building materials resulting in massive bearing wall structures. Such buildings had fixed architectural spaces, with defined boundaries and dimensions. However, the need for adaptability was fulfilled through creating multifunctional spaces, seasonal or even daily movements in the horizontal and vertical directions of house areas, and subdivision or expansion of the primary spaces. Urbanization in Iran is leading to gradual replacement of individual houses by residential complexes and apartments in which, the use of traditional design principles was lost, while solutions to enhance adaptability in the internal layouts have not yet developed. The paper concludes that open building may provide practical tools to enhance spatial variations in the new conditions. However, to take the first step towards this approach in Iran, some major issues such as "legal framework", "changing needs of Iranian families", "Iranian life styles" and "situation of industrial building production in Iran" have to be analyzed. Considering the mentioned factors, some recommendations for architectural design are proposed.

With the Declining Significance of Labor, Who Is Producing our Global Cities?

2015 ◽  
Vol 87 ◽  
pp. 137-164 ◽  
Author(s):  
Michael Goldman
Keyword(s):  
Urban Space ◽  
Land Values ◽  
Global Cities ◽  
Municipal Governments ◽  
City Life ◽  
Rural Workers ◽  
Formal Employment ◽  
The One ◽  
Urban Commons ◽  
Indian Cities

AbstractThis article engages the question of what happens to labor as Indian cities become transformed into “global cities.” It does so by focusing on the convergence of three interrelated trends over the past few decades: the informalization of labor, the making of global cities, and the financialization of the economy. The article explains the effect on labor, capital, and urban space of this concatenation of trends. It challenges the conclusion of urbanization scholars who emphasize how labor has been largely excluded and bypassed by the growing urban economy. Instead, the article demonstrates, by using nationwide data as well as examples from Bangalore, that as labor is being displaced from formal employment and as wages become compressed, the urban commons is becoming a more valued terrain. On the one hand, displaced urban and rural workers must increasingly rely on subsistence practices and depend more upon the city's public spaces and goods to survive. On the other hand, these spaces, vital to city life, are becoming attractive to indebted municipal governments and aggressive financial investors for their speculative land values, and hence have led to greater insecurity and dispossession. The global city, therefore, is being built in large part with workers' wageless labor. Consequently, the struggle between capital and labor has reached far “beyond the factory” and farm, to the urban commons, sites simultaneously key to the majority's survival and integral to the urban speculative project of financialization.

scholarly journals “Service Programmes” on Jordanian Radio: Understanding Broadcaster Persona through an Interdisciplinary Analysis of Language and Performance

2017 ◽  
Author(s):  
Jona Fras
Keyword(s):  
Language Use ◽  
Middle Eastern ◽  
Interdisciplinary Approach ◽  
Arabic Language ◽  
Water Pipe ◽  
Methodological Issues ◽  
Radio Stations ◽  
The Public ◽  
Doctoral Research ◽  
And Performance

My ESRC-funded doctoral research explores linguistic practice on Jordanian radio today. The main conclusion of my research is that details of Arabic use in the radio setting have significant implications for the kind of audiences addressed – that is, who is included as a legitimate or “validated” listener – and the way members of the public can participate in radio discourse – this latter in particularly through call- ins, which are a frequent feature of Jordanian radio programming more generally.This paper looks at one type of programmes present on many contemporary Jordanian radio stations: the so-called “service programmes,” "barāmiž ḳadamātiyya," in which listeners call the station and speak live on the air in order to request assistance or mediation with local authorities in resolution of an issue – such as a damaged road, a broken water pipe, et cetera. It compares two popular service programmes: Barnāmiž al-wakīl, hosted by Muhammad al-Wakeel, and Wasaṭ al- balad, hosted by Hani al-Badri. It argues that, in order to properly appreciate the differences between the two programmes, an interdisciplinary approach to the data is required. This has raised certain methodological issues for my work, but on the other hand allowed me to explore new theoretical pathways and contribute new insights to scholarship on both contemporary Arabic language use, and Middle Eastern media.

