The National Sample from the 1851 Census of Great Britain: Sampling and data handling procedures

Urban History ◽  
1977 ◽  
Vol 4 ◽  
pp. 55-59 ◽  
Author(s):  
Michael Anderson ◽  
Brenda Collins ◽  
Craig Stott

Over the past two decades the enumerators' books of the nineteenth-century censuses have rightly become one of the major sources for the study of nineteenth-century social structure. Containing as they do, for the whole population of Great Britain, information on name, residence, marital status, relationship to household head, sex, age, occupation, birthplace and infirmity of sight or hearing, they have made possible a wide range of studies of, for example, patterns of residence, household composition, occupational structure, migration, age of marriage, patterns of education and farm labour utilization. Linked to other sources or bodies of material they have been used in studies of class consciousness, voting, voluntary association membership, property ownership and development, farming, poverty, the employment of married women and servant keeping, to name but a few.

2017 ◽  
Vol 12 (2) ◽  
pp. 359-375
Author(s):  
Adam T. Sellen

Abstract The literary journal “El Museo Mexicano” (1843-1845) marked a watershed in Mexican nationalism, and sought to shape aspirations of an elite segment of nineteenth-century Mexican society eager to claim a post-colonial identity by exploring the cultural and historical strands that were combined in the young Republic. The editors solicited contributions from Mexican authors on a wide range of subjects, from descriptions of contemporary provincial life to accounts of recent discoveries of pre-Hispanic monuments and artifacts. The aim was to provide a more complete and up-to-date image of Mexico, rich in anecdotal detail and lavishly illustrated. In this paper I will explore how this new literary platform argued for the validity of archaeological investigation in the American context, and ultimately shaped how Mexicans perceived their past. Though my focus is primarily on the articles in “El Museo Mexicano” I will also analyze some of the visual tropes and traditions, from the picturesque to the grotesque that inspired illustration in other Mexican journals of the same genre.


1911 ◽  
Vol 4 (2) ◽  
pp. 175-203 ◽  
Author(s):  
Percy Ashley

A quarter of a century has now elapsed since the foundation of Toynbee Hall in the east of London inaugurated the “University Settlement” movement in the vast and then almost inchoate capital of the British Empire; and the present time seems therefore appropriate for an attempt to form some estimate of the past results and future possibilities of the movement, which soon spread to other towns of England and Scotland. Yet such an undertaking is beset with serious difficulties. Throughout the whole history of the settlements there is indeed apparent an essential identity of purpose, an underlying uniformity of motive; but the individual institutions have been the outcome of the action of various bodies of persons whose aims, as formally expressed, seem often very diverse; different groups have laid the main emphasis on different objects and methods, and what has been counted as triumphant success by one group has been deemed of relatively small importance by another. Further, the wide range of the activities of the settlements, the multifarious nature of their interests and work, render it practically impossible for any one observer to comprehend the whole in his single survey; and the selection which he must needs make tends almost inevitably to be determined, and it may be even unfairly biassed, by his own personal predilections. Within this narrower range, moreover, there is no certain standard by which to measure success or failure; the value of the work accomplished by a settlement is not to be judged solely, or even chiefly, by the statistics of its classes and clubs. If it has realized its objects, however imperfectly, it has exercised upon the surrounding community, in conjunction with all other institutions that in any way and by any means make for good, a subtle and permeating influence which has resulted in a progressive amelioration of social life; but, for the very reason that this achievement is the result of a number of co-operating forces, the share of the settlement therein cannot be isolated or defined with any exactitude.


Author(s):  
Mark Everist

The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer’s works. Genealogies of Music and Memory asks how the stage works of Christoph Willibald Gluck (1714–1787) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments. Received opinion has Hector Berlioz as the sole guardian of the Gluckian flame from the 1820s onwards, and responsible—together with the soprano Pauline Viardot—for the ‘revival’ of the composer’s Orfeo in 1859. The picture is much clarified by looking at the concert performances of Gluck during the first two thirds of the nineteenth century, and the ways in which they were received and the literary discourses they engendered. Coupled to questions of music publication, pedagogy, and the institutional status of the composer, such a study reveals a wide range of individual agents active in the promotion of Gluck’s music for the Parisian stage. The ‘revival’ of Orfeo is contextualized among other attempts at reviving Gluck’s works in the 1860s, and the role of Berlioz, Viardot, and a host of others re-examined.


