high esteem
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2021 ◽  
Vol 2021 ii (15) ◽  
pp. 216-225
Author(s):  
Adewale ADELAKUN ◽  
◽  
Olusegun OLADOSU ◽  

A quick glance at the second stanza of Nigeria national anthem attests to the fact that religion is valued by Nigeria. The whole stanza is a prayer to God to guide Nigeria into the right path and is sung intermittently with the first stanza which contains an appeal to all citizens to uphold the unity and sanctity of the nation. The second stanza of the national anthem implies that public practice of religion is not a problem as the stanza is publicly sung in both government and private organisations. This paper proceeds on the earlier works of scholars such as Mbiti1 and Idowu2 who assert that Africans are incurably religious. Nigeria national anthem is a pointer to this assertion. The paper adopts both historical and content analysis methods to gather and interpret data. We conclude that despite the fact that religion is held in high esteem in Nigeria, it is hard to see its positive effect on national development.


2021 ◽  
Vol 48 (4) ◽  
pp. 118-132
Author(s):  
Jolanta Kraśniewska

Abstract: The article describes, taking as its main starting point the encyclical Fides et ratio, the importance of the way of thinking appropriate to the culture of the Christian East in the relationship between reason and faith. The encyclical of John Paul II has many different aspects, including the not often emphasised ecumenical and dialogical aspects. The Pope, who held Eastern (Orthodox) Christianity in high esteem and appreciated the Slavic cultural code, also positively points to this method of discovering the truth. In this context, the anthropology of the heart is particularly important (metaphysics of the heart, mysticism of the heart or spirituality of the heart), which enriches and complements the Western way of thinking and of discovering anthropological and theological truth. The anthropology of the heart also appears in the West and for this reason it has an ecumenical significance which is important for the dialogue between Catholicism and Orthodoxy.


Author(s):  
Jana Raclavská

The article serves as a contribution to the role of women in Protestant culture. An analysis of five manuscripts by Jan Traugott Bartelmus proves that a woman is gradually gaining a new position in society. Still, the main mission of a woman is motherhood and bringing up children in faith, which is manifested in many word combinations in the form of epithets (faithful mother, gracious, kind, faithful wife, etc.). However, other roles emerge, such as supporting the poor or material help for the church. The analysis also showed that educated Cieszyn women were held in high esteem.


2021 ◽  
Vol 3 (1) ◽  
pp. 1-18
Author(s):  
Babalọla Joseph Balogun

The place of the world in the life of individual human being cannot be underestimated. This fact has culminated in the high esteem in which the concept of the world is held in the existentialist thinking. Using the Sartrean existentialist methodological approach, the paper critically examines the notion of the world (ayé) in the existentialist thinking of the Yoruba people of Nigeria. The paper argues that although humans find themselves thrown into the world (ayé) amidst situations that are not of their own making, sometimes amidst untoward circumstances, the right mark of an authentic existence is ṣíṣe ayé which literally means “doing the world”, rather than mere gbígbé ayé, that is, living in the world. The paper concludes that the hallmark of authentic existence is to be found in the act of “doing the world” rather than just living in it.


2021 ◽  
Author(s):  
◽  
Joanna Lee

<p>Joseph Joachim was the most influential violinist in Brahms’s life. Not only did the pair have a close personal friendship, but they also admired and respected each other on a professional level. Their high esteem and appreciation for each other led to performance and compositional collaborations. One of the most beloved and well-known works of Brahms’s violin music, the Violin Concerto, was dedicated to Joachim. Indubitably, Joachim influenced the Violin Concerto. Regardless, there are many debates on how much of an input Joachim had on the concerto. In order to examine the influences of performers and composers on selected violin works of Johannes Brahms, the three sections in this paper will investigate Joachim and Brahms, then discuss the importance of a performer-composer’s relationship in the 19th century and, finally, assess the amount of Joachim’s influence on the Brahms Violin Concerto. Each category will have an introduction and information presented in a biographical form, a historical form and musical analysis. Some of the following analysis may be hypothetical, yet, a possibility. Further part of my research will conclude with a recital programme consisting of the Beethoven Violin Concerto in D major, Op. 61, I. Allegro Ma Non Troppo, Brahms Sonata No. 3 in D minor, Op. 108, Sonatensatz/Scherzo movement of the F-A-E Sonata, and Hungarian Dances No. 1, 5 and 7. This will take place on June 18, 2011 in the Adam Concert Room at New Zealand School of Music at 10:30 A.M.</p>


2021 ◽  
Author(s):  
◽  
Joanna Lee

<p>Joseph Joachim was the most influential violinist in Brahms’s life. Not only did the pair have a close personal friendship, but they also admired and respected each other on a professional level. Their high esteem and appreciation for each other led to performance and compositional collaborations. One of the most beloved and well-known works of Brahms’s violin music, the Violin Concerto, was dedicated to Joachim. Indubitably, Joachim influenced the Violin Concerto. Regardless, there are many debates on how much of an input Joachim had on the concerto. In order to examine the influences of performers and composers on selected violin works of Johannes Brahms, the three sections in this paper will investigate Joachim and Brahms, then discuss the importance of a performer-composer’s relationship in the 19th century and, finally, assess the amount of Joachim’s influence on the Brahms Violin Concerto. Each category will have an introduction and information presented in a biographical form, a historical form and musical analysis. Some of the following analysis may be hypothetical, yet, a possibility. Further part of my research will conclude with a recital programme consisting of the Beethoven Violin Concerto in D major, Op. 61, I. Allegro Ma Non Troppo, Brahms Sonata No. 3 in D minor, Op. 108, Sonatensatz/Scherzo movement of the F-A-E Sonata, and Hungarian Dances No. 1, 5 and 7. This will take place on June 18, 2011 in the Adam Concert Room at New Zealand School of Music at 10:30 A.M.</p>


