Music, culture and interdisciplinarity: reflections on relationships

Popular Music ◽  
1994 ◽  
Vol 13 (2) ◽  
pp. 127-141 ◽  
Author(s):  
John Shepherd

This special issue of Popular Music honours the contribution of a distinguished musicologist to the study of popular music. It was Wilfrid Mellers who, together with Charles Hamm, pioneered the study of popular music as a respectable undertaking within musicology before popular music studies itself began to become a continuing and critical intellectual tradition in the late 1970s. As with Charles Hamm, Wilfrid Mellers' contribution to the study of popular music has not been restricted to scholarship alone. As founding Chair of the Department of Music at the University of York, Wilfrid Mellers created an intellectual and institutional environment within which it was possible for undergraduate and graduate students alike to undertake the serious academic study of popular music. Without this environment it is possible that the careers both of Richard Middleton and myself would have turned out differently.

2013 ◽  
Vol 19 (1) ◽  
pp. 4-18 ◽  
Author(s):  
John Shepherd ◽  
Beverley Diamond

Abstracts John Shepherd This intervention suggests that the recent and welcome emergence of fieldwork as a prominent feature of much current work in popular music studies has deflected attention from an undertaking that characterized the early days of popular music studies: that of developing from within the various protocols of cultural theory concepts to explain the meanings, significances, and affects that music as a socially and culturally constituted form of human expression holds for people. In tracing a shift from theoretical to ethnographic concerns in work carried out in popular music studies by musicologists, ethnomusicologists, social anthropologists, and sociologists, it is suggested that a renewed emphasis on theory in musicological work in popular music studies may be of consequence for the academic study of music as a whole. Beverley Diamond In response to the editor's question concerning theory and fieldwork, this colloquy argues that the two are inseparable. Further, the importance of fieldwork in providing "alternative theory" which challenges the consistencies of academic thinking is emphasized. For this reason, the article eschews disciplinary history as a means of tracing important theoretical currents in music scholarship and, instead, presents arguments which confront the hegemonies of any history, any discourse of intellectual continuity, positing incidents which expose the social contingencies of theory.


Popular Music ◽  
2007 ◽  
Vol 26 (3) ◽  
pp. 385-388 ◽  
Author(s):  
GOFFREDO PLASTINO ◽  
MARCO SANTORO

Popular music studies have experienced a strange fate in Italy. After a promising beginning in the 1970s and the early 1980s (with the direct contribution by musicians and scholars like Franco Fabbri and Umberto Fiori to the new intellectual formation), a situation of stasis followed. The latter was characterised by the presence of individual important voices but without the support of a constituency strong enough to guarantee in Italy the institutionalisation of this new field of research.


Popular Music ◽  
2006 ◽  
Vol 25 (2) ◽  
pp. 323-329
Author(s):  
Shuhei Hosokawa

For the readers of Popular Music, the name of Toru Mitsui is associated with the ‘Booklist’, a column he was in charge of from 1989 to 2002. For many members of the International Association for the Study of Popular Music, the meeting he organised in Kanazawa in 1997 is unforgettable. For scholars and students interested in Japanese popular music, his numerous articles in English are the first references to be read. Last March (2005) Professor Mitsui retired from Kanazawa University, where he had taught since 1969. To commemorate his retirement, a Festschrift entitled Popular Music and Academia (2005b) was published in coordination with a symposium held at the University of Tokyo in May 2004. This is a good opportunity to look back over his prolific career in popular music studies.


Popular Music ◽  
2001 ◽  
Vol 20 (2) ◽  
pp. 263-274
Author(s):  
Peter Symon

For some reason, the working lives of music makers are not often given the attention in popular music studies which might be expected. The launch of the UK Year of the Artist – celebrating the role of artists in society – immediately before the 2000 conference of the UK branch of the International Association for the Study of Popular Music (IASPM), meant that it was especially timely, then, for the IASPM event to address this state of affairs. The conference, The Popular Musician: Performance, Poetics, Power, was held at the University of Surrey, 7–9 July 2000, and took as its central theme the position of musicians – in the music industry, in relation to fans and audiences and in the media, politics and society.


Popular Music ◽  
2008 ◽  
Vol 27 (2) ◽  
pp. 189-191 ◽  
Author(s):  
Simon Frith ◽  
Martin Cloonan

This special issue of Popular Music has its origins in a seminar organised at the University of Stirling in 2004. This meeting, one of a series on cultural policy, brought together researchers from a number of European countries who were asked to describe state music policy in their respective countries and to reflect on what differences, if any, such policies had made to recent national music history. As the seminar’s organisers, we were interested in a couple of issues: first, how policy approaches to popular music had changed since it first began to appear on the European political agenda in the 1970s; second, how local political and cultural conditions had affected ideas of what popular music policy could or should be.


Popular Music ◽  
2006 ◽  
Vol 25 (1) ◽  
pp. 127-130
Author(s):  
Hyunjoon Shin ◽  
Pil Ho Kim

Some ten years ago, a group of graduate students in South Korea started reading ‘canons’ of popular music studies, such as those by Simon Frith, Iain Chambers, Keith Negus, Tony Mitchell, and Roy Shuker, among others. No formal discipline, be it music, communication, sociology or economics, embraced the group with open arms. Its members did not even know of the existence of IASPM until a few years later. Being ‘local’ without global connection, at the margins of academia in the periphery of Anglo-American cultural/intellectual centres, was an uneasy position to say the least.


