They think they find themselves: radical violence and narcissistic-identity suffering

2019 ◽  
Vol 1 (1) ◽  
pp. 21-31 ◽  
Author(s):  
Louis Brunet

This article proposes a model of individual violent radicalisation leading to acts of terrorism. After reviewing the role of group regression and the creation of group psychic apparatus, the article will examine how violent radicalisation, by the reversal of the importance of the superego and the ideal ego, serves to compensate the narcissistic identity suffering by “lone wolf” terrorists.

The Lay Saint ◽  
2019 ◽  
pp. 83-125
Author(s):  
Mary Harvey Doyno

This chapter discusses the cult of Pier “Pettinaio” or Pier “the comb-maker” of Siena. Pier lived in Siena until his death in 1289, earning first a pious, and then a saintly reputation for his efforts to follow a rigorous schedule of prayer, to deliver charity to his fellow city-dwellers, and finally to resist the more aggressive commercial practices espoused by other urban artisans and merchants. One sees in Pier's vita how the celebration of a contemporary lay patron became an opportunity to think about the role everyday men and women played in the creation of an ideal civic community. As the vita repeatedly argues, Pier's extraordinary spiritual rigor produced the model of good communal citizenship. But one also sees in this vita an expanded understanding of the content and role of lay charisma. At the same time that the vita celebrates Pier's external actions, it also celebrates his internal focus: his embrace of the contemplative life, his prophetic powers, and his ecstatic states. Thus, in the years immediately before the mendicants took over guardianship and control of the lay penitential life, the cult of a pious Sienese comb-maker demonstrates not only a new equation between the ideal lay Christian and the ideal lay citizen but also an expanded notion of the content and power of lay spirituality.


2017 ◽  
Vol 25 (4) ◽  
pp. 147-155 ◽  
Author(s):  
A.A. Maslova

The article deals with the approach to the creation of a computer program for the development of adolescents’ communicative competence — the so-called «virtual interlocutor», which is the Other in terms of the dialogism of M.M. Bakhtin, and the intermediator, which mediates the introduction of a teenager to what may be called the ideal form of communicative culture in terms of cultural-historical psychology. The content of the toolkit is composed of communicative tasks and feedback, which is generated based on the principles of the co-experiencing psychotherapy developed by F.E. Vasilyuk. It’s concluded that the approach is relevant and promising considering the increasing role of Internet resources in the life of modern adolescents. The developed resource will contribute to the solution of problems related to the development of communication, the leading activity in adolescence, the success of which is caused primarily by the level of communicative competence development.


Author(s):  
Liang Cheng ◽  

This article describes the creation of the image of the Volga in the early works of Skitalets (S. G. Petrov, 1869–1941). The artistic world of the writer is filled with natural images, which are drawn mainly in a romantic way. The landscapes of Skitalets are mostly bright and colorful, although there are accurate realistic sketches. Also, the Volga can play the role of a psychological ‘accompaniment’, and can become the ideal embodiment of the proper state of the world.


2020 ◽  
Vol 43 ◽  
Author(s):  
Stefen Beeler-Duden ◽  
Meltem Yucel ◽  
Amrisha Vaish

Abstract Tomasello offers a compelling account of the emergence of humans’ sense of obligation. We suggest that more needs to be said about the role of affect in the creation of obligations. We also argue that positive emotions such as gratitude evolved to encourage individuals to fulfill cooperative obligations without the negative quality that Tomasello proposes is inherent in obligations.


2019 ◽  
Vol 1 (1) ◽  
pp. 64-83
Author(s):  
Margaret Cameron

The essence of artefacts is typically taken to be their function: they are defined in terms of the goals or aims of the artisans that make them. In this paper, an alternative theory is proposed that emphasizes, via a reconstruction of Aristotle's various comments about the nature of artefacts, the role of the moving, or efficient, cause of artefacts. This account shifts the emphasis to the role played by the investment of expertise into the creation (and subsequent being) of artefacts. It turns out that expertise is prior in being and prior in explanation to the function of artefacts, and thus plays the most fundamental role in the explanation of the ontology of artefacts.


Romanticism ◽  
2019 ◽  
Vol 25 (2) ◽  
pp. 180-189
Author(s):  
Rolf Lessenich

Though treated marginally in histories of philosophy and criticism, Byron was deeply involved in Romantic-Period controversies. In that post-Enlightenment, science-orientated age, the Platonic-Romantic concept of inspiration as divine afflatus linking the prophet-priest-poet with the ideal world beyond was no longer tenable without an admixture of doubt that turned religion into myth. As a seriously-minded Romantic sceptic in the Pyrrhonian tradition and commuter between the genres of sensibility and satire, Byron often refers to the prophet-poet concept, acting it out in pre-Decadent poses of inspiration, yet undercutting it with his typical Romantic Irony. In contrast to Goethe, who insisted on an inspired poet's sanity, he saw inspiration both as a social distinction and as a pathological norm deviation. The more imaginative and poetical the creation, the more insane is the poet's mind; the more realistic and prosaic, the more compos it is, though an active poet is never quite sane in the sense of Coleridge's ‘depression’, meaning his non-visitation by his ‘shaping spirit of imagination’.


2020 ◽  
pp. 97-110
Author(s):  
E. N. Mikhailova ◽  
V. A. Telegina

The article is devoted to the study of evaluative tools used in modern French media in order to form the media image of a representative of the political elite. The techniques used in the creation of a memorial media portrait of Jacques Chirac (1932—2019), President of France from 1995 to 2007 are considered. The research material was the most prestigious French print media of various political orientations, published in late September — early October 2019 in connection with the death of the ex-President of the French Republic. The relevance of the research topic is dictated by the close attention of modern linguistics to axiological phenomena, differently presented in different types of discursive practices. The novelty of the study is due to the appeal to the analysis of the complex of evaluation tools used in the French print media when characterizing the former leader of the state during the nation’s farewell period. The estimated potential of the title of the article and its influence on the formation of the estimated vector of the entire text of the publication are shown. A systematic analysis of the assessment expression means, reflected in the memorial media portrait of the politician, is given. The factors that influenced the peculiarities of their use in this type of media portrait are revealed.


2020 ◽  
Vol 1 (3) ◽  
pp. 206-210
Author(s):  
Ra`no Ergashova ◽  
◽  
Nilufar Yuldosheva

The creation, regulation, lexical and grammatical research and interpretation of the system of terms in the field of aviation in the world linguistics terminology system are one of the specific directions of terminology. Research on specific features is an important factor in ensuring the development of the industry. This article discusses morphological structure of aviation terms. The purpose of the article is to analyze the role of aviation terms in the morphology of the Uzbek language and its definition.


2020 ◽  
Vol 11 (1) ◽  
pp. 144-148
Author(s):  
Liuba Zlatkova ◽  

The report describes the steps for creating a musical tale by children in the art studios of „Art Workshop“, Shumen. These studios are led by students volunteers related to the arts from pedagogical department of Shumen University, and are realized in time for optional activities in the school where the child studies. The stages of creating a complete product with the help of different arts are traced – from the birth of the idea; the creation of a fairy tale plot by the children; the characterization of the fairy-tale characters; dressing them in movement, song and speech; creating sets and costumes and creating a finished product to present on stage. The role of parents as a link and a necessary helper for children and leaders is also considered, as well as the positive psychological effects that this cooperation creates.


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