SOME ASPECTS OF "MISCELLANY OF 1073" PHILOSOPHICAL TERMS TRANSLATION: PHILOSOPHY OF COGNITION

This research article is devoted to the research of philosophical terms of the famous Kyivan Rus’ artifact on translation of the 11th century – “Miscellany (Izbornyk) of 1073”. Scientists studied this subject in the past. However, they were focused on logical terminology, reflected in the famous fragment of “Miscellany”, which was called “philosophical treatise”. The author of this research article, unlike other scientists, has researched a part of the text “Joseph on the Maccabees”. It is no less important for clarifying the peculiarities of the philosophical terms use than the already mentioned “philosophical treatise”. The chapter “Joseph on the Maccabees” in “Miscellany” is a translation of fragments of the 4 Maccabees from Greek into Old Church Slavonic, which raises the issue – how passions can be guided by reflection. This well-known apocrypha is quite saturated with receptions of classical Greek philosophy, primarily Platonism, Aristotelianism and Stoicism. It is also extremely valuable as an illustration of the complex process of the translator’s selection of ancient Slavic equivalents of Greek philosophical terms related to the philosophy of knowledge and ethics. Some of them were subsequently established in our philosophical language. In particular, the features of translation of such Greek words as “λογισμὸς”, “νοῦς”, “λόγου”, “σοφία” reflected in “Miscellany” into Old Church Slavonic have been analyzed, and the possibility of Old Church Slavonic terms translation into modern Ukrainian has also been considered. The result of the study is recognition of the need to raise the issue of modern Ukrainian philosophical terms ability to reproduce ancient Greek or even ancient Slavic terms associated with philosophy of knowledge in the process of translation. In particular, when dealing with “Miscellany”, it becomes clear that it is wrongful to reflect all cognitive processes and psychic instances with the concept “mind” in the modern terminological scheme. When dealing with old handwritten material in Old Church Slavonic, in particular “Miscellany of 1073”, it is necessary to define and distinguish the concepts of “reflection”, “mind”, “intellect”, “wisdom”, since they had specific meaning generated by attempt to translate them from Greek.

THE FUTURE OF HUMANISM: THE PLACE OF HUMAN IN TECHNOGENIC CIVILIZATION

The article is devoted to reflections on the future of the humanistic paradigm that underlies modern culture, and an analysis of the views of modern philosophers and historians on this scientific problem. Modern science and technology are evolving very rapidly. Society is trying to keep up with their development and modernize culture to meet new requirements. The foundation of modern culture is humanism as a system of views and values associated with the recognition of the central role of man, as well as with the belief in the need to coordinate strategies for solving any socio-cultural issues with the essence of human. At the same time, a person in the context of a humanistic worldview is certainly perceived as a bearer of the individual “I”, acts as the basis of personality. Science and technology are still developing within the framework of a humanistic system of values, and they also set ambitious goals based on such value. However, there are already very significant contradictions between the values of humanism and scientific achievements. Consequently, there is a need for a fundamental analysis of this situation. It seems that technology poses a significant threat to humanism, and this threat can be realized in several scenarios. On the one hand, modern science undermines “faith” in humanism when it claims that despite advances in the analysis of the functioning of the brain, it has failed to find the very center of personality, the individual “I” of a person, on the basis of which the humanistic paradigm is built. That is, science has failed to figure out how electrical impulses turn into consciousness. And if we assume that no “I” actually exists, that this is only a certain function of the brain to create a holistic picture of the world, then a person can be considered simply as one of the algorithms. Then it does not matter on what basis this algorithm works, that is, “live” and artificial algorithms in fact are not fundamentally different. Such considerations, of course, leave humanism no chance. Such reasoning, of course, leaves no chance for humanism. On the other hand, the “humanistic” goals of humanity can lead to its complete or partial transformation into a certain “super-humanity”. And attempts to define the “spiritual” values of such a future “new formation” look like a fundamentally insoluble task. So, from the point of view of determining the future states of humanism, modern philosophers have something to think about.