Author(s):  
Ariesani Hermawanto ◽  
Sri Muryantini

The defending of state is basically a value that exists in every state society and nations around the world; who want to maintain their existence, integrity and sovereignty, as well as their national integration. The issues raised are about what problems are faced by the nation-state in the context of maintaining its existence, the form of defending the state in general from the perspective of sovereignty and national integration. The method that is used here by observing various literatures related to the subject matter raised, whether in the form of books, papers or writings that are helpful so that they can be used as guidelines in the research process. This research focuses on theoretical studies and analysis as well as implementation of defending of  state from a non-military point of view, which is based on a sense of belonging based on the awareness of maintaining the existence of the state and the nation (nation-states awareness). The result of this research show that defending the state is based on strong nation-state awareness, so the people in a state can produce a high esteem for their country and are willing to defend it from various threats.


2021 ◽  
Vol 23 ◽  
Author(s):  
Rachel Hujsa

         This paper explores how two African American composers, Scott Joplin (c. 1868-1917) and Harry Lawrence Freeman (1869-1954), advocated for Black Advancement and uplift ideology through their syncretic operas in the early 1900s. What is presented here however is the introductory content of a larger work.         Joplin and Freeman were intimately conscious and supportive of national debates for Black Advancement, propelled especially by W.E.B. DuBois, and both employed rhetorical strategies paradigmatic of the movement. They were both interested in showing White and Black Americans alike that African American music, such as gospel, spiritual, and ragtime, could be held to the same high esteem as music of the Western canon, just as Black academics often endeavored to prove their intellectual prowess to their White counterparts. To this end, Joplin and Freeman combined “Black” music and classical styles in their operas to declare the equality and richness of an integrated sound.          The thematic content of these operas, Treemonisha and Voodoo, respectively, interact with the Black Advancement movement’s drive for progress and education as well. They present Black Americans’ struggle for modernity as a conflict between the “superstitious” West African religious customs still ingrained in emancipated communities and Christianity. However, Joplin and Freeman’s works diverge aesthetically and ideologically from this point forward. Joplin’s aesthetic considerations derived chiefly from ragtime, a modern African American musical form genre, while Freeman took inspiration not only from African ethnic music but Africa itself. Joplin’s form of uplift was found in the education of small Black communities, while Freeman framed his work in a nationalistic and pan-Africanist context. These distinct choices, though crafted with the same aim, help reveal subtle divergences in argumentation within the Black Advancement movement.    


Author(s):  
Dr. Supriya Shende Shende

Rasayan is a branch of the Ayurveda. Charaka had described fulfilling the aim of the Ayurveda i.e., drugs act by preventing old age and diseases in the healthy person. Charaka stated about two types of medicine, one which promotes resistance to the body and another which cures diseases and Rasayan therapy play a key role in achieving these goals The main aim of Rasayan therapy is to promote the formation of or resistance which in modern terminology can be called as promoting the strength of the immune system. Bhallataka, a medicinal drug has the ability to penetrate deeply into the tissues and rejuvenate the body that’s why it was used to hold in high esteem by ancient sages of Ayurveda. Maharshi Charak emphasized the Rasayana property of Bhallataka and described ten types of preparations with it. He considered bhallataka as the best drug to cure the kaphaj vyadhi. Charak has categorized Bhallataka as Dipaniya -an appetizer, Bhedaniya- to break accumulated doshas, mutra sangrahaniya- antidiuretic, and Kusthaghna -antidermatosis. In the present study, review of the drugs had been made from Ayurveda classics. Because it is important to have an awareness regarding the Poisonous drugs, when used in the proper form & prescribed dose they act as a potent therapeutic agent. It is a fact that virtually any substance can be harmful at high enough concentrations as rightly quoted that “All substances are poisons; there is none which is not a poison. The right dose differentiates a poison from a remedy.”


2021 ◽  
Vol 77 (2) ◽  
Author(s):  
Nomatter Sande ◽  
Sophia Chirongoma

Rape culture is reportedly prevalent in sub-Saharan Africa. Culture, patriarchy, poverty and religion continue to sustain rape culture. The notions of the objectification of women’s bodies amongst the Shona people are causatives for rape culture within diverse cultural institutions. Africans reasonably uphold marriage with high esteem; unfortunately, the marriage institution is also susceptible to becoming a source of abuse, coercion, and is often used as a tool for controlling women. Some of the entrenched marital rituals embody diverse detrimental and contentious practices, which deprive girls and women their autonomous rights, particularly their sexual and reproductive rights. This research article interrogates numerous aspects within the Shona indigenous religion and culture, which precipitate the construction of rape culture. The study uses African feminism as a theoretical framework. It utilises African feminist cultural hermeneutics to interrogate rape culture amongst the Shona people. The research study is qualitative with a conceptual analysis paradigm. It concludes by proposing the need for tapping into some life-giving and gender inclusive principles within the Shona indigenous religion and culture to be utilised as tools for eradicating rape culture.Contribution: Utilising the African feminist cultural hermeneutical framework, the article interrogated several factors precipitating rape culture amongst the Shona people. It foregrounded that women bear the brunt of burden of rape culture. It concludes by proposing the need for tapping into some positive Shona indigenous traditions as tools for curbing rape culture.


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