The subject of this article is the connection between art and all those aspects of mind that have, to some degree, an empirical side. It covers results in neuropsychology and neuroscience, in cognitive and developmental psychology, as well as in various parts of the philosophy of mind. This article, however, ignores questions about the natural history of our mental capacities. To the extent that art has human psychology as its subject, there must be potential for conflict with the sciences of mind. As philosophers have recently noted, results in social psychology challenge our ordinary conception of human motivation, suggesting that moral character either does not exist at all or plays an insignificant role in shaping behaviour.