Author(s):  
A. Strojnik ◽  
J.W. Scholl ◽  
V. Bevc

The electron accelerator, as inserted between the electron source (injector) and the imaging column of the HVEM, is usually a strong lens and should be optimized in order to ensure high brightness over a wide range of accelerating voltages and illuminating conditions. This is especially true in the case of the STEM where the brightness directly determines the highest resolution attainable. In the past, the optical behavior of accelerators was usually determined for a particular configuration. During the development of the accelerator for the Arizona 1 MEV STEM, systematic investigation was made of the major optical properties for a variety of electrode configurations, number of stages N, accelerating voltages, 1 and 10 MEV, and a range of injection voltages ϕ0 = 1, 3, 10, 30, 100, 300 kV).


2020 ◽  
Vol 04 (04) ◽  
pp. 369-372
Author(s):  
Paul B. Romesser ◽  
Christopher H. Crane

AbstractEvasion of immune recognition is a hallmark of cancer that facilitates tumorigenesis, maintenance, and progression. Systemic immune activation can incite tumor recognition and stimulate potent antitumor responses. While the concept of antitumor immunity is not new, there is renewed interest in tumor immunology given the clinical success of immune modulators in a wide range of cancer subtypes over the past decade. One particularly interesting, yet exceedingly rare phenomenon, is the abscopal response, characterized by a potent systemic antitumor response following localized tumor irradiation presumably attributed to reactivation of antitumor immunity.


2020 ◽  
Vol 1 (2) ◽  
pp. 157-172
Author(s):  
Thomas Leitch

Building on Tzvetan Todorov's observation that the detective novel ‘contains not one but two stories: the story of the crime and the story of the investigation’, this essay argues that detective novels display a remarkably wide range of attitudes toward the several pasts they represent: the pasts of the crime, the community, the criminal, the detective, and public history. It traces a series of defining shifts in these attitudes through the evolution of five distinct subgenres of detective fiction: exploits of a Great Detective like Sherlock Holmes, Golden Age whodunits that pose as intellectual puzzles to be solved, hardboiled stories that invoke a distant past that the present both breaks with and echoes, police procedurals that unfold in an indefinitely extended present, and historical mysteries that nostalgically fetishize the past. It concludes with a brief consideration of genre readers’ own ambivalent phenomenological investment in the past, present, and future each detective story projects.


What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history


Author(s):  
James J. Coleman

At a time when the Union between Scotland and England is once again under the spotlight, Remembering the Past in Nineteenth-Century Scotland examines the way in which Scotland’s national heroes were once remembered as champions of both Scottish and British patriotism. Whereas 19th-century Scotland is popularly depicted as a mire of sentimental Jacobitism and kow-towing unionism, this book shows how Scotland’s national heroes were once the embodiment of a consistent, expressive and robust view of Scottish nationality. Whether celebrating the legacy of William Wallace and Robert Bruce, the reformer John Knox, the Covenanters, 19th-century Scots rooted their national heroes in a Presbyterian and unionist view of Scotland’s past. Examined through the prism of commemoration, this book uncovers collective memories of Scotland’s past entirely opposed to 21st-century assumptions of medieval proto-nationalism and Calvinist misery. Detailed studies of 19th-century commemoration of Scotland’s national heroes Uncovers an all but forgotten interpretation of these ‘great Scots’ Shines a new light on the mindset of nineteenth-century Scottish national identity as being comfortably Scottish and British Overturns the prevailing view of Victorian Scottishness as parochial, sentimental tartanry


Author(s):  
Simon Goldhill

How did the Victorians engage with the ancient world? This book is an exploration of how ancient Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, the book examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, it demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, the book addresses ideas of citizenship, nationalism, and cultural politics. And through fiction—specifically nineteenth-century novels about the Roman Empire—it discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, it demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.


2015 ◽  
Vol 2 (2) ◽  
pp. 85-94
Author(s):  
Christina Landman

Dullstroom-Emnotweni is the highest town in South Africa. Cold and misty, it is situated in the eastern Highveld, halfway between the capital Pretoria/Tswane and the Mozambique border. Alongside the main road of the white town, 27 restaurants provide entertainment to tourists on their way to Mozambique or the Kruger National Park. The inhabitants of the black township, Sakhelwe, are remnants of the Southern Ndebele who have lost their land a century ago in wars against the whites. They are mainly dependent on employment as cleaners and waitresses in the still predominantly white town. Three white people from the white town and three black people from the township have been interviewed on their views whether democracy has brought changes to this society during the past 20 years. Answers cover a wide range of views. Gratitude is expressed that women are now safer and HIV treatment available. However, unemployment and poverty persist in a community that nevertheless shows resilience and feeds on hope. While the first part of this article relates the interviews, the final part identifies from them the discourses that keep the black and white communities from forming a group identity that is based on equality and human dignity as the values of democracy.


Sign in / Sign up

Export Citation Format

Share Document