Disrupting the Quotidian: Hoaxes, Fires, and Non-theatrical Performance in Nineteenth-century London

2013 ◽  
Vol 29 (1) ◽  
pp. 3-12 ◽  
Author(s):  
Jim Davis
Keyword(s):  
Nineteenth Century ◽  
Public Performance ◽  
Queen Mary College ◽  
Early Nineteenth Century ◽  
Ethical Intention ◽  
Theatrical Performance ◽  
Performance Events ◽  
Theatre Studies ◽  
The University ◽  
The Impact

In this essay Jim Davis considers two examples of everyday non-theatrical performance in nineteenth-century London: hoaxes and fires. Whereas an element of hoaxing can be perceived in some contemporary performance events and in the practice of ‘invisible theatre’, usually with some ethical intention, hoaxes in early nineteenth-century London were perpetrated for the sake of creating disruption and making dupes of unsuspecting witnesses. A more visible form of disruption and spectacle was created by fires and firefighting itself, which, at least after Captain Eyre Massie Shaw took control of the London fire brigade, became a form of public performance. Although hoaxes were common in pantomime and farce, and conflagrations often strengthened the impact of sensation melodramas, the disruptive effects of extra-theatrical hoaxes and fires on everyday life created a less reassuring and more dystopian sense of the metropolis. An earlier version of this paper was originally delivered at ‘The Audience through Time’ conference at Queen Mary College, University of London, in December 2011. Jim Davis is Professor of Theatre Studies at the University of Warwick. His his most recent books are Victorian Pantomime: a Collection of Critical Essays (2010) and Lives of the Great Shakespearian Actors: Edmund Kean (2009). He is also joint author of Reflecting the Audience: London Theatregoing 1840–1880 (2001).

Edinburgh and Paris

2019 ◽  
pp. 107-155
Author(s):  
Bill Jenkins
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Medical School ◽  
Early Nineteenth Century ◽  
Two Cities ◽  
New Ideas ◽  
University Of Edinburgh ◽  
The University ◽  
The Impact

Paris was the most important centre for evolutionary speculations in Europe in the early nineteenth century. Two of its most influential evolutionary thinkers, Jean-Baptiste Lamarck and Étienne Geoffroy Saint-Hilaire both worked there in the city’s Museum of Natural History. This chapter explores the impact of these French thinkers’ theories in Edinburgh and the close connections that existed between natural history circles in the two cities. It was common for students and graduates of the medical school of the University of Edinburgh to spend time studying in Paris, where they imbibed many of the exciting new ideas being discussed there. Two of the key figures discussed in this book, Robert Grant and Robert Knox, had both spent time in Paris and were deeply influenced by the theories they encountered there. The chapter also examines the impact of the key writings of Lamarck and Geoffroy in Edinburgh.

Dan Inman, The Making of English Theology: God and the Academy at Oxford (Minneapolis: Fortress Press, 2014). ISBN: 9781451469264

2017 ◽  
Author(s):  
Johannes Zachhuber
Keyword(s):  
Nineteenth Century ◽  
Early Nineteenth Century ◽  
University Of Oxford ◽  
History Of ◽  
History Of The University ◽  
The University

This chapter reviews the book The Making of English Theology: God and the Academy at Oxford (2014). by Dan Inman. The book offers an account of a fascinating and little known episode in the history of the University of Oxford. It examines the history of Oxford’s Faculty of Theology from the early nineteenth century to the middle of the twentieth. In particular, it revisits the various attempts to tinker with theology at Oxford during this period and considers the fierce resistance of conservatives. Inman argues that Oxford’s idiosyncratic development deserves to be taken more seriously than it often has been, at least by historians of theology.

The Ta'līf akhbār al-qurūn min umarā' bilad Ilūrin: A Critique

1984 ◽  
Vol 11 ◽  
pp. 57-67
Author(s):  
H.O. Danmole
Keyword(s):  
Nineteenth Century ◽  
Fifteenth Century ◽  
Primary Sources ◽  
Northern Nigeria ◽  
Early Nineteenth Century ◽  
Unpublished Work ◽  
History Of ◽  
The University ◽  
University Of Ibadan ◽  
Local Languages

Before the advent of colonialism, Arabic was widely used in northern Nigeria where Islam had penetrated before the fifteenth century. The jihād of the early nineteenth century in Hausaland led to the establishment of the Sokoto Caliphate, the revitalization of Islamic learning, and scholars who kept records in Arabic. Indeed, some local languages such as Hausa and Fulfulde were reduced to writing in Arabic scripts. Consequently, knowledge of Arabic is a crucial tool for the historian working on the history of the caliphate.For Ilorin, a frontier emirate between Hausa and Yorubaland, a few Arabic materials are available as well for the reconstruction of the history of the emirate. One such document is the Ta'līf akhbār al-qurūn min umarā' bilad Ilūrin (“The History of the Emirs of Ilorin”). In 1965 Martin translated, edited, and published the Ta'līf in the Research Bulletin of the Centre for Arabic Documentation at the University of Ibadan as a “New Arabic History of Ilorin.” Since then many scholars have used the Ta'līf in their studies of Ilorin and Yoruba history. Recently Smith has affirmed that the Ta'līf has been relatively neglected. He attempts successfully to reconstruct the chronology of events in Yorubaland, using the Ta'līf along with the Ta'nis al-ahibba' fi dhikr unara' Gwandu mawa al-asfiya', an unpublished work of Dr. Junaid al-Bukhari, Wazīr of Sokoto, and works in English. The purpose of this paper is to analyze the information in the Ta'līf by comparing its evidence with that of other primary sources which deal with the history of Ilorin and Yorubaland.

