Exotica, Fashion and Immortality: The New Use of Gold in Han Dynasty China (206 bce–ce 220)

2021 ◽  
pp. 1-16
Author(s):  
Shengyu Wang

This article explores the use of gold in the elite tombs of Han dynasty China, the popular use of which originated outside the Chinese cultural milieu, and its integration into the Han portfolio of materials representing people's expectations for the afterlife, such as immortality and well-being. In contrast to jade, which had a long history of use in China, gold was in itself a ‘new’ element of Chinese culture. This article outlines the introduction of gold objects from Europe and Central Asia via the Eurasian Steppe and borderland of China from around the eighth century bce. The unprecedented use of gold in the Han-specific jade suits, and the process by which foreign types of zoomorphic motifs were adopted and connected with local motifs, are explored. In light of the political change from multiple competing states before the first unification in Chinese history in the third century bce, and the development in ideology and concept of an ideal and eternal afterlife, this article explains the reasons and meanings of the new use of gold in Han dynasty China and the composite system of motifs, materials and objects.

Author(s):  
Yuping Wang

The study and teaching of American literature and American realism in China mirrored the social development and cultural transformation in China and was often fueled by political incentives. This chapter examines the cultural and political forces affecting the reception of American literature in different stages of Chinese history and investigates the teaching of American literature and of American realism in Chinese university classrooms. Different from the teaching of American literature in English-speaking countries, the American literature course in China serves a twofold purpose: to provide cultural nutrient for the cultivation of a broader mind by highlighting the cultural norms and rubrics in literature and to promote students’ language proficiency by a careful study of the text and formal elements of literary works. The history of the Chinese reception of American literature thus reflects the resilience and openness of Chinese culture in its negotiation with foreign cultures.


1936 ◽  
Vol 68 (03) ◽  
pp. 463-473
Author(s):  
Herrlee Glessner Creel

The pre-Confucian period has come, during the last decade, to occupy a central place in the attention of students of the history of Chinese culture. Research on the oracle bones, scientific excavations at Anyang and elsewhere, and other investigations and discoveries have not served merely to throw light on the civilization of late Shang and early Chou times. They have also shown us that those periods saw the laying of the foundations of the whole structure of Chinese culture, as it has persisted even to our own day, so that to understand them is no mere concern of antiquarians, but a vital necessity for any deep understanding of the currents of Chinese history.


1979 ◽  
Vol 38 (3) ◽  
pp. 453-475 ◽  
Author(s):  
Cho-yun Hsu

In this essay, I will survey recent scholarship on several major issues in the political, social, and economic history of ancient China, from the beginning of the Shang Dynasty to the end of the Han Dynasty. Archaeological aspects will be discussed only when their historical significance requires it, since the archaeological discoveries of recent decades have already been the subject of Professor Kwang-chih Chang's state-of-the-field article in The Journal of Asian Studies.


Author(s):  
Karen Pechilis

Gender and spirituality are both terms that signify alterity, especially a critique of established social conventions, including conventions of disciplining personhood on the basis of gender classifications and according to doctrinal and ritual patterns of organized religion. To be aware of gender as a hierarchical system is a modern phenomenon; “spirituality” has a much longer history of use and was generated from within organized religion, though its evolution increasingly marked it as a perspective distinct from, and necessitating the evaluative intervention of, official religious channels. Developing through a confluence of interest in Western esotericism, Transcendentalism, Theosophy, the German Romantics, and Asian traditions in the early 20th century, spirituality as a cultural concept and practice was poised to respond to widespread late modern questioning of received social modes, especially in terms of defining oneself. Contesting theoretical predictions of society’s secularization but supporting those of the “subjective turn,” late modern spirituality groups, especially those inspired by feminism, civil rights, and gay rights, valorized marginalized bodies and their distinctive experiences, creating new paths of spiritual expression in which personal experience in the context of group affirmation was foregrounded. Postmodern ideas on the fluidity of gender further contributed to the voices of LGBTQ (lesbian, gay, bisexual, transgendered, and queer) people who critiqued residual gender binaries operative in some New Age spiritualities and provided new arguments for social inclusivity in spirituality groups and in the wider society. What characterizes spirituality into the 21st century is the “turn to holism,” in which a wide variety of methods are promoted as leading to a holistic sense of the well-being of body and spirit. Diverse practices include Kirlian aura photography, Johrei Fellowship healing, tarot cards, shiatsu massage, acupressure, aromatherapy, kinesiology, and yoga, leading some scholars to critique the spirituality climate as a neoliberal capitalist “spiritual marketplace.” Others view it as a generative opportunity for seeking and bricolage construction of the self that has transformative potential for both self and society.