scholarly journals Geografias e genealogias do planejamento urbano em Belém: elementos da modernidade e produção de desigualdades / Geographies and genealogies of urban planning in Belém: elements of modernity and the production of inequalities

2018 ◽  
Vol 28 (55) ◽  
pp. 980-1005
Author(s):  
Tiago Santos
Keyword(s):  
Urban Planning ◽  
Urban Space ◽  
Architectural Design ◽  
Management Practices ◽  
Social Classes ◽  
Urban Structure ◽  
Production Of Space ◽  
Master Plans ◽  
Development Plans ◽  
The City

Considerando a dinâmica e a estrutura urbana de Belém no início do século XXI como expressão da acumulação das intervenções urbanas e das práticas de planejamento e gestão do espaço da cidade, analisa-se a genealogia do planejamento urbano para compreender a produção de um espaço que tem como característica a negação da natureza e a produção da desigualdade entre classes sociais. Nesse aspecto, identificou-se três períodos específicos que produziram impactos significativos na produção do espaço urbano de Belém: o terceiro quarto do século XVIII (1755 – 1777) com as reformas promovidas no período Pombalino na Amazônia, momento de expressão de uma modernidade urbana e arquitetônica; o final do século XIX e a primeira década do século XX (1890 – 1910), momento de ascensão da economia regional a partir da intensificação de atividades extrativas que produziram reformas urbanísticas com tons higienistas e; por fim, o período entre 1940 e 1970, que marcou uma série de propostas de planejamento com viés técnico-burocrático na produção do espaço. Do ponto de vista da metodologia adotada, estabeleceu-se como percurso de pesquisa: i) levantamento bibliográfico de caráter teórico e empírico da temática; ii) levantamento documental acerca das práticas de planejamento e intervenção dos períodos destacados com base em legislação, planos e projetos de cada um dos períodos; iii) coleta de iconografia representativa da época as quais as políticas foram executadas. Apresenta-se como resultados a hipótese de que a narrativa de uma pretensa ausência de planejamento como fator explicativo dos problemas da cidade é um discurso que não tem base na realidade, posto que historicamente é exatamente o oposto que a pesquisa indica, as modalidades de planejamento efetivadas em Belém acentuam problemas como a segregação socioespacial.Palavras-Chave: História, Planejamento Urbano, Modernidade, Belém.AbstractConsidering the dynamics and urban structure of Belém at the beginning of the 21st Century as an expression of the accumulation of urban interventions and planning and management practices of the city, the historical genealogy of urban planning is analyzed as a way of understanding production of a space that has as characteristic the negation of the nature and the production of the inequality between social classes. In this aspect, three specific periods were identified that produced significant impacts on the production of the urban space of Belém: the third quarter of the seventeenth century (1755 - 1777) with the reforms promoted in the Pombaline period in the Amazon, a time of expression of an urban and architectural design; the end of the nineteenth century and the first decade of the twentieth century (1890 - 1910), a time of great rise of the regional economy from the intensification of extractive activities that produced urban reforms with hygienic tones; and finally, the period between 1940 and 1970, which marked a series of planning proposals with a bureaucratic technical aproach in the production of space in Belém. This work established as following research methodology: i) survey bibliographical of theoretical and empirical character of the analyzed subject; ii) documentary survey of the planning and intervention practices of the highlighted periods based on municipal, state and federal legislation, as well as the master plans and development plans of the periods; iii) collection of iconography representative of the time to which the policies were executed in the urban space. The hypothesis is that the narrative of a supposed absence of planning as a factor of the city's problems is a discourse that has no basis in reality, since historically it is exactly the opposite that the research indicates, that is, the modalities in Belém accentuate problems such as socio-spatial segregation.Keywords: History, Urban Planning, Modernity, Belém.