scholarly journals Picturing Nineteenth-Century Female Theatre Managers: the Iconology of Eliza Vestris and Sara Lane

2017 ◽  
Vol 33 (1) ◽  
pp. 3-21
Author(s):  
Janice Norwood
Keyword(s):  
Nineteenth Century ◽  
English Literature ◽  
Theatre History ◽  
Senior Lecturer ◽  
Personal Lives ◽  
Professional Activities ◽  
Theatrical Management ◽  
Aesthetic Practice ◽  
Theatre Studies ◽  
The University

Lucia Elizabeth Vestris (1797–1856) and Sara Lane (1822–99) were two pioneering women in nineteenth-century theatre history. Both were accomplished singers who made their names initially in comic and breeches roles and, during periods when theatrical management was almost exclusively confined to men, both ran successful theatre companies in London. Despite these parallels in their professional activities, there are substantial disparities in the scrutiny to which their personal lives were subjected and in how their contemporaries and posterity have memorialized them. In this article, Janice Norwood examines a range of portraits and cartoons of the two women, revealing how the images created and reflected the women's public identities, as well as recording changes in aesthetic practice and social attitudes. She argues that the women's iconology was fundamentally shaped by the contemporary discourse of gender difference. Janice Norwood is Senior Lecturer in English Literature, Drama, and Theatre Studies at the University of Hertfordshire. She has published on various aspects of nineteenth-century theatre history and edited a volume on Vestris for the Lives of Shakespearian Actors series (London: Pickering and Chatto, 2011).

The Early Nineteenth-Century Port of London: Management and Labour in Three Dock Companies, 1800-1825

1994 ◽  
Author(s):  
Anthony R. Henderson ◽  
Sarah Palmer
Keyword(s):  
Nineteenth Century ◽  
Trade Unions ◽  
Industrial Relations ◽  
Early Nineteenth Century ◽  
Labour Relations ◽  
Labour Process ◽  
The Impact ◽  
Labour Management

This essay addresses the impact of industrialisation on the experience of work during the early 1800s. It presents the idea that industrial relations focused less on trade unions and more on broad labour/management contact and gave a new emphasis to the significance of the labour process. Also featured is a map of The Port of London in the 1830s, which is used as an example for evidence of change within the pre-industrial pattern of management/labour relations.

People at the Gates

2018 ◽  
Author(s):  
Flordeliz T. Bugarin
Keyword(s):  
South Africa ◽  
Nineteenth Century ◽  
Economic Resources ◽  
Oral Traditions ◽  
Eastern Cape ◽  
Early Nineteenth Century ◽  
Archaeological Evidence ◽  
Traded Goods ◽  
Economic Interaction ◽  
The Impact

During the early nineteenth century in South Africa, the British built Fort Willshire on the banks of the Keiskamma River. At its gates, they established the first official trade fairs and mandated that trade throughout the Eastern Cape be confined here. This area became a vortex in which a variety of people convened, traded goods, and influenced cultural and economic interaction. This chapter introduces the various Africans who gravitated to the region, claimed the surrounding lands throughout the river valley, and vied for economic resources and political power. By looking at the archival records, oral traditions, and archaeological evidence, research demonstrates that the region consisted of a variety of people with different backgrounds and affiliations. Furthermore, this area provides a model for understanding the impact of the British on the Xhosa, yet it is just as much a window to the interactions between various Xhosa factions and chiefdoms.

A Latin Epitaph of the Early Nineteenth Century

1936 ◽  
Vol 5 (14) ◽  
pp. 121-122
Author(s):  
D. A. Macnaughton
Keyword(s):  
Nineteenth Century ◽  
Rural Area ◽  
Early Nineteenth Century ◽  
Parish Church ◽  
Precise Meaning ◽  
High Esteem ◽  
The Subject ◽  
The Impact

This epitaph is on a tombstone in the churchyard of Kenmore, Perthshire, a little village on the shores of Loch Tay, close to the point at which the river leaves the parent lake. In the early nineteenth century Kenmore had some importance as the market of a wide rural area and as containing the parish church and parish school. The epitaph is the work of the son, William Armstrong, who succeeded to his father's post and died in 1879. Purists might perhaps take exception to the post-classical authority of puritate, but it will be generally allowed that as the composition of the Headmaster of a rural parish school its Latinity is as remarkable as its pietas. It is to be regretted that the author left no pupil to pay him a fitting tribute in the same tongue. But among his alumni there were many who remembered his teaching with admiring gratitude. Of these was one of the principal farmers of the district who told me years ago that he held Latin in high esteem as the subject which, as he put it, ‘opened his head’. His precise meaning eluded me until in later years I reflected that Highland farmers have a gift of imagination and a command of terse and figurative expression. Clearly what he implied was that, just as, when Hephaestus split the skull of Zeus, Athene sprung out in full panoply, so the impact of the lene tormentum of Latin on his own brain let wisdom loose.

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