1965 ◽  
Vol 28 (3) ◽  
pp. 582-612 ◽  
Author(s):  
John Brough

The early centuries of the Christian era are of crucial importance for the history of the Buddhist religion. It is customary to ascribe to this periodthe emergence and development of the Mahāyāna; and by the latter half of the second century A.D. , towards the end of the Later Han dynasty, Buddhism hadspread as far as China, where the earliest of the long succession of translatorswere beginning to produce Chinese versions of Indian Buddhist texts, both Hīayāna and Mahāyāna. A detailed and connected narrative of this remarkable expansion of the religion would form one of the most fascinating chapters in theearly history of Asia. Such a narrative, nevertheless, cannot be written: the surviving information is fragmentary, interpretation is often uncertain, theproblems numerous and intractable. Encouraged by sheer exiguity of primary historical evidence, many modern scholars have consecrated to this period whole


Author(s):  
Shadia Abdel Rahman Al - Balawi

Mecca has received the sanctity and place in the hearts of Muslims a lot of different writings that covered various political and cultural aspects of its history through different ages, yet we note through our study that Mecca, despite its great importance, but the sources of Islamic history were keen on The history of Mecca since the time of the Prophet peace be upon him until the middle of the second century AH, on the day of Mecca was the center of political activity and scientific alike, and then began to diminish this concern, especially since the beginning of the third century AH, these sources are no longer provide us only a little Nazer focused primarily On The history of religious Mecca, such as the pilgrimage to people and so on, rarely refer to the aspects of political life, economic and civilization of this country, but this little information with the written historian Makkah Azraqi and Fakhi in the third century, provides the researcher important information about the history of Mecca during the first three centuries, Historians Azraqi in the year 250 AH and Fakhi in the year 280 AH entered the history of Mecca in the almost forgotten, and surrounded by the mystery, which lasted for five centuries, that the rule of God has a historian of its children in the eighth century AH is Taqi al-Din Fassi Fassi felt the vacuum experienced by historians Mecca m A drive on the classification of books bosses (precious decade) and (healing gram), two of the most important books that relied upon in my study of the neighboring Mecca, and given the importance of this layer (Majaoron) in Mecca society and its substantial role in which it has signed an optional on this subject to search.


2021 ◽  
Vol 2 (1) ◽  
pp. 17-24
Author(s):  
Khalida Parveen ◽  
Huma Akram

Over the centuries, China still respectfully treasures rich Asian cultures, traditions, and customs. China is now famous all over the world for its mysterious wonders and cultural & natural heritages such as the Great Wall, the Forbidden City, the Terracotta Army, etc. The Chinese history is full with the exposition of outstanding features of Chinese culture such as great thoughts of Confucius, religious beliefs, traditional festivals and customs e.g., Chinese new year, language and calligraphy e.g., Shu Fa, four great inventions of ancient China e.g., papermaking, printing, gunpowder and the compass, traditional architecture and sculpture, traditional art forms, etc. The era of history of China before the time in power of Qin dynasty is known by name as the period of Warring States. This period started from 475 BC and ends at 221 BC. Seven Warring States were included in it i.e. Qin, Wei, Han, Yan, Chu, Zhao, and Qi. Zheng was the King of Qin, who started his journey to triumph over 6 states in the period of 230 BC. Qin was the 1st emperor of this unified state of China. Thus he was known by the name of “First Emperor of Qin” or “Qin Shi Huang”. This study provides a deep insight of Chinese history and it is illustrated that major achievements in Chinese culture and history are contributed in the era of Qin dynasty.


Author(s):  
Louise Sundararajan

This historical overview of the concepts of harmony in Chinese culture situates the topic in the ecological context of a strong-ties society that fosters a type of rationality that privileges symmetry over asymmetry. Analysis of the discourse of harmony focuses on the texts of two native schools of thought—Confucianism and Taoism—and briefly mentions Buddhism (a religion imported from India). The modern history of harmony has just begun but is already portentous. The turbulent course of China’s rapid modernization suggests the possibility that as China transitions from a strong-ties society to the weak-ties global market, harmony may be encountering, for the first time, contradictions that defy harmonization. Whatever the future holds for the Chinese legacy of harmony, its contribution to the happiness and well-being of the individuals in their intimate relationship with self and others is likely to remain unchallenged.


