Oscar Wilde and A Wife's Tragedy: Facts and Conjectures

1983 ◽  
Vol 8 (2) ◽  
pp. 83-95
Author(s):  
Rodney Shewan

Whenever a new fragment by Wilde appears, it inevitably raises hope that the often vulgarized but still fascinating relationship between the life and the work will somehow be clarified. Did the one really get all the genius, the other merely the talent, as he told Gide? Were the two always so disparate, so irreconcilable, as he insisted? Did work always seems, as he once said it seemed, ‘not a reality but a way of getting rid of reality’? If so, was this why ‘the real life is the life we do not lead’, the life of the literary imagination? Or was it that the ‘real life’ and ordinary life alternately promised Wilde those intense experiences his imagination craved, then took it in turns to double-cross him?

2011 ◽  
Vol 1 (3) ◽  
pp. 71
Author(s):  
Chris Reyns-Chikuma

On the one hand, there is a great number of « national » fictions. To various degrees (patriotic, nationalistic) and consciously or not, these fictions participate in the construction of a nation. On the other hand, there are also a lot of fictions that we can characterize as cosmopolitan or postnational and which are situated outside any clear national boundaries. On the contrary, one can count very few fictions on the construction of a European supranationality. To my knowledge, Constellation by Alain Lacroix (2008) is the only one in French and that is the one I am going to write about in this essay. My goal here is threefold. It is first to show that although the interpreter seems to play a minor role (according to the number of pages) and although she is apparently considered an insignificant quantity by both male protagonists, as her regular and obsessive return in the text proves it she is actually important since she haunts the characters sexually and ideologically. I will also show that this haunting spreads through the whole novel through the issue of the interpretation of signs. The second goal is to show that the interpreter, who is explicitly presented as an impersonation of Europe, actually incarnates the ambivalence of any « europeanist » project. She is indeed a bridge not only between two languages & cultures but also between both faces of any European policy. The first one, concrete, tries to incorporate the real life of the Europeans, their daily concerns which themselves are often inscribed within their « national habitus», and the other one to exceed it within a transnational project which is often perceived as too abstract. Finally, I will conclude showing how Constellation “foreignizes” (Venuti, 2008, 6) its translation of the European realities, not by its choices but by the choice of avant-garde esthetic techniques.


The article presents a philosophical analysis of the “Catechism of a Revolutionary” in the light of its paradoxically and nihilistic boundedness which resulted in the system of practical actions of S. G. Nechaev, led to the murder of student Ivanov. In this connection the identification of the philosophical foundation of the Catechism of a Revolutionary becomes relevant, as well as the definition of its nature in the scale of textuality and effectiveness. The author proposes to consider the “Catechism of a Revolutionary” as a philosophical text on the basis of the presence of metaphysical and existential aspects in the article. At the same time, the author highlights such key features: a focus on practice (rejection of theorizing in favour of the action “here and now”), substitution of purpose by means (replacing the value of the public weal with total destruction and the paradox of the struggle for equality through formation of a rigid hierarchy), as well as extreme ethical nihilism and cynicism. All these premises allow the author to designate the ideological foundation of the “Catechism of a Revolutionary” as a holistic and consistent philosophy of destruction. In addition, this philosophy is considered in the context of its direct embodiment, implemented by S. G. Nechayev: lie, blackmail, compromising, and most importantly – murder. The author of the article concludes that it is impossible to explore the “Catechism of a Revolutionary” apart from the actual consequences of the implementation of his philosophy, and therefore one cannot speak only of his textual nature, detached from the real life. Instead, it should be considered as a fusion of textuality and effectiveness, which directly transforms being and affects people’s lives. Thus, the “Catechism of a Revolutionary” is presented by the author as a killer-text, consisting of a philosophy of destruction on the one hand and its embodiment into reality on the other. Such an approach allows not only to comprehensively explore the nature of the “Catechism of a Revolutionary”, but also to identify a number of dangers that the philosophy of destruction bears inside.