scholarly journals URBAN STUDIES IN THE CONTEXT OF THEORIES OF VISUAL PRACTICES

2017 ◽  
pp. 93-97
Author(s):  
A. M. Tormakhova
Keyword(s):  
Cultural Studies ◽  
Urban Environment ◽  
Urban Space ◽  
Urban Studies ◽  
Urban Areas ◽  
Mutual Influence ◽  
Interdisciplinary Approach ◽  
Practical Significance ◽  
Monumental Architecture ◽  
The City

One of the leading trends in contemporary cultural studies is the appealto the field of visual. Thepurpose of the article is to investigate the range of problems associated withthe existence, functioning of various visual practices in the urban space and the disclosure of the specifics of communication carried out through their intermediation. In urban space, there are many forms, such as monumental architecture, urban sculpture, outdoor illumination, landscape art, street art, graffiti and others. These artifacts are the subject of cultural research within different disciplines - aesthetics, cultural studies, design, and art. It may be noted that in recentdecades, significant development gets such a direction as Urban Studies, in which the focus of research serves the city. The methodology of the study includes an appeal to an interdisciplinary approach that relies on the achievements of practical cultural studies, Urban studies,and aesthetics theory by Ukrainian and Western authors. Scientific novelty consists in analyzing the connection ofactual visual practices presented in the urban space and forming of Internet activity, which facilitates the mutual influence of these spheres one on another. The author noted that urban space is gradually becoming not only interactive, but also fully assuming the characteristics of WEB 2.0, which means active rethinking and transforming the environment, urban residents involvement in decision-making that becomes a norm of everyday life. City is a kind of text that reflects changing tastes, politicaland economic factors in visualform. Town and city public spaces play an important role in shaping the interaction within society. One of the pressing problems of practical cultural studies in general and urban areas in particular, should be integrated into organization of the urban environment and design the image of the city. The practical significance lies in the fact that the results of the research can beused in developing the urban sphere in particular and in actualizing the issue of organizing the urban environment and constructing the image of the city.

scholarly journals Conflictos por el espacio y orden urbano / Spatial Conflicts and Urban Order

2004 ◽  
Vol 19 (2) ◽  
pp. 257 ◽  
Author(s):  
Emilio Duhau ◽  
Ángela Giglia
Keyword(s):  
Mexico City ◽  
Urban Space ◽  
Urban Context ◽  
Private Spaces ◽  
Space Organization ◽  
Urban Contexts ◽  
Space Production ◽  
Metropolitan Zone

En este artículo se explora una interpretación de los conflictos en torno al espacio en la Zona Metropolitana de la Ciudad de México (ZMCM) con base en los conceptos de orden y de contextos urbanos. Para ello se presenta en primer término un conjunto de formas históricas de producción del espacio urbano que, de acuerdo con los autores, conforman en la actualidad cuatro “ciudades”, es decir, otros tantos contextos urbanos que se diferencian entre sí, entre otras cuestiones, por el tipo de conflictos por el espacio que en cada uno de ellos aparece como dominante. En segundo término se examina el concepto de orden urbano y se propone una línea de interpretación de los conflictos relacionados con el espacio que marcan en la actualidad dicho orden en la metrópoli. Por último se describen e ilustran las dinámicas que caracterizan a cada uno de los cuatro contextos urbanos o “ciudades” a partir de las formas en que se combinan diferentes modalidades de organización del espacio, usos del espacio público y privado y conflictos dominantes por el espacio. AbstractResorting to the concepts of urban order and urban context, this paper explores an interpretation of conflicts concerning the uses and modes of appropriation of urban space in the metropolitan zone of Mexico City. To this end, it firstly characterizes a group of historical forms of urban space production that, according with the authors, have given place to four types of “cities” or urban contexts which are differentiated, among other things, because of the dominant spatial conflicts in each case observed. Then it discusses the concept of urban order and proposes an interpretation line of those spatial conflicts that, at present, shape the metropolitan urban order. Finally, it describes and exemplifies the four urban contexts dynamic, considering the ways in which different modalities of urban space organization, uses of public a private spaces, and dominant space conflicts are combined.

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