Author(s):  
David L. Hall ◽  
Roger T. Ames

Any attempt to survey an intellectual tradition which encompasses more than four thousand years would be a daunting task even if it could be presumed that the reader shares, at least tacitly, many of the assumptions underlying that tradition. However, no such commonalities can be assumed in attempting to introduce Asian thinking to Western readers. Until the first Jesuit incursions in the late sixteenth century, China had developed in virtual independence of the Indo-European cultural experience and China and the Western world remained in almost complete ignorance of one another. The dramatic contrast between Chinese and Western modes of philosophic thinking may be illustrated by the fact that the tendency of European philosophers to seek out the being of things, the essential reality lying behind appearances, would meet with little sympathy among Chinese thinkers, whose principal interests lie in the establishment and cultivation of harmonious relationships within their social ambiance. Contrasted with Anglo-European philosophic traditions, the thinking of the Chinese is far more concrete, this-worldly and, above all, practical. One reason for this difference is suggested by the fact that cosmogonic and cosmological myths played such a minor role in the development of Chinese intellectual culture and that, as a consequence, Chinese eyes were focused not upon issues of cosmic order but upon more mundane questions of how to achieve communal harmony within a relatively small social nexus. The rather profound linguistic and ethnic localism of what Pliny the Elder described as a ‘stay-at-home’ China, reinforced by a relative freedom from intercultural contact, generated traditional radial communities in which moral, aesthetic and spiritual values could remain relatively implicit and unarticulated. By contrast, in the West these norms had to be abstracted and raised to the level of consciousness to adjudicate conflicts occasioned by the complex ethnic and linguistic interactions associated with the development of a civilization rooted almost from the beginning in the confluence of Greek, Hebrew, and Latin civilizations. The distinctive origins and histories of Chinese and Western civilizations are manifested in a number of important ways. The priority of logical reasoning in the West is paralleled in China by the prominence of less formal uses of analogical, parabolic and literary discourse. The Chinese are largely indifferent to abstract analyses that seek to maintain an objective perspective, and are decidedly anthropocentric in their motivations for the acquisition, organization and transmission of knowledge. The disinterest in dispassionate speculations upon the nature of things, and a passionate commitment to the goal of social harmony was dominant throughout most of Chinese history. Indeed, the interest in logical speculations on the part of groups such as the sophists and the later Mohists was short-lived in classical China. The concrete, practical orientation of the Chinese toward the aim of communal harmony conditioned their approach toward philosophical differences. Ideological conflicts were seen, not only by the politicians but by the intellectuals themselves, to threaten societal well-being. Harmonious interaction was finally more important to these thinkers than abstract issues of who had arrived at the ‘truth’. Perhaps the most obvious illustration of the way the Chinese handled their theoretical conflicts is to be found in mutual accommodation of the three emergent traditions of Chinese culture, Confucianism, Daoism and Buddhism. Beginning in the Han dynasty (206 bc–ad 220), the diverse themes inherited from the competing ‘hundred schools’ of pre-imperial China were harmonized within Confucianism as it ascended to become the state ideology. From the Han synthesis until approximately the tenth century ad, strong Buddhist and religious Daoist influences continued to compete with persistent Confucian themes, while from the eleventh century to the modern period, Neoconfucianism – a Chinese neoclassicism – absorbed into itself these existing tensions and those that would emerge as China, like it or not, confronted Western civilization. In the development of modern China, when Western influence at last seemed a permanent part of Chinese culture, the values of traditional China have remained dominant. For a brief period, intellectual activity surrounding the May Fourth movement in 1919 seemed to be leading the Chinese into directions of Western philosophic interest. Visits by Bertrand Russell and John Dewey, coupled with a large number of Chinese students seeking education in Europe, Great Britain and the USA, promised a new epoch in China’s relations with the rest of the world. However, the Marxism that Mao Zedong sponsored in China was ‘a Western heresy with which to confront the West’. Mao’s Marxism quickly took on a typically ‘Chinese’ flavour, and China’s isolation from Western intellectual currents continued essentially unabated.


Author(s):  
Zhang Biyun

Every country has its own unique culture. For China, a country with a long history and a separate cultural system, the traditional clothing can best reflect its cultural characteristics of different periods. For example, cheongsam, as a product of the most turbulent period in Chinese history, has established its unshakable status with its unique beauty, and has become a symbol of unique oriental charm. In this paper, we will interpret the unique Chinese cultural deposits contained in the development history of cheongsam


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