2021 ◽  
Vol 13 (1) ◽  
pp. 2-4
Author(s):  
Dana Cramer ◽  
Ben Scholl

With this year’s graduate student conferences hosted separately at the University of Calgary and Simon Fraser University, our goal was to encourage discussion and debate around the topic of crisis. The COVID-19 pandemic has been at the forefront of public attention; even forcing our respective conferences into the disembodied safety of virtual space. However, it is important to remember that COVID-19 is not the only crisis faced in recent years; the overdose crisis, crisis of the corporatization of universities, economic crisis, crisis of truth and misinformation, and the looming environmental threat of the Anthropocene, have been with us and will continue to be grappled with into the foreseeable future. Crises echo through the past to the present, such as those experienced by our Indigenous communities. They re-emerge, still to be grappled with and struggled against. As individuals and researchers, we may assume any number of these crises are out of scope or outside our area of expertise. We often fail to consider them. However, crises defy temporality and spatiality as easily as disciplinary borders; both squeezing and stretching, accelerating, and suspending notions of the like. The contributors of this special issue consider an array of crises as they collide with diverse fields and disciplines, encouraging us to reflect on how they intersect our own. Ultimately, we aspire to trouble the notion of crises themselves. Questioning our understanding and reapplying it where we had not previously considered. In these general ‘times of crisis,’ what counts as such? How is it communicated and miscommunicated? What are the effects on resilience, recovery, and possibility? Where can we seize opportunity following a crisis? The Chinese symbol for crisis is composed of two parts: opportunity and danger. Where the Simon Fraser University conference focused on resilience in a crisis, the University of Calgary conference expanded on potentials of opportunity. As invited editors to this special edition, we viewed contributors, not as tackling separate entities of the term ‘crisis,’ but instead, as a framework to building back stronger, seizing an opportunity, and practicing resiliency as we maneuver through this danger to a better future. As Zhang and Li (2018) have argued, it is in a co-creation of both sustainable and resilient development which can lead to assurances of overcoming and withholding a community’s vulnerabilities, or their potential crises. This development may use standards setting as an opportunity to ensure resiliency (Thompson, 1954), encouraging democratic participation for an equal seat at the table, and taking the lessons learned during a crisis to apply to a better future (Brundtland, 1987). In the field of communication, we are oftentimes stretched to an incohesive front based on the competing discourses of the canons of our field (Carey, 1997, 2009; Peters, 1999). The study of communications then is not a discipline, but a field of fields, perhaps a crisis of definition in our own knowledge community. In these competing views we see the beauty of this interdisciplinary and transdisciplinary research, as reflected in how graduate students across Canada thrive in their specializations. Emerging as a new group of scholars who, as the world was faced by crises all around, produced these articles in the pages which follow for this special edition; we as the invited editors see the ways in which graduate students practice resiliency in their work, seizing opportunities, and overcoming the crises which surround. 危机 Crisis.


Botany ◽  
2009 ◽  
Vol 87 (7) ◽  
pp. 685-690
Author(s):  
Constance Nozzolillo

Two men were leaders in the development of plant physiology research in Canada: Professor G.W. Scarth at McGill University and Professor G.H. Duff at the University of Toronto. The latter was the driving force behind the formation of the CSPP in 1958. The contributions of these two men and their graduate students to plant physiology research in Canada are briefly summarized.


Popular Music ◽  
1996 ◽  
Vol 15 (3) ◽  
pp. 255-257 ◽  
Author(s):  
Martin Stokes ◽  
Ruth Davis

This special issue is the first collection of articles specifically devoted to Middle Eastern popular musics to be published anywhere. When we began work on this issue, we were not operating in a void, however. Popular Music has already published a number of articles on Middle Eastern topics and the ‘great names’ associated with mass distributed musics and films in the earlier part of this century – in particular the Egyptian stars Umm Kulthūm and Muhammed 'Abd al-Wahhāb – have already been the subject of excellent studies published elsewhere. This issue has, however, provided us with an opportunity to reflect on the ways in which Middle Eastern musics have conventionally been studied and represented, and on the contribution that several decades of popular music studies might make to this field. The contributors have responded to these opportunities in a variety of ways and the result, we feel, is a distinctly fresh picture of the Middle East.


1994 ◽  
Vol 33 (03) ◽  
pp. 246-249 ◽  
Author(s):  
R. Haux ◽  
F. J. Leven ◽  
J. R. Moehr ◽  
D. J. Protti

Abstract:Health and medical informatics education has meanwhile gained considerable importance for medicine and for health care. Specialized programs in health/medical informatics have therefore been established within the last decades.This special issue of Methods of Information in Medicine contains papers on health and medical informatics education. It is mainly based on selected papers from the 5th Working Conference on Health/Medical Informatics Education of the International Medical Informatics Association (IMIA), which was held in September 1992 at the University of Heidelberg/Technical School Heilbronn, Germany, as part of the 20 years’ celebration of medical informatics education at Heidelberg/Heilbronn. Some papers were presented on the occasion of the 10th anniversary of the health information science program of the School of Health Information Science at the University of Victoria, British Columbia, Canada. Within this issue, programs in health/medical informatics are presented and analyzed: the medical informatics program at the University of Utah, the medical informatics program of the University of Heidelberg/School of Technology Heilbronn, the health information science program at the University of Victoria, the health informatics program at the University of Minnesota, the health informatics management program at the University of Manchester, and the health information management program at the University of Alabama. They all have in common that they are dedicated curricula in health/medical informatics which are university-based, leading to an academic degree in this field. In addition, views and recommendations for health/medical informatics education are presented. Finally, the question is discussed, whether health and medical informatics can be regarded as a separate discipline with the necessity for specialized curricula in this field.In accordance with the aims of IMIA, the intention of this special issue is to promote the further development of health and medical informatics education in order to contribute to high quality health care and medical research.


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