scholarly journals Moral rigorism as the idea of a “terrorist dream”

2019 ◽  
Vol 72 ◽  
pp. 01017
Author(s):  
Alexander Chaika

The author describes the trends and reasons for perceiving terrorism as a narrowly criminal politicized community in the article. Terrorism is seen as a political protest, as a form of political activity of a kind of aesthetic color. The author gives a philosophical and cultural assessment of terrorism through a comparison of fascism and "igilism" as a permanent drift from terrorist muscle groups to the creation of a single and homogeneous totalitarian terrorist organization, and later on to a totalitarian-terrorist state implementing a genocide policy. Terrorist activity is compared with moral rigorism, based on the need for liberation from liberal values expressed in modern constitutional law. The idea of a "terrorist dream" is viewed through the prism of such concepts as freedom, happiness, and the ideal in which the myth of "social happiness" is presented as the ideology of modern radical Islamism.

2019 ◽  
Vol 1 (1) ◽  
pp. 21-31 ◽  
Author(s):  
Louis Brunet

This article proposes a model of individual violent radicalisation leading to acts of terrorism. After reviewing the role of group regression and the creation of group psychic apparatus, the article will examine how violent radicalisation, by the reversal of the importance of the superego and the ideal ego, serves to compensate the narcissistic identity suffering by “lone wolf” terrorists.


Romanticism ◽  
2019 ◽  
Vol 25 (2) ◽  
pp. 180-189
Author(s):  
Rolf Lessenich

Though treated marginally in histories of philosophy and criticism, Byron was deeply involved in Romantic-Period controversies. In that post-Enlightenment, science-orientated age, the Platonic-Romantic concept of inspiration as divine afflatus linking the prophet-priest-poet with the ideal world beyond was no longer tenable without an admixture of doubt that turned religion into myth. As a seriously-minded Romantic sceptic in the Pyrrhonian tradition and commuter between the genres of sensibility and satire, Byron often refers to the prophet-poet concept, acting it out in pre-Decadent poses of inspiration, yet undercutting it with his typical Romantic Irony. In contrast to Goethe, who insisted on an inspired poet's sanity, he saw inspiration both as a social distinction and as a pathological norm deviation. The more imaginative and poetical the creation, the more insane is the poet's mind; the more realistic and prosaic, the more compos it is, though an active poet is never quite sane in the sense of Coleridge's ‘depression’, meaning his non-visitation by his ‘shaping spirit of imagination’.


Urban History ◽  
2016 ◽  
Vol 44 (4) ◽  
pp. 586-603 ◽  
Author(s):  
SARAH REES JONES

ABSTRACT:The York House Books provide much-cited evidence of Richard III's relationship with the City of York in 1485, yet the nature and purpose of the House Books has never been satisfactorily explored. Through a focus on the records of a single year (1476–77), this article places their development within the context of new forms of civic bureaucracy in England and France in which the recording of emotions and speech had particular rhetorical and political significance in the reign of Edward IV. This expanding culture of civic literacy led not only to the creation of fuller records of civic politics and events (including the surviving texts of the Corpus Christi drama), but also enabled new forms of political activity.


2021 ◽  
Author(s):  
Aleksa Nikolić ◽  

From the creation until the adoption of the Constitution of 1921 (the so-called Vidovdan Constitution), the Kingdom of Serbs, Croats and Slovenes wandered aimlessly in the constitutional provisional for almost three years. The Vidovdan Constitution finally established some kind of legal organization of the newly formed state. However, the subject of this paper will not be the analysis of social and political circumstances before and after the adoption of the Vidovdan Constitution, but the author will analyze different views on the Vidovdan Constitution from the pens of the most important Serbian, Croatian and Slovenian constitutional lawyers. In that way, through a comprehensive comparative legal analysis, a big step will be made towards shedding light on all the problems that burdened the newly formed kingdom from the start, and which were a stumbling block in building stable relations between Serbs, Croats and Slovenes. Based on the analysis of the mentioned different points of view on the Vidovdan Constitution, the author will point out the most controversial elements of the biggest names in the constitutional law of Serbia, Croatia and Slovenia and report certain conclusions about the nature and character of the Vidovdan Constitution.