2019 ◽  
pp. 309-367
Author(s):  
L. F. Katsis

The search method demonstrated in the discovery and examination of the new sources of O. Mandelstam’s poems and prose is the subject of this article. The author suggests consistent analysis of the mentions of Mandelstam and his works in the newspaper Vecherniy Kiev in the years from 1927 up to 1929. Among them is the poet’s name mentioned in the article by the Leningrad-based ideologist A. Stetsky, attacking the local literary journal Rezets. The study of the two publications reveals a number of real-life sources of the pivotal images in the poems Down the Streets of Kiev, the Viy... [Kak po ulitsam Kieva-Viya...], I’m not Quite a Patriarch Yet... [Eshcho dalyoko mne do patriarkha...], The Fourth Prose [Chetvyortaya proza], etc. More new sources are uncovered to explain the ties of Mandelstam and his works with D. Zaslavsky, I. Selvinsky, M. Tarlovsky, N. Ushakov, etc. A special emphasis is placed on the changing perception of Acmeism by the Leningrad bureau of RAPP [Russian Association of Proletarian Writers], as well as different perceptions of Mandelstam as an active Soviet writer, on the one hand, and àn acmeist, on the other. The study also looks into the roles played by K. Tokar and B. Rosenzveig (the editor and a contributor of Vecherniy Kiev, respectively) in the poet’s life, and discusses the episodes related to B. Lecache, whose novel Mandelstam was translating.


2018 ◽  
pp. 49-68 ◽  
Author(s):  
M. E. Mamonov

Our analysis documents that the existence of hidden “holes” in the capital of not yet failed banks - while creating intertemporal pressure on the actual level of capital - leads to changing of maturity of loans supplied rather than to contracting of their volume. Long-term loans decrease, whereas short-term loans rise - and, what is most remarkably, by approximately the same amounts. Standardly, the higher the maturity of loans the higher the credit risk and, thus, the more loan loss reserves (LLP) banks are forced to create, increasing the pressure on capital. Banks that already hide “holes” in the capital, but have not yet faced with license withdrawal, must possess strong incentives to shorten the maturity of supplied loans. On the one hand, it raises the turnovers of LLP and facilitates the flexibility of capital management; on the other hand, it allows increasing the speed of shifting of attracted deposits to loans to related parties in domestic or foreign jurisdictions. This enlarges the potential size of ex post revealed “hole” in the capital and, therefore, allows us to assume that not every loan might be viewed as a good for the economy: excessive short-term and insufficient long-term loans can produce the source for future losses.


2013 ◽  
Vol 54 (128) ◽  
pp. 401-417
Author(s):  
Paul van Tongeren

Is friendship still possible under nihilistic conditions? Kant and Nietzsche are important stages in the history of the idealization of friendship, which leads inevitably to the problem of nihilism. Nietzsche himself claims on the one hand that only something like friendship can save us in our nihilistic condition, but on the other hand that precisely friendship has been unmasked and become impossible by these very conditions. It seems we are struck in the nihilistic paradox of not being allowed to believe in the possibility of what we cannot do without. Literary imagination since the 19th century seems to make us even more skeptical. Maybe Beckett provides an illustration of a way out that fits well to Nietzsche's claim that only "the most moderate, those who do not require any extreme articles of faith" will be able to cope with nihilism.


1851 ◽  
Vol 1 (1) ◽  
pp. 40-46
Author(s):  
Edwin James Farren

The term scholar, as current in the English language, has two extreme acceptations, tyro and proficient; or what the later Greeks fancifully termed the alpha and omega of acquirement. If we attempt to trace the steps by which even the adult student of any especial branch of professional or literary knowledge has fairly passed the boundary defined by the one meaning in passing on to that position denoted by the other, it will commonly be found, that in place of that lucid order, that straight line from point to point, which theory and resolve generally premise, the real order of acquirement has been desultory—the real line of progression, circuitous and uncertain.


