Marmaric wares: New Kingdom and later examples

2001 ◽  
Vol 32 ◽  
pp. 67-78 ◽  
Author(s):  
Linda Hulin

AbstractIn Autumn 2000, the University of Liverpool continued its researches into the Ramesses II fortress at Zawiyet Umm el-Rakham, some 25 km west of Marsa Matruh. During this season, the area around the wadis that run towards Ras Abu Laho, 3 km to the west of Umm el-Rakham, was explored. Particular attention was paid to the spurs and knolls that presented a commanding view of the wadi and surrounding area or the coast, in the hope of finding possible New Kingdom patrol routes in association with the fort.This paper presents more evidence of local ceramic manufacture activity in the region. Two local fabrics, Marmaric fabrics 1 and 2, are identified and their shapes and distribution are discussed. They are dated to the New Kingdom, more or less contemporary with the fortress at Zawiyet Umm el-Rakham, since they occur with Nile valley fabrics. It is suggested that they were either made by the local Libyan population, or by the occupants of the fortress for their own use.The decorative corpus of another local fabric, Shell Tempered ware, is also briefly sketched, and its post-New Kingdom date reconfirmed.

2015 ◽  
Vol 2015 ◽  
pp. 1-8 ◽  
Author(s):  
Frank Rühli ◽  
Salima Ikram ◽  
Susanne Bickel

The Valley of the Kings (arab.Wadi al Muluk; KV) situated on the West Bank near Luxor (Egypt) was the site for royal and elite burials during the New Kingdom (ca. 1500–1100 BC), with many tombs being reused in subsequent periods. In 2009, the scientific project “The University of Basel Kings’ Valley Project” was launched. The main purpose of this transdisciplinary project is the clearance and documentation of nonroyal tombs in the surrounding of the tomb of Pharaoh Thutmosis III (ca. 1479–1424 BC; KV 34). This paper reports on newly discovered ancient Egyptian human mummified remains originating from the field seasons 2010–2012. Besides macroscopic assessments, the remains were conventionally X-rayed by a portable X-ray unitin situinside KV 31. These image data serve as basis for individual sex and age determination and for the study of probable pathologies and embalming techniques. A total of five human individuals have been examined so far and set into an Egyptological context. This project highlights the importance of ongoing excavation and science efforts even in well-studied areas of Egypt such as the Kings’ Valley.


1892 ◽  
Vol 36 (3) ◽  
pp. 641-729 ◽  
Author(s):  
Hugh Robert Mill

The fjord-like inlets or sea-lochs which form so conspicuous a feature in the scenery of the west of Scotland stand in marked contrast to the shallow, low-shored firths of the east coast. When Dr John Murray decided to extend the physical and biological work of the Scottish Marine Station to the west coast he foresaw that many interesting conclusions were likely to be derived from the study of these isolated sea-basins. Various papers, published by him and other workers, contain preliminary discussions of many of the phenomena observed, fully justifying the anticipations which had been formed.For one year my work, as described in this paper, was carried out under the provisions of an Elective Fellowship in Experimental Physics of the University of Edinburgh, to which I had been elected in 1886; and subsequently by a personal grant from the Government Grant Committee for Scientific Research. The Committee also devoted several sums of money in payment of expenses in compiling this discussion. The Scottish Marine Station throughout gave the use of the steam-yacht “Medusa,” and the necessary apparatus.


2007 ◽  
Vol 23 (4) ◽  
pp. 331-336
Author(s):  
Alec Patton

Shelagh Delaney's A Taste of Honey in the Theatre Workshop production of 1959 opened to the sound of a fast twelve-bar blues played on trumpet, saxophone, and guitar by musicians sitting in a box to the right of the stage. Though rarely mentioned by historians, the ‘Apex Jazz Trio’, as they were called, were a lively and unpredictable element in the production. Between the actors' open acknowledgement of the band, and Avis Bunnage's direct comments to the audience, the play shattered the ’realistic‘ conventions that still held sway in the West End, at the same time transgressing the distinction between ‘serious’ theatre and music hall (where the boundary of the proscenium was never respected obsequiously). Alec Patton, a PhD student at the University of Sheffield, draws on original interviews with actors from the cast, a member of the first-night audience, and the leader of the band that accompanied the show to offer a re-assessment of the role of music and music hall in the original production of A Taste of Honey.


2021 ◽  
Vol 29 (4) ◽  
pp. 186-188
Author(s):  
Aimi Meen

Aimi Meen, Senior Midwifery Lecturer at the University of the West of England, analyses current midwifery skills and how they simulate in the 21st century


2021 ◽  
pp. 188-205
Author(s):  
Julia Stępniewska ◽  
Piotr Zańko ◽  
Adam Fijałkowski

In this text, we ask about the relationship between sexual education in Poland in the 1960s and 1970s with the cultural contestation and the moral (including sexual) revolution in the West as seen through the eyes of Prof. Andrzej Jaczewski (1929–2020) – educationalist, who for many years in 1970s and 1980s conducted seminars at the University of Cologne, pediatrician, sexologist, one of the pioneers of sexual education in Poland. The movie “Sztuka kochania. Historia Michaliny Wisłockiej” (“The Art of Love. The Story of Michalina Wisłocka” [1921–2005]), directed in 2017 by Maria Sadowska, was the impulse for our interview. After watching it, we discovered that the counter-cultural background of the West in the 1960s and 1970s was completely absent both in the aforementioned film and in the discourse of Polish sex education at that time. Moreover, Andrzej Jaczewski’s statement (July 2020) indicates that the Polish concept of sexual education in the 1960s and 1970s did not arise under the influence of the social and moral revolution in the West at the same time, and its originality lay in the fact that it was dealt with by professional doctors-specialists. We put Andrzej Jaczewski’s voice in the spotlight. Our voice is usually muted in this text, it is more of an auxiliary function (Chase, 2009). Each of the readers may impose their own interpretative filter on the story presented here.


1898 ◽  
Vol 44 (184) ◽  
pp. 64-74 ◽  
Author(s):  
Frederic P. Hearder

The period chosen is from the introduction of “The Criminal Lunatics Act, 1884,” to the end of the year 1896, and male cases only are considered.


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