ANTHROPOLOGICAL DIMENSION OF THE TRANSFORMATION OF ADVERTISING IN THE SOCIETY OF PANOPTICON

In this article, advertising is considered in line with the anthropological approach. Advertising is presented as a special anthropological reality (specific semantic space), which simultaneously reflects and forms the essential characteristics of human. In this reality, modern human is able to socialize, self-identify, consume and transmit information. The transformation of advertising is heterogeneous and depends on many social factors. Transformation is considered in the course of the panopticon. The panopticon was especially mentioned in the second half of the 20th century, when universal surveillance and observation began to become commonplace, and 21st century life is difficult to imagine without the digital and electronic gadgets that meet us at every turn. From an anthropological point of view, the essence of advertising reflects the social and cultural code of society, which reduces the level of negative feedback and increases the level of acceptance in the mass consciousness. The process of transformation of advertising is ongoing. Given the widespread use of advertising in various spheres of human life, advertising is becoming one of the most important forms of communication. Creating an information field, advertising draws attention to the pragmatic aspects of life, which creates a worldview and attitude to the world around. Advertising ideas reflect the communicative level and development of human and society, which is an indicator of the development of society at a certain stage. Understanding human advertising is a perception of a separate information and communication reality. Extending to the global level, it creates a large communication space for certain groups of people. The author concludes that, in terms of anthropological approach, human is not only an object but also a real subject of advertising. Advertising is a specific way of creative human self-realization, in which there is a design, translation and perception of advertising images.

POVERTY ALLEVIATION THROUGH ETHICAL PHILANTHROPY IN THE MIDDLE EAST AND NORTH AFRICA (MENA) REGION

Poverty using the United Nations’ criteria refers to denial of choices, opportunities, and the lack of capacity as a result of low income for a person to effectively participate in society. Poverty creates problems such as ill-health, inability to acquire the basic necessities of life, deprivation of full exercise of civic and political rights, and so forth. In spite of the enormous wealth in both human and natural resources in MENA, many people in the region are living in abject poverty. Using phenomenological hermeneutics and existential critical analysis, the paper argues for ethical philanthropy to be used to alleviate the poverty in the region. Poverty is an ethical issue for it affects the quality of lives that humans can live as moral beings and impacts human behaviour. It is unacceptable that the enormous wealth of the region is not used for the benefit of all. Outside government efforts and the imperative of efficient political leadership, wealthy individuals and non-governmental groups have a moral responsibility to help to alleviate poverty in the region. It is this ethical role of individuals and groups in rendering philanthropic help to alleviate and if possible end poverty in the region that is the thrust of this paper. The paper affirms that abject and other forms of poverty are present in the region. The paper concludes that individuals and groups have an ethical duty in philanthropy to alleviate poverty in the region. The people of the region will become better and achieve a higher level of happiness and peace through the practice of ethical philanthropy.

PHILOSOPHICAL ANTHROPOLOGY AS AN UNFINISHED PROJECT BY RENÉ DESCARTES

Review of the monograph by A. M. Malivskyi “Unknown Descartes: Anthropological Dimension in Philosophy”.

LEO STRAUSS: A CRITIQUE OF HEGEL’S POLITICAL PHILOSOPHY

The article is devoted to Leo Strauss’s critique of Hegel’s political philosophy. The author holds this topic relevant in the context of the crisis of modern political science. To understand the causes and nature of this crisis, it is necessary to pay attention to alternative philosophical and political theories of the XX century. Leo Strauss’s philosophy of politics is just such an alternative theory. Strauss made a radical critique of modern political philosophy, which he saw as an important part of the project of modern civilization. Strauss stresses that Hegel became one of the most prominent philosophers who participated in the creation of modern science and the modern world. The author considers the main critical arguments of Strauss, evaluates their validity and their significance for the Straussian conservative revolution in philosophy. The author pays special attention to the question of Hegel’s role in the break with classical political philosophy. Strauss accused Hegel that he had taken all the major steps that led to this rupture. Hegel, according to Strauss, secularized political thinking, which led to the loss of universal Christian values. The consequence of this secularization was the dominance of positivism in political philosophy. Hegel’s philosophy of history, according to Strauss, is relativism. Hegel’s historicism and progressivism are contradictory and inconsistent. Strauss also accuses Hegel of abandoning the philosophical esoteric art of writing. The article draws attention to the fact that Strauss recognized the importance of Hegel as an outstanding thinker of his time. Strauss viewed Hegel’s philosophy as a kind of intermediate link between classical philosophy and modern positivism. The author concludes that for Strauss the critique of Hegel’s political philosophy became an important element of his project of restoration of classical political philosophy. The article uses little-known materials from Strauss’s lectures in 1958 and 1965.