The Lay Saint ◽  
2019 ◽  
pp. 83-125
Author(s):  
Mary Harvey Doyno

This chapter discusses the cult of Pier “Pettinaio” or Pier “the comb-maker” of Siena. Pier lived in Siena until his death in 1289, earning first a pious, and then a saintly reputation for his efforts to follow a rigorous schedule of prayer, to deliver charity to his fellow city-dwellers, and finally to resist the more aggressive commercial practices espoused by other urban artisans and merchants. One sees in Pier's vita how the celebration of a contemporary lay patron became an opportunity to think about the role everyday men and women played in the creation of an ideal civic community. As the vita repeatedly argues, Pier's extraordinary spiritual rigor produced the model of good communal citizenship. But one also sees in this vita an expanded understanding of the content and role of lay charisma. At the same time that the vita celebrates Pier's external actions, it also celebrates his internal focus: his embrace of the contemplative life, his prophetic powers, and his ecstatic states. Thus, in the years immediately before the mendicants took over guardianship and control of the lay penitential life, the cult of a pious Sienese comb-maker demonstrates not only a new equation between the ideal lay Christian and the ideal lay citizen but also an expanded notion of the content and power of lay spirituality.


Author(s):  
Jennifer Jahner

This chapter explores post-Lateran IV ecclesiastical reformism, focusing on the ecclesiology and pastoral theology of Robert Grosseteste, bishop of Lincoln. Grosseteste understood pastoral care not only as the clergy’s most vital responsibility to the laity but also as a form of participation in the divinely ordered natural universe. His pastoral and estate management writings to women accordingly reveal the degree to which this ecclesiology finds inspiration in the ideal of the justly governed estate. This chapter reads Grosseteste’s Anglo-French soteriological allegory, the Château d’Amour, alongside his writings to and for women, showing how the logic of secular property law becomes a means of narrating Christian time from the Creation through the Redemption to the Final Judgment. Grosseteste’s larger corpus, however, also reveals the extent to which his vision of Christian history is premised on Jewish exclusion, not only in theological but legal and practical terms.


Author(s):  
Margrit Pernau

Chapter 7 looks at the sermons of Ashraf ‘Ali Thanavi, known for the Bihishti Zewar, his best-selling advice book for female readers. At first sight, Thanavi fitted perfectly into the pattern of reading reformist Islam as a contributing force both to modernity and to the disciplining project. The ideal and the practices he encouraged seemed to aim at a constant vigilance over the movements of the soul and at a control of emotional outbursts. However, in apparent contradiction, the anecdotes surrounding Thanavi’s life point to a valuation of religious passions. His sermons very often overwhelmed his audience, leaving them shaking and crying or bringing about spiritual ecstasy— features which added to his reputation as a preacher and which he did not want to censor or prevent, though like the other reformers, he was much more comfortable with men giving in to strong feeling than with emotional women. Righteous emotions and righteous behavior, for him, were intertwined with the creation of the righteous polity.


Author(s):  
Marta Celati

The final section sums up the main innovative findings of this whole study. It points out how starting from the second half of the fifteenth century the development of a ‘thematic genre’ of literature on conspiracies was influenced by, but at the same time contributed to, the phenomenon of the literary fashioning of the profile of the ideal ruler, who now corresponded to the figure of a princeps. This literature also contributed to the creation of a new language and symbology of power through the multifunctional reworking of the classical legacy. This evolution culminated in Machiavelli’s attention to the issue of political plots in this work, with an approach that proves to be partly inspired by the previous cultural horizon, but already prominently projected towards an utterly new conceptual world. This analysis, besides providing a missing chapter on the background of Machiavelli’s work, more generally, underlines the significant contribution made by the humanist tradition, through its various literary expressions, to the development of modern political theories and to the history of our culture.


Arts ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 96
Author(s):  
Lucia Mannini

The Modernist aesthetic, which spread all over Europe and in the United States in the 1920s and 1930s, found the airbrush decorating technique to be the ideal instrument for expressing the requirements for an extreme synthesis of form. This was considered an essential element of the style, thanks to the areas of uniform color that shaded lighter tones inside basic, often geometric, shapes. The airbrush was used in that period mainly for graphics and for decorating ceramics, but it was also employed in other fields such as textile design. In Italy, the airbrush technique became popular in various artistic sectors including textiles, both for mass production and in the creation of single artistic pieces and in this latter field, Fides Testi was a leading figure.


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