2017 ◽  
Vol 16 (4) ◽  
pp. 551-565 ◽  
Author(s):  
Ruth Wodak

Abstract In this paper, I discuss the attempt by all right-wing populist parties to create, on the one hand, the ‘real’ and ‘true’ people; and on the other, the ‘élites’ or ‘the establishment’ who are excluded from the true demos. Such divisions, as will be elaborated in detail, have emerged in many societies over centuries and decades. A brief example of the arbitrary construction of opposing groups illustrates the intricacies of such populist reasoning. Furthermore, I pose the question why such divisions resonate so well in many countries? I argue that – apart from a politics of fear (Wodak 2015) – much resentment is evoked which could be viewed as both accompanying as well as a reaction to the disenchantment with politics and the growing inequalities in globalized capitalist societies.


2017 ◽  
Vol 17 (9) ◽  
pp. 3-14
Author(s):  
Agustinus Supriyadi

Catholic teens Indonesia is part of the Church in Indonesia and the Indonesian people. Indonesia consists of thousands of islands that stretched from Sabang to Merauke. This fact opens the possibility of a fairly wide occurrence of the encounter between cultures and simultaneous cross-cultural. This diversity is certainly a logical consequence to an enrichment of civilizations and diversity (plurality), although also contains elements of the loss. Plurality of Indonesian society on the one hand can make the Catholic teens swept away in the swift currents of the community to lose our identity or conflict. However Plurality can also awaken in the Catholic teen award nature between one race to the other races, between ethnic or tribal one with the other tribes, between groups with one another. In a pluralistic society such as this, the Catholic teens called to the apostolate. Through the act of self-discovery, live in love and have a sense of tolerance of differences is the real form of the apostolate.


Author(s):  
Vadim Markovich Rozin

The article covers the two main topics: the characteristics of three key stages of studying art by the author, and a brief summary of the original concept of art proposed as a result of this study. Leaning on the concept of art of L. S. Vygotsky, the author offers the own approach towards studying art. Firstly, art is viewed in comparison with dreams, communication and play, analyzing the role of these processes and semiotic means played in relation to ordinary life. The article introduces the idea of artistic reality, which manifests as a continuation of ordinary life, allowing to realize in a semiotic form the desires (psychic programs) that are blocked in ordinary life; and such realization suggest living through the events set by the specific semiosis of art and conditionality. Secondly, the author describes the results of the genesis of art. In the course of analysis, emphasis is place on the three central topics:: 1) establishment of the semiosis of art based on the semiosis formed in ordinary life; 2) formation of recreation sphere, within which art is being formed; 3) philosophical “conceptualization” of art in the antique culture, which characterizes art as an independent sphere of life, unlike other spheres. Thirdly, art and artistic reality are viewed as a peculiar type of communication. The author believes that both, the artist (writer, composer) and the viewer (reader, listener), on the one hand, create and reconstruct artistic reality (and there is not always a coincidence), while on the other hand, to one or another extent, they take into account each other's communicative abilities and competencies. The conclusion is made that art is determined by conceptual space, the coordinates of which indicate the representations of artistic reality, artistic communication, life patterns in art, conceptualization of art and its development.


2017 ◽  
Vol 1 (13) ◽  
pp. 33-48
Author(s):  
Myroslava Khutorna

This paper is devoted to the consideration of the preconditions and results of the banking sector of Ukraine transforming, its influence on the sector’s productivity, stability and significance for the real economy. It’s grounded that banking sector of Ukraine has seriously weakened its potential for the economic development stimulation. On the one hand, due to the banking sector clearance from the bad and unscrupulous banks the system has become much more sensitive to the monetary instruments and its state is going to be more predictable and better controlled. But on the other hand, massive banks’ liquidations have caused the worsening of the confidence in financial system and radical increasing of the market concentration the highest degree of which is observed in the householders’ deposit market.


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