NETWORK CONFLICT AS A SOCIAL PHENOMENON

The paper provides a conceptual study of network conflict phenomenon, identifying the essence and specifics of its manifestation in the social system. The process of modifying the system of social interaction, which leads to the formation of many political, economic and social contradictions, contributes to the formation of network conflicts. The paper identifies such essential characteristics of network processes that affect the dynamics of a conflict situation, such as, first, physical distance and the anonymity of network actors. They contribute to the formation of a sense of responsibility lack for the consequences of the conflict, create the illusion of absence rules, which can lead to a wrong perception of the problem and increase conflict. Secondly, sensory reduction, the inability to create a complete image with visual information leads to a deterioration of mutual understanding. Third, the appearance of the illusion of understanding the actor’s actions due to the creation of a distorted representation and incorrect perception of the information provided. Fourth, the absence of sanctions for violating values and norms makes it impossible to control the development of a conflict situation. Fifth, shortening the time interval for transmitting information creates, on the one hand, opportunities to control the speed of communication and forms additional opportunities for thinking about the problem, on the other hand, leads to the creation of the illusion of control over the situation. The article deals with the ontological, phenomenological and axiological modes of interaction of network structures in the situation of conflict confrontation. The paper concludes that the most effective way to reduce the impact of destabilizing factors on the system is systematically changing the network of interactions between its structural elements. Any system tends to adapt to the changed conditions of existence. Lack of regulation can lead to the destruction of network education. At the same time, the transformation of the conflicting form of interaction between actors leads to a change in the network. The study of conflicts, features and specifics of network elements interaction is practically significant, because this analysis will help to detect and activate integrative social mechanisms.

THE ROLE AND PLACE OF THE MYSTERY IN METAPHYSICS OF MAMLEEV’S CHAOSMOS

The article examines the role and place of the Mystery within the structure of Mamleev’s metaphysics. The author of the article implicates the concept of “chaosmos’’, introduced by James Joyce in the experimental novel “Finnegans Wake”, to the Mamleev’s Universe. This leads to the transformation of the formula “chaos – osmosis – cosmos”, actualized by postmodern discourse, into the formula “Chaos – Osmosis – Cosmos”. Chaos here is Sacred Chaos, being one of the metaphysical manifestations of Eternal Russia. Osmosis appears to be an antinomic Russian life, which combines the incompatible, and sets itself fundamentally impossible tasks. The Сosmos brings us to the tradition of Russian cosmism with its problem of microcosm and macrocosm conformity. The author of the article points out that the all-pervading and unifying element of Mamleev’s chaos is the Mystery. It is one of the five key metathemes of Mamleev’s oeuvre. The particularity of the Mystery is that it provides a link between other metathemes: utrism “I”, Death, the Abyss and Russia. In the plane of utrism “I” the Mystery is seen as the mystery of man (his higher “I”). The Mystery is related to Death by the person’s interest of his own destiny and finiteness. The problem of overcoming death and the passion for eternal life are the central themes that concern almost all the heroes of Mamleev’s novels and short stories. For Mamleev they are the source of values aimed at the human need to achieve a higher “I”. The connection between the Mystery and the Abyss, as well as the connection between the Mystery and Russia are the strongest and the most important for Mamleev. Consideration of these connections prompts the author to conclude that Yuri Mamleev describes such dimensions of the Mystery, which go beyond the categories “unfathomable-to-us” and “unfathomable-in-itself”, introduced by S. Frank. This requires the introduction of new concepts that would bring out the essence of Mamleev’s innovations. The author of the article proposes to consider the Abyss as a “Last Mystery” by the fact it is transcendent to the transcendents themselves, that is it goes beyond the Absolute, as well as to consider Eternal Russia as a Russia-Mystery on the grounds that Mamleev gives it the status of the third metaphysical Beginning, along with the Absolute and the Abyss.

AESTHETIC EXPERIENCE AND AESTHETIC JUDGMENTS: THE FEATURES OF THE RELATIONSHIPS

The article examines the essence and relationship of aesthetic experience and aesthetic judgment. It is argued that philosophical aesthetics deals with constants that are fundamental to aesthetic experience. Such constants are phenomena and characteristics that have a fundamental ontological status in the aesthetic sphere. It was found that the ontological characteristic of aesthetic experience is that it is not reducible to “pure” rationality, that is, it is not something that is “adapted” to complete and final comprehension by the mind alone. Therefore, a complete “absorption” of aesthetic experience by a certain semantic structure is impossible: such experience always goes beyond any discursive boundaries and simultaneously opens them. In addition, aesthetic experience serves as one of the means of a person’s “contact” with the world and society. Forming on the material of sensations, aesthetic experience extends from the most general ideas about the universe to the inner life of a person. The analysis also showed that the formulation of an aesthetic judgment is based on the concepts of the perfect and the imperfect. In turn, the mastery of such concepts is carried out in the process of correlating a certain aesthetic fact with the existing value scale. That is why aesthetic judgments have signs of normativity. They also create the basis for a common worldview and attitude, lay the foundation for mutual understanding between people of a certain culture. The study showed that the process of aesthetic assessment is a constant correlation of the existing state of affairs with something ideal (within a certain value scale), this is a permanent “demand” for perfection, as well as a tireless search for an opportunity to fulfill this “demand”. At the same time, ethical experience is dissociated from “pure” pragmatics, which personifies vital necessity, because the aesthetic sphere is always associated with a certain “redundancy” in human existence. Also, the results obtained in the course of the study suggested that philosophical aesthetics, which takes into account and investigates the specificity of the phenomenon of corporeality, as well as such phenomena of human existence as affective sensitivity and sensitive rationality, is able to overcome the limitation of “an-esthetic” naturalism in aesthetics.

EMANCIPATION IN THE AMERICAN ARTISTIC CONSCIOUSNESS OF THE XIX CENTURY

This article is devoted to the research of discourse of emancipation in American artistic consciousness on examples of abolitionist novel “Uncle Tom’s Cabin” (1852) by Harriet Beecher Stowe and painting images of XIX century. The topicality of the research is due to insufficient study in Ukrainian philosophy of the ideas of abolitionism and the emancipation of black Americans through the prism of literary images, especially painting images. Among the research tasks are: to analyze topics of slavery and emancipation, ways of representation of racist and abolitionist ideology in the novel’s plot and artistic images; to analyze types of images of “blacks” in literature and painting. Novelty of work is in the reconstruction of emancipation discourse, which confronts with discourse of racism and black Americans’ discrimination in the American literature (on the example of Beecher Stowe’s novel) and in painting images of XIX century. The novel of Harriet Beecher Stowe became a bestseller in Europe and America, the symbol of revolution, it stirred up people’s consciousness in many countries which used different forms of dependency and obligation during XIX – XX century, and later it entered the list of classics of children’s literature. Using the novel as an example, the author shows that the two opposite discourses – colonial (slavery) and anti-colonial (emancipation) are the basis of the controversy of the protagonists, which reflects the social and political controversy over the position and status of black Americans. Ideas of women’s emancipation from gender, social and labor oppression are reflected in the images of black slave women, and in the XX century they became the ideological basis of “black feminism”. Using examples of the novel and painting, the author examines racial and gender stereotypes, the problem of the relationship between “white” and “black”, the problem of preserving the family and women’s resistance to male domination in conditions of slavery, the problem of the formation of national identity in America after the abolition of slavery. The author analyzes the plots in European and American painting, which reflect not only “colonial” images where black Americans are represented as racial and cultural Others, but also “emancipation” images, which symbolically state the resistance to slavery or confirm the subject’s freedom. It is researched in the article that the active development of the emancipation topic in the artistic consciousness shows the change of social status of racial Others in the public consciousness of the XIX century, which was the result of abolitionist and women’s movements for